Ultime 80's

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Still Loving You
registrata a:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germania (nel 1984)
tecnico:
Mike Beiriger, Dieter Dierks, David Hewitt (engineer) e Gerd Rautenbach
produttore:
Dieter Dierks
tecnico di missaggio:
Mike Beiriger, Dieter Dierks e Scorpions (German rock band)
batteria e percussione :
Herman Rarebell (drummer, Germany) (nel 1984)
chitarra basso :
Francis Buchholz (nel 1984)
chitarra elettrica :
Rudolf Schenker (nel 1984)
chitarra elettrica [lead guitar] e chitarra elettrica [rhythm guitar] :
Matthias Jabs (nel 1984) e Rudolf Schenker (nel 1984)
voce di accompagnamento:
Francis Buchholz (nel 1984), Matthias Jabs (nel 1984), Klaus Meine (nel 1984), Herman Rarebell (drummer, Germany) (nel 1984) e Rudolf Schenker (nel 1984)
voce principale:
Klaus Meine (nel 1984)
diritti fonografici (℗) detenuti da:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (nel 1984, nel 2018), Breeze Music (nel 1984) e EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1984)
registrata presso:
Dierks Studios in Pulheim, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (dal 1983 al 1984, nel 1984)
registrazione di:
Still Loving You (nel 1984)
paroliere:
Klaus Meine
compositore:
Rudolf Schenker
editore:
Arabella Musikverlag GmbH
Scorpions4.256:28
2It's My Life
programmazione e produttore:
Tim Friese‐Greene
basso senza tasti :
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
batteria :
Tim Friese‐Greene e Lee Harris (singer-songwriter & musician)
chitarra :
Robbie McIntosh (English guitarist for The Pretenders)
chitarra acustica :
Mark Hollis
drum machine e sintetizzatore :
Tim Friese‐Greene
percussione :
Morris Pert
pianoforte :
Tim Friese‐Greene e Phil Ramocon (soul/R&B/reggae songwriter)
tastiera :
Ian Curnow
voce:
Mark Hollis
voce di accompagnamento:
Mark Hollis e Paul Webb (Video game music composer)
diritti fonografici (℗) detenuti da:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (nel 1984) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1984)
registrazione di:
It’s My Life
autore:
Tim Friese‐Greene e Mark Hollis
editore:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.853:54
3Running Up That Hill
assistente tecnico:
Pearse Dunne
tecnico:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench e Nigel Walker (UK producer/engineer/guitarist)
produttore:
Kate Bush
tecnico di missaggio:
Brian Tench
balalaika :
Paddy Bush
basso :
Del Palmer
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel)
chitarra :
Alan Murphy (UK session guitarist)
voce:
Kate Bush
diritti fonografici (℗) detenuti da:
EMI America Records (holding – file NO releases here!) (nel 1985), EMI Korea (nel 1985), EMI Records (not for release label use!) (nel 1985), EMI Records Group N.A. (nel 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985), Noble & Brite Ltd. (nel 1985), Novercia Ltd. (nel 1985), Oasis (nel 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (nel 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (nel 2006), Noble and Brite (nel 2011) e Noble & Brite Ltd (nel 2018)
registrata presso:
Wickham Farm Home Studio in Welling, Bexley, London (Greater London), England, Regno Unito
lavorazione tecnica effettuata presso:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
video musicali:
Running Up That Hill (music video) di Kate Bush
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 7), Billboard Year-End Hot 100 singles of 2022 (numero: 23), Billboard Hot 100: 2026-01-17 (numero: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 60), BILLIONS CLUB e Indie 88: Top 500 Indie Rock Songs (numero: 279)
registrazione di:
Running Up That Hill
paroliere e compositore:
Kate Bush
editore:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.954:57
4Don't Stop the Dance
assistente tecnico:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs e Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Rhett Davies
tecnico aggiunto:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita e Bryan McGee (sound engineer)
produttore:
Rhett Davies e Bryan Ferry
