The Hobbit: The Battle of the Five Armies: Original Motion Picture Soundtrack

~ Release by Howard Shore (see all versions of this release, 8 available)

Annotation

Excluded Regions (as of 2026-03-19)

🇧🇾 Belarus

Annotation last modified on 2026-03-19 10:22 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Fire and Water
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Fire and Water (The Hobbit: The Battle of the Five Armies)
composer:
Howard Shore (Canadian score composer)
Howard Shore1.755:58
2Shores of the Long Lake
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Shores of the Long Lake
writer:
Howard Shore (Canadian score composer)
Howard Shore1.754:01
3Beyond Sorrow and Grief
recording of:
Beyond Sorrow and Grief
composer:
Howard Shore (Canadian score composer)
Howard Shore22:50
4Guardians of the Three
recording of:
Guardians of the Three
composer:
Howard Shore (Canadian score composer)
Howard Shore2.55:14
5The Ruins of Dale
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
The Ruins of Dale
composer:
Howard Shore (Canadian score composer)
Howard Shore1.753:40
6The Gathering of the Clouds
recording of:
The Gathering of the Clouds
composer:
Howard Shore (Canadian score composer)
Howard Shore2.254:07
7Mithril
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Mithril
composer:
Howard Shore (Canadian score composer)
Howard Shore1.93:08
8Bred for War
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Bred for War
composer:
Howard Shore (Canadian score composer)
Howard Shore1.653:20
9A Thief in the Night
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
A Thief in the Night
composer:
Howard Shore (Canadian score composer)
Howard Shore1.54:14
10The Clouds Burst
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
The Clouds Burst
composer:
Howard Shore (Canadian score composer)
Howard Shore1.754:13
11Battle for the Mountain
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Battle for the Mountain
composer:
Howard Shore (Canadian score composer)
Howard Shore1.54:39
12The Darkest Hour
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
The Darkest Hour
composer:
Howard Shore (Canadian score composer)
Howard Shore1.55:33
13Sons of Durin
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Sons of Durin
composer:
Howard Shore (Canadian score composer)
Howard Shore1.654:25
14The Fallen
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
The Fallen
composer:
Howard Shore (Canadian score composer)
Howard Shore1.754:57
15Ravenhill
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Ravenhill
composer:
Howard Shore (Canadian score composer)
Howard Shore2.755:48
16To the Death
recording of:
To the Death
composer:
Howard Shore (Canadian score composer)
Howard Shore2.255:14
17Courage and Wisdom
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Courage and Wisdom
composer:
Howard Shore (Canadian score composer)
Howard Shore2.155:10
18The Return Journey
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
The Return Journey
composer:
Howard Shore (Canadian score composer)
Howard Shore1.54:18
19There and Back Again
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
There and Back Again
composer:
Howard Shore (Canadian score composer)
Howard Shore1.754:20
20The Last Goodbye
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios) and Jason Huss (New Zealand engineer)
associate producer:
Stephen Gallagher (New Zealand composer and editor)
executive producer:
Billy Boyd (Scottish actor and musician) and Fran Walsh
producer and mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Olga FitzRoy
cimbalom:
Edward Cervenka (percussionist and cimbalom player)
guitar:
Adam Goldsmith, John Parricelli and Dario Rossetti-Bonell
lead vocals:
Billy Boyd (Scottish actor and musician)
conductor:
Robert Ziegler (conductor)
arranger and orchestrator:
Victoria Kelly
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Park Road Post in Wellington (Wellington Region), North Island, New Zealand and Roundhead Studios in Auckland, Auckland (Auckland Region), North Island, New Zealand
recording of:
The Last Goodbye (End credits song for “The Hobbit: The Battle of the Five Armies”)
lyricist:
Philippa Boyens and Fran Walsh
composer:
Billy Boyd (Scottish actor and musician)
Billy Boyd3.754:07
21Ironfoot
recording of:
Ironfoot
composer:
Howard Shore (Canadian score composer)
Howard Shore2.755:03