The Best Jazz... Ever!

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Let There Be Love (feat. George Shearing)
batteria :
Shelly Manne (US jazz drummer) (il 1961-12-20)
chitarra :
Al Hendrickson (il 1961-12-20)
contrabbasso :
Al McKibbon (double bassist) (il 1961-12-20)
contrabbasso [arco bass] :
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (il 1961-12-20)
pianoforte :
George Shearing (British jazz pianist) (il 1961-12-20)
vibrafono :
Emil Richards (il 1961-12-20)
viola :
Joseph DiFiore (il 1961-12-20), Alvin Dinkin (il 1961-12-20), Allan Harshman (violist) (il 1961-12-20) e Paul Robyn (il 1961-12-20)
violino :
Victor Arno (il 1961-12-20), Emil Briano (Violinist) (il 1961-12-20), Jacques Gasselin (il 1961-12-20), James Getzoff (American concertmaster and violinist) (il 1961-12-20), Joseph Livoti (violinist) (il 1961-12-20), Dan Lube (il 1961-12-20), Erno Neufeld (il 1961-12-20), Isadore Roman (violin) (il 1961-12-20), Mischa Russell (violinist) (il 1961-12-20), Felix Slatkin (il 1961-12-20), Joseph Stepansky (il 1961-12-20) e Gerald Vinci (American violinist and strings conductor) (il 1961-12-20)
violoncello :
Hyman Gold (cellist) (il 1961-12-20), Armand Kaproff (il 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (il 1961-12-20) e William Vandenburg (Session Musician/Cello) (il 1961-12-20)
voce:
Nat King Cole (il 1961-12-20)
direttore d'orchestra:
Ralph Carmichael (il 1961-12-20)
arrangiatore:
Ralph Carmichael
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1962)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1961-12-20)
registrazione cover di:
Let There Be Love (il 1961-12-20)
paroliere:
Ian Grant (lyricist)
compositore:
Lionel Rand
editore:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole1.22:45
2I Get a Kick Out of You
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Alvin Stoller (il 1956-02-09)
chitarra :
Barney Kessel (il 1956-02-09)
contrabbasso :
Joe Mondragon (il 1956-02-09)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-02-09)
voce principale:
Ella Fitzgerald (American jazz singer) (il 1956-02-09)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-02-09)
registrazione cover di:
I Get a Kick Out of You (il 1956-02-09)
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell e Chappell (nel 1974)
parte di:
Anything Goes
Ella Fitzgerald3.654:01
3Mad About the Boy
registrata a:
Chicago, Illinois, Stati Uniti (il 1961-12-04)
pianoforte :
Jack Wilson (jazz pianist) (il 1961-12-04)
tromba :
Joe Newman (US jazz trumpeter) (il 1961-12-04)
trombone :
Billy Byers (il 1961-12-04)
voce:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (il 1961-12-04)
arrangiatore:
Quincy Jones (il 1961-12-04)
registrazione cover di:
Mad About the Boy (nel 1961)
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
Dinah Washington52:48
4Fever
batteria :
Shelly Manne (US jazz drummer) (il 1958-05-19)
contrabbasso [bass] :
Joe Mondragon (il 1958-05-19)
schiocchi di dita :
Peggy Lee (jazz vocalist) (il 1958-05-19) e Howard Roberts (jazz guitarist, educator, session musician and producer) (il 1958-05-19)
voce:
Peggy Lee (jazz vocalist) (il 1958-05-19)
direttore d'orchestra:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1958-05-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1958)
registrazione cover di:
Fever (il 1958-05-19)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee4.23:19
5Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:55
6That Ole Devil Called Love
batteria :
George Wettling (il 1944-11-08)
chitarra :
Carl Kress (il 1944-11-08)
contrabbasso :
Haig Stephens (il 1944-11-08)
pianoforte :
Dave Bowman (jazz pianist) (il 1944-11-08)
sassofono contralto :
Jack Cressey (il 1944-11-08) e Hymie Shertzer (il 1944-11-08)
sassofono tenore :
Larry Binyon (il 1944-11-08) e Dave Harris (tenor saxo) (il 1944-11-08)
tromba :
Russ Case (US trumpeter & bandleader) (il 1944-11-08)
voce:
Billie Holiday (il 1944-11-08)
registrazione di:
That Ole Devil Called Love (il 1944-11-08)
paroliere:
Doris Fisher (nel 1944)
compositore:
Allan Roberts (songwriter) (nel 1944)
editore:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:55
7Take the "A" Train
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1956)
registrazione di:
Take the “A” Train (original instrumental version)
compositore:
Billy Strayhorn
arrangiatore:
Don Sebesky
compresa in:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington & His Orchestra2:55
8Minnie the Moocher
ance :
Jerry Blake (il 1942-02-02)
batteria :
Cozy Cole (il 1942-02-02)
chitarra :
Danny Barker (il 1942-02-02)
contrabbasso :
Milt Hinton (il 1942-02-02)
pianoforte :
Benny Payne (jazz pianist and vocalist) (il 1942-02-02)
sassofono :
Andrew Brown (jazz saxophonist) (il 1942-02-02)
sassofono contralto :
Hilton Jefferson (il 1942-02-02)
sassofono tenore :
Teddy McRae (il 1942-02-02) e Walter "Foots" Thomas (il 1942-02-02)
tromba :
Shad Collins (il 1942-02-02), Jonah Jones (il 1942-02-02), Russell Smith (US jazz trumpeter) (il 1942-02-02) e Lammar Wright (il 1942-02-02)
trombone :
Quentin Jackson (il 1942-02-02) e Keg Johnson (jazz trombonist) (il 1942-02-02)
voce:
Cab Calloway (il 1942-02-02)
registrazione di:
Minnie the Moocher (il 1942-02-02)
paroliere e compositore:
Cab Calloway e Irving Mills
editore:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e J. Albert & Son Pty. Ltd.