tecnico di missaggio:
Bob Clearmountain
voce principale:
Bryan Ferry
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1985) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985, nel 1999)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, Stati Uniti, RPM Studios in New York, New York, Stati Uniti, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e The White House in Nashville, Tennessee, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione di:
Don’t Stop the Dance
autore:
Rhett Davies e Bryan Ferry
editore:
BMG Music Publishing Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), E.G. Music Inc. (nel 1985), E.G. Music Ltd. (publisher) (nel 1985) e Virgin EG Records Ltd. (nel 1985)
Bryan Ferry44:21
5Airport
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1978)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 19)
registrazione di:
Airport
autore:
Andy McMaster
editore:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e Island Music Ltd. (dal 1978 a oggi)
The Motors3.754:30
6Do You Really Want to Hurt Me
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:23
7China in Your Hand
tecnico:
Norman Goodman
produttore:
Tim Burgess (T'Pau drummer) e Ron Rogers (Ronald Phillip Rogers, T'Pau)
diritti fonografici (℗) detenuti da:
Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1987), Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
edit di:
China in Your Hand di T’Pau
registrazione di:
China in Your Hand
autore:
Carol Decker e Ron Rogers (Ronald Phillip Rogers, T'Pau)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. e Virgin Music (Publ.) Ltd. (publisher) (nel 1987)
T’Pau44:02
8Straight Up
produttore:
Keith Cohen e Elliot Wolff
registrazione di:
Straight Up
paroliere e compositore:
Elliot Wolff
editore:
Elliot Wolff Music e Virgin Music, Inc. (US arm of Virgin’s publishing company)
Paula Abdul43:50
9Shouldn't Have to Be Like That
tecnico:
Kaj Erixon
produttore:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrazione dal vivo di:
Shouldn’t Have to Be Like That
autore:
Rune Kristoffersen e Øyvind Kvalnes
editore:
Virgin Music (Publishers) Ltd.
registrazione di:
Shouldn’t Have to Be Like That
autore:
Rune Kristoffersen e Øyvind Kvalnes
editore:
Virgin Music (Publishers) Ltd.
Fra Lippo Lippi3:54
10True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:30
11A Good Heart
produttore:
David A. Stewart (UK guitarist/singer for Eurythmics)
tecnico di missaggio:
Shelly Yakus
arrangiatore:
Feargal Sharkey e Dave Stewart (UK guitarist/singer for Eurythmics)
diritti fonografici (℗) detenuti da:
EMI Music Italy S.p.A. (company 1997–2007, not the same as "EMI Music Italy" its main imprint) (nel 1985) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985)
registrazione di:
A Good Heart
paroliere e compositore:
Maria McKee
editore:
J. Albert & Son Pty. Ltd.
Feargal Sharkey3.64:39
12I Don't Want to Be a Hero
video musicali:
I Don’t Want to Be a Hero di Johnny Hates Jazz
registrazione di:
I Don’t Want to Be a Hero
paroliere e compositore:
Clark Datchler
editore:
Stage Three Music Limited
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
Johnny Hates Jazz4.53:34
13Let Me Go
produttore:
B.E.F. e Greg Walsh (producer and engineer)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrazione di:
Let Me Go!
autore:
Glenn Gregory, Ian Craig Marsh e Martyn Ware
editore:
EMI Virgin Music Ltd. (do not use this as a release label!), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Heaven 1754:20
14Oh L'Amour
assistente tecnico di missaggio:
Phil Legg
tecnico di missaggio:
Flood (British producer Mark Ellis) e Daniel Miller (British music producer and founder of Mute Records)
registrazione di:
Oh l’amour
autore:
Andy Bell (singer / songwriter for Erasure) e Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Sony Music Publishing (worldwide except Japan, ended 1995)
Erasure3.653:00
15Imagination
registrazione di:
Imagination
paroliere e compositore:
Neville Keighley
Belouis Some33:35
16Human
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1986, nel 2003)
video musicali:
Human di The Human League
registrazione di:