Sunshine Vibes (2022)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1I See Right Through To You - Sunrise Edit
LittGloss3:01
2Back to Life - from "Bumblebee"
Hailee Steinfeld23:53
3The Other Side Of Paradise
assistierende(r) Techniker(in):
Riley MacIntyre (engineer)
Techniker(in) und Mix:
Matt Wiggins (engineer, producer)
assistierende(r) Mix:
Marta Salogni (engineer and producer working in Studio Mute in West London)
phonographisches Urheberrecht (℗) von:
Wolf Tone Ltd. (in 2016)
recording of:
The Other Side of Paradise
Verfasser(in):
David Algernon Bayley (Glass Animals)
publisher:
Beggars Music Limited
Glass Animals3.55:20
4Wanted
NOTD2:40
5Feel Me
Programmierung:
Phil Phever
Produzent(in):
J. Mills, Kurtis McKenzie (producer) und Phil Phever
assistierende(r) Mix:
Najeeb Jones
Mix:
Tony Maserati (engineer / mixer)
Bassgitarre und Keyboard:
Phil Phever
Hintergrundgesang:
Ross Golan, Selena Gomez, Ammar Malik, Lisa Scinta und Phil Shaouy
vocals:
Selena Gomez
recording of:
Feel Me
Verfasser(in):
Ross Golan, Selena Gomez, Jacob Kasher Hindlin (American songwriter, producer), Ammar Malik, Kurtis McKenzie (producer), Jon Mills, Lisa Scinta und Phil Shaouy
publisher:
Canadiana Music, KMR Music Royalties II SCSp, Maru Cha Cha, New World Music (new age music), Prescription Songs, Seven Peaks Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Where da Kasz At
Selena Gomez33:46
6Sue Me
Assistent recording engineer:
Keith “Daquan” Sorrells und Tim Watt (engineer)
Programmierung, Techniker(in) und Produzent(in):
Oak Felder (known as “Oak of the Knightwritaz”)
Koproduzent(in):
Trevor Brown (US producer, aka “Downtown” Trevor Brown) und Zaire Koalo (US producer)
Mix:
Eric J. Dubowsky
Schlagzeug:
Zaire Koalo (US producer)
Hintergrundgesang:
Trevor Brown (US producer, aka “Downtown” Trevor Brown), Zaire Koalo (US producer) und Oak Felder (known as “Oak of the Knightwritaz”)
recording of:
Sue Me
Verfasser(in):
Sabrina Carpenter, Steph Jones (US country/pop-rock songwriter), Trevor Brown (US producer, aka “Downtown” Trevor Brown), Warren “Oak” Felder (known as “Oak of the Knightwritaz”) und William Zaire Simmons (US producer)
Sabrina Carpenter3.752:59
7I Could Get Used To This
recording of:
I Could Get Used to This
Becky Hill3:13
8Bedroom Floor
Produzent(in):
Steve Mac (British pop producer/songwriter Steve McCutcheon)
sound effects:
Charlie Puth
recording of:
Bedroom Floor
Texter:
Aaron Jennings (US rapper), Jacob Kasher (American songwriter, producer), Steve Mac (British pop producer/songwriter Steve McCutcheon), Ammar Malik, Charlie Puth und Noel Zancanella
publisher:
Artist 101 Publishing Group, Blastronaut Publishing, Charlie Puth Music Publishing, Hazheart Music, KMR Music Royalties II SCSp, Maru Cha Cha, Prescription Songs, Rokstone Music Ltd., Songs of Patriot Games und Where da Kasz At
Liam Payne23:08
9Growing Pains
phonographisches Urheberrecht (℗) von:
Def Jam US (Def Jam Recordings, US) (in 2018) und EP Entertainment, LLC (not for release label use; use “EP Entertainment” instead) (in 2018)
recording of:
Growing Pains
Verfasser(in):
Andrew Wansel und Warren Felder (known as “Oak of the Knightwritaz”)
Alessia Cara2.93:16
10All Night
Celina Sharma2:44
11Gravity
Yorke2:59
12lowkey
phonographisches Urheberrecht (℗) von:
MITS Records (in 2020)
Maty Noyes3:07
13Free Woman
recording engineer:
Benjamin Rice (American producer)
Produzent(in):
Axwell (Swedish DJ, record producer and remixer), BloodPop® und Klahr
assistierende(r) Mix:
E. Scott Kelly
Mix:
Tom Norris (American engineer and multi-instrumentalist) und Benjamin Rice (American producer)
Bass, Gitarre, Keyboard, Perkussion und Schlagzeug:
Axwell (Swedish DJ, record producer and remixer), BloodPop® und Klahr
aufgenommen bei:
EastWest Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Good Father Studios und Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Free Woman
Verfasser(in):
BloodPop®, Axel Hedfors (Swedish DJ, record producer and remixer), Johannes Klahr und Lady Gaga
Lady Gaga4.153:11
14Good Thing
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2019)
recording of:
Good Thing
Verfasser(in):