si basa su:
Willie the Weeper
Cab Calloway53:16
9Five Guys Named Moe
registrazione di:
Five Guys Named Moe
autore:
Jerome Jerry Bresler e Larry Wynn
Louis Jordan3:04
10Hello Dolly
registrata a:
New York, Stati Uniti (il 1963-12-03)
produttore:
Mickey Kapp
banjo e chitarra :
Anthony Gottuso (Tony Gottuso, guitar) (il 1963-12-03)
basso :
Arvell Shaw (il 1963-12-03)
batteria :
Danny Barcelona (il 1963-12-03)
clarinetto :
Joe Darensbourg (il 1963-12-03)
contrabbasso :
Arvell Shaw
pianoforte :
Billy Kyle (il 1963-12-03)
tromba :
Louis Armstrong
trombone :
Trummy Young (il 1963-12-03)
voce:
Louis Armstrong
voce principale:
Louis Armstrong (il 1963-12-03)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!) (nel 2000)
registrazione cover di:
Hello, Dolly! (il 1963-12-03)
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
registrazione dal vivo di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
registrazione dal vivo cover di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
registrazione di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
Louis Armstrong42:26
11Ain't Misbehavin'
registrazione di:
Ain’t Misbehavin’
paroliere:
Andy Razaf (nel 1929)
compositore:
Harry Brooks (jazz pianist & songwriter) (nel 1929) e Fats Waller (nel 1929)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music e Redwood Music Ltd. (Carlin)
Fats Waller3:04
12Relax
Leon Redbone2:27
13Summertime
voce:
Sarah Vaughan (il 1949-12-21)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1949)
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (il 1949-12-21)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan3:13
14Misty
Erroll Garner2:50
15A Foggy Day
Barney Kessel3:10
16Night and Day
batteria :
Jean‐Louis Viale (French jazz drummer 1933-1984) (nel 1953-03, il 1953-03-10)
chitarra :
Django Reinhardt (French jazz guitarist and composer) (nel 1953-03, il 1953-03-10)
contrabbasso :
Pierre Michelot (nel 1953-03, il 1953-03-10)
pianoforte :
Maurice Vander (jazz musician and conductor, not the lyricist) (nel 1953-03, il 1953-03-10)
registrazione strumentale di:
Night and Day (Cole Porter; from “The Gay Divorce”) (il 1953-03-10)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
Django Reinhardt2:52
17Let’s Get Lost
basso :
Carson Smith (il 1955-03-07)
batteria :
Bob Neel (il 1955-03-07)
pianoforte :
Russ Freeman (pianist) (il 1955-03-07)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1955-03-07)
diritti fonografici (℗) detenuti da:
Blue Note (nel 1989)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1955-03-07)
registrazione di:
Let’s Get Lost (il 1955-03-07)
paroliere:
Frank Loesser
compositore:
Jimmy McHugh (songwriter)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Sony/ATV Harmony (ASCAP)
Chet Baker13:44
18I Wish I Knew (How It Would Feel to Be Free)
diritti fonografici (℗) detenuti da:
Blue Note (nel 1964)
registrazione di:
I Wish I Knew How It Would Feel to Be Free
autore:
Billy Taylor (jazz/bop pianist) e Richard Lamb
editore:
Duane Music Inc. e Westminster Music Ltd.
compresa in:
The Real Book (compilation of jazz standards, volume I)
Billy Taylor Trio3:42
19The Kid From Red Bank
arrangiatore:
Neal Hefti
registrazione di:
The Kid From Red Bank
compositore e arrangiatore:
Neal Hefti
Count Basie2:40
20Take Five
registrata a:
New York, New York, Stati Uniti (il 1959-07-01, dal 1959-08-18 al 1959-08-19)
tecnico di registrazione:
Fred Plaut
produttore:
Teo Macero (American jazz saxophonist and composer)
batteria :
Joe Morello (il 1959-07-01, dal 1959-08-18 al 1959-08-19)
contrabbasso :
Eugene Wright (bass) (il 1959-07-01, dal 1959-08-18 al 1959-08-19)
pianoforte :
Dave Brubeck (il 1959-07-01, dal 1959-08-18 al 1959-08-19)
sassofono contralto :
Paul Desmond (il 1959-07-01, dal 1959-08-18 al 1959-08-19)
diritti fonografici (℗) detenuti da:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1959), BNF Collection 2013 (Bibliothèque nationale de France) (nel 1960), Avid Entertainment (nel 2010), Supreme Media (nel 2013) e TP4 Music (nel 2017)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1959-07-01, dal 1959-08-18 al 1959-08-19)
registrazione di:
Take Five (original instrumental version) (il 1959-07-01)
compositore:
Paul Desmond
editore:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
compresa in:
The Real Book (compilation of jazz standards, volume I)
Dave Brubeck4.355:23
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