The Rolling Stones in Mono

~ Veröffentlichung von The Rolling Stones (alle Versionen dieser Veröffentlichung ansehen, 10 vorhanden)

Titelliste

1▶12"-Vinyl: The Rolling Stones (UK version)
2▶12"-Vinyl: 12 × 5
3▶12"-Vinyl: The Rolling Stones No. 2
4▶12"-Vinyl: The Rolling Stones, Now!
5▶12"-Vinyl: Out of Our Heads (U.S. version)
6▶12"-Vinyl: Out of Our Heads (UK version)
7▶12"-Vinyl: December’s Children (And Everybody’s)
8▶12"-Vinyl: Aftermath (UK version)
9▶12"-Vinyl: Aftermath (U.S. version)
10▶12"-Vinyl: Between the Buttons (UK version)
11▶12"-Vinyl: Flowers
12▶12"-Vinyl: Their Satanic Majesties Request
13▶12"-Vinyl: Beggars Banquet
14▶12"-Vinyl: Let It Bleed
15▼12"-Vinyl: Stray Cats
Nr.TitelBewertungLänge
AC1Come On
Produzent(in):
Andrew Loog Oldham
phonographisches Urheberrecht (℗) von:
ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 1963)
cover recording of:
Come On
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
41:51
AC2I Want to Be Loved
cover recording of:
I Want to Be Loved
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
1:55
AC3I Wanna Be Your Man
recording of:
I Wanna Be Your Man
Verfasser(in):
John Lennon (The Beatles) (von 1963-09 bis 1963-10-07) und Paul McCartney (The Beatles) (von 1963-09 bis 1963-10-07)
publisher:
Gil Music Corporation, Northern Songs und Sony/ATV Music Publishing LLC (1995–2020)
1:46
AC4Stoned
recording of:
Stoned (am 1963-10-07)
Texter und Komponist(in):
Nanker Phelge
32:12
AC5Fortune Teller
cover recording of:
Fortune Teller
Texter und Komponist(in):
Naomi Neville
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!) und EMI United Partnership Ltd.
2:20
AC6Poison Ivy (version 1)
cover recording of:
Poison Ivy
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Carlin Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC und Warner/Chappell Music Ltd. (1996–2019)
2:37
AC7Bye Bye Johnny
cover recording of:
Bye Bye Johnny
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
2:11
AD1Money
cover recording of:
Money (That’s What I Want)
Verfasser(in):
Janie Bradford und Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
2:33
AD2Poison Ivy (version 2)
cover recording of:
Poison Ivy
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Carlin Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC und Warner/Chappell Music Ltd. (1996–2019)
2:08
AD3Not Fade Away
Techniker(in):
Bill Farley
Produzent(in):
Andrew Loog Oldham
E-Bass:
Bill Wyman (von 1964-01-28 bis 1964-01-29)
E-Gitarre:
Keith Richards (Rolling Stones guitarist) (von 1964-01-28 bis 1964-01-29)
Maracas / Rumba-Rasseln und Sologesang:
Mick Jagger (The Rolling Stones) (von 1964-01-28 bis 1964-01-29)
Mundharmonika und Tamburin:
Brian Jones (Rolling Stones member) (von 1964-01-28 bis 1964-01-29)
Schlagzeug:
Charlie Watts (drummer in The Rolling Stones) (von 1964-01-28 bis 1964-01-29)
phonographisches Urheberrecht (℗) von:
ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 1964)
produced for:
Impact Sound
aufgenommen bei:
Regent Sound Studios in London (Greater London), England, Vereinigtes Königreich (von 1964-01-28 bis 1964-01-29)
cover recording of:
Not Fade Away (von 1964-01-28 bis 1964-01-29)
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
3.81:50
AD4I’ve Been Loving You Too Long
cover recording of:
I’ve Been Loving You Too Long
Verfasser(in):
Jerry Butler (soul singer) (in 1965) und Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) und Wildwood Music Ltd.
2:58
AD5The Under Assistant West Coast Promotion Man (single version)
recording of:
The Under Assistant West Coast Promotion Man
Texter und Komponist(in):
Nanker Phelge
3:17
AD619th Nervous Breakdown
Produzent(in):
Andrew Loog Oldham
E-Bass:
Bill Wyman (in 1965-12)
E-Gitarre:
Brian Jones (Rolling Stones member) (in 1965-12) und Keith Richards (Rolling Stones guitarist) (in 1965-12)
Klavier:
Ian Stewart (piano/keyboard, Rolling Stones member) (in 1965-12)
Schlagzeug:
Charlie Watts (drummer in The Rolling Stones) (in 1965-12)
Hintergrundgesang und Sologesang:
Mick Jagger (The Rolling Stones) (in 1965-12)
phonographisches Urheberrecht (℗) von:
ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 1966)
aufgenommen bei:
RCA Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1965-12)
recording of:
19th Nervous Breakdown (in 1965-12)
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
3.653:58
16▶12"-Vinyl: Stray Cats

Nennungen

Veröffentlichung

hergestellt in:Tschechien
Europa
art direction:Alisa Coleman-Ritz (art director)
Matt Read
liner notes:David Fricke
sonstige Unterstützung:Sara Jane Dempsey (Aufgabe: management)
Julian Klein (Aufgabe: marketing and promotion)
Teri Landi (chief audio engineer and archivist at ABKCO Records) (Aufgabe: tape archive research)
Grafikdesign:Matt Read
Techniker(in):Steve Rosenthal (Aufgabe: sound restauration)
Gus Skinas (audio engineer) (Aufgabe: DSD consultant)
Ted Young (engineer) (Aufgabe: sound restauration)
Produzent(in):David Beaufoy (Aufgabe: production manager)
Teri Landi (chief audio engineer and archivist at ABKCO Records) (Aufgabe: restoration producer)
Kristen Salvatore (Aufgabe: production manager)
remastering:Bob Ludwig (mastering engineer)
Lackschnitt:Sean Magee (British mastering engineer)
transferrer:Teri Landi (chief audio engineer and archivist at ABKCO Records)
production coordinator:Anthony Kott
Danielle Toporoff
remastered at:Gateway Mastering Studios in Portland, Maine, Vereinigte Staaten
gepresst bei:GZ Media in Loděnice, Beroun (Okres Beroun), Středočeský kraj (Central Bohemian Region), Tschechien
Lackschnitt bei:Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
Discogs:https://www.discogs.com/release/25811089 [Info]