100% Swing

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Shopping
Lady Linn and Her Magnificent Seven2:50
2It Don’t Mean a Thing (If It Ain’t Got That Swing)
tecnico di registrazione:
Ray Hall (engineer) (il 1961-04-03)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Danny Barcelona (il 1961-04-03)
clarinetto :
Barney Bigard (il 1961-04-03)
contrabbasso :
Mort Herbert (il 1961-04-03)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-04-03)
tromba :
Louis Armstrong (il 1961-04-03)
trombone :
Trummy Young (il 1961-04-03)
voce:
Louis Armstrong (il 1961-04-03)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1961-04-03)
registrazione di:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (il 1961-04-03)
paroliere:
Irving Mills (nel 1931)
compositore:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (nel 1931-08)
editore:
Duke Ellington Music e EMI Mills Music (ASCAP-affiliated)
compresa in:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong and The Duke Ellington Orchestra43:57
3If I Should Lose You
Alice Ricciardi4:03
4A Time for Spring
Nicola Conte3:52
5The Girl From Ipanema (live)
Lou Rawls3:48
6Don’t Worry Be Happy
tecnico:
Chris Tergesen
produttore:
Linda Goldstein
percussione corporea :
Bobby McFerrin
voce:
Bobby McFerrin
diritti fonografici (℗) detenuti da:
EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America) (nel 1988), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1988) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1988)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
registrazione di:
Don’t Worry, Be Happy
paroliere e compositore:
Bobby McFerrin
autore:
Steve Sidwell (English composer & wind instrumentalist)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Probnoblem Music
Bobby McFerrin4.354:48
7My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne‐Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone4.053:37
8’s Wonderful
registrazione cover di:
’S Wonderful
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
Shirley Bassey2:16
9One Note Samba (Samba De Una Nota So)
registrazione cover di:
One Note Samba
paroliere:
Jon Hendricks e Newton Mendonça
compositore:
Antônio Carlos Jobim e Newton Mendonça
traduttore:
Antônio Carlos Jobim
editore:
Duchess Music Corporation (BMI-affiliated)
compresa in:
The Real Book (compilation of jazz standards, volume I)
versione tradotta di:
Samba de uma nota só
Nancy Wilson1:59
10Sing, Sing, Sing (With a Swing)
produttore:
Voyle Gilmore
basso :
Tony Liuzza (il 1958-08-25)
batteria :
Paul Ferrara (il 1958-08-25)
chitarra :
Bobby Roberts (1950-60s guitarist, The Witnesses) (il 1958-08-25)
pianoforte :
Willie McCumber Jr. (il 1958-08-25)
sassofono tenore :
Sam Butera (il 1958-08-25)
tromba :
Louis Prima (il 1958-08-25)
trombone :
Lou Sino (il 1958-08-25)
voce:
Louis Prima (il 1958-08-25)
orchestra:
The Witnesses (il 1958-08-25)
registrata presso:
Sahara Theater in Winchester, Nevada, Stati Uniti (il 1958-08-25)
registrazione dal vivo di:
Sing, Sing, Sing (With a Swing) (il 1958-08-25)
paroliere e compositore:
Louis Prima
editore:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (conclusa) e EMI Robbins Catalog Inc. (ASCAP)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Louis Prima4:09
11Time After Time
chitarra :
Al Viola (nel 1963)
contrabbasso :
Don Bagley (nel 1963)
flauto :
Bud Shank (nel 1963)
pianoforte :
Teddy Brannon (nel 1963)
tromba :
Jonah Jones (nel 1963)
voce:
June Christy (nel 1963)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (dal 1963-04 al 1963-05)
registrazione di:
Time After Time (nel 1963)
paroliere:
Sammy Cahn
compositore:
Jule Styne
editore:
Chappell/Morris Ltd. e Sands Music Corp.
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
June Christy2:23
12My Way
Matt Monro4:11
13Jump for Joy
registrazione cover di:
Jump for Joy
autore:
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller e Paul Francis Webster
Sarah Vaughan2:26
14Weirdo
produttore:
Alfred Lion
basso e contrabbasso :
Percy Heath (il 1954-03-06)
batteria :
Art Blakey (il 1954-03-06)
pianoforte :
Horace Silver (il 1954-03-06)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1954-03-06)
diritti fonografici (℗) detenuti da:
Blue Note
registrata presso:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Stati Uniti (il 1954-03-06)
registrazione di:
Weirdo (il 1954-03-06)
compositore:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Miles Davis4:44
15Angel Eyes
registrazione di:
Angel Eyes (1946 jazz standard)
paroliere:
Earl Brent (nel 1946)
compositore:
Matt Dennis (American singer, pianist, band leader) (nel 1946)
editore:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) e Onyx Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Jack Jones3:13
16Chicago
produttore:
Teddy Reig
batteria :
Sonny Payne (nel 1959-01)
chitarra :
Freddie Green (nel 1959-01)
contrabbasso :
Eddie Jones (US jazz double bassist) (nel 1959-01)
pianoforte :
Ralph Sharon e Count Basie (pianist) (nel 1959-01)
sassofono baritono :
Charlie Fowlkes (baritone saxophonist) (nel 1959-01)
sassofono contralto :
Marshall Royal (nel 1959-01) e Frank Wess (nel 1959-01)
sassofono tenore :
Frank Foster (saxophonist) (nel 1959-01) e Billy Mitchell (US jazz saxophonist) (nel 1959-01)
tromba :
Wendell Culley (jazz trumpeter) (nel 1959-01), Thad Jones (American jazz trumpeter) (nel 1959-01), Joe Newman (US jazz trumpeter) (nel 1959-01) e Snooky Young (nel 1959-01)
trombone :
Henry Coker (jazz trombonist) (nel 1959-01), Al Grey (trombone) (nel 1959-01) e Benny Powell (jazz trombonist) (nel 1959-01)
voce:
Tony Bennett (US jazz/standards vocalist) (nel 1959-01)
esecutore:
Tony Bennett (US jazz/standards vocalist)
arrangiatore:
Ralph Sharon
registrazione dal vivo cover di:
Chicago (That Toddlin’ Town) (nel 1959-01)
paroliere e compositore:
Fred Fisher (nel 1922)
editore:
Fisher Music Corp. e Salabert
Tony Bennett42:07
17On a Wonderful Day Like Today
produttore:
Ray Ellis (US producer, arranger and conductor) (nel 1965)
voce:
Lena Horne (nel 1965)
direttore d'orchestra:
Ray Ellis (US producer, arranger and conductor) (nel 1965)
arrangiatore:
Ray Ellis (US producer, arranger and conductor) (nel 1965)
registrazione di:
On a Wonderful Day Like Today (The Roar of the Greasepaint—The Smell of the Crowd) (nel 1965)
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
Lena Horne2:16
18I’ll Remember April
registrazione cover di:
I’ll Remember April
paroliere:
Patricia Johnston e Don Raye
compositore:
Gene de Paul
editore:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) e Universal Music Corp. (USA, affiliated with ASCAP)
Dakota Staton2:15
19Every Day I Have the Blues
registrazione di:
Everyday I Have the Blues
paroliere, compositore e rivista da:
Peter Chatman
autore:
Memphis Slim, Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (nel 1935) e Milton Sparks (nel 1935)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company e Tristan Music Ltd.
Count Basie & His Orchestra4:42
20Then the Lights Go Out
Jimmy Witherspoon2:58
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