Fin Dow-Smith, Kehlani (Kehlani Ashley Parrish, an American singer-songwriter), Peter Rycroft, Cleo Tighe (British songwriter) und Zedd (Russian‐German producer)
Zedd33:30
15Boyfriend
phonographisches Urheberrecht (℗) von:
Mabel McVey (British-Swedish singer) (in 2020)
recording of:
Boyfriend
Mabel53:45
16Calling On Me
phonographisches Urheberrecht (℗) von:
SPJ Productions Ltd (in 2020)
recording of:
Calling on Me
Sean Paul23:38
17Forward Motion - From The Original Motion Picture “Late Night”
Daya3:56
18I Love Me
recording engineer:
Keith Sorrells
Programmierung:
Alex Niceforo, Oak Felder (known as “Oak of the Knightwritaz”) und Keith Sorrells
Produzent(in):
Alex Nice, Keith Sorrells und Warren "Oak" Felder (known as “Oak of the Knightwritaz”)
Bassgitarre:
Oak Felder (known as “Oak of the Knightwritaz”)
Keyboard:
Oak Felder (known as “Oak of the Knightwritaz”) und Keith Sorrells
Schlagzeug:
Alex Niceforo, Oak Felder (known as “Oak of the Knightwritaz”) und Keith Sorrells
Hintergrundgesang:
Alex Nice, Jennifer Decilveo, Sean Douglas (American record producer and songwriter), Demi Lovato und Keith Sorrells
vocals:
Demi Lovato
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2020)
recording of:
I Love Me
Verfasser(in):
Alex Niceforo, Anne‐Marie Nicholson (British singer), Jennifer Decilveo, Sean Douglas (American record producer and songwriter), Demi Lovato, Keith Sorrells und Warren Felder (known as “Oak of the Knightwritaz”)
Demi Lovato43:23
19Never Really Over
Programmierung:
Leah Haywood, Daniel James (Australian record producer) und Zedd (Russian‐German producer)
assistierende(r) Techniker(in):
Brian Cruz (engineer)
Techniker(in):
Ryan Shanahan
Produzent(in):
Dreamlab und Zedd (Russian‐German producer)
Mix:
Zedd (Russian‐German producer)
zusätzliche(r) Mix:
Ryan Shanahan
Hintergrundgesang:
Gino Barletta, Leah Haywood und Hayley Warner (Australian born singer-songwriter)
Sologesang:
Katy Perry
vocals:
Katy Perry
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2019)
aufgenommen bei:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australien, UnSub Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
mixed at:
Zedd 1 Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten
engineered at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
Teil von:
Spotify: Top Hits of 2019 (Nummer: 7)
recording of:
Never Really Over
Verfasser(in):
Anton Zaslavski (Russian‐German producer), Gino Barletta, Dagny Norvoll Sandvik, Jason Gill, Leah Haywood, Daniel James (Australian record producer), Michelle Buzz (American singer-songwriter), Katy Perry und Hayley Warner (Australian born singer-songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Marquise Cut Publishing, Sony/ATV Songs LLC, Spirit B Unique (publisher; do NOT use as release label), Universal Music Corp. (USA, affiliated with ASCAP), WC Music Corp., Buzz Recordings (in 2019), Daniel James Publishing Designee (in 2019), Gino Barletta Music (in 2019), Leah Haywood Publishing Designee (in 2019), Spirit B-Unique JV (in 2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 2019), Warner/Chappell Music Scandinavia AB (in 2019), WB Music Corp. (1929–2019) (in 2019), When I’m Rich You’ll Be My Bitch (in 2019) und Zedd Music Empire (in 2019)
Katy Perry2.93:43
20Heat Waves
assistierende(r) Techniker(in):
Chloe Kraemer und Luke Pickering
Techniker(in):
Dave Bayley (Glass Animals), Chris Galland und Riley MacIntyre (engineer)
Produzent(in):
Dave Bayley (Glass Animals)
assistierende(r) Mix:
Scott Desmarais, Robin Florent und Jeremie Inhaber
Mix:
Manny Marroquin
phonographisches Urheberrecht (℗) von:
Wolf Tone Records (not for release label use! use “Wolf Tone” instead) (in 2020)
aufgenommen bei:
Hackney Space Program und The Church Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard Year-End Hot 100 singles of 2022 (Nummer: 1), Billboard Hot 100: 2022-02-05 (Nummer: 3), Billboard Year-End Hot 100 singles of 2021 (Nummer: 16) und triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2020)
recording of:
Heat Waves (song by Glass Animals)
Texter und Komponist(in):
David Algernon Bayley (Glass Animals)
publisher:
Beggars Music Limited
Glass Animals3.353:58

Nennungen

Veröffentlichung

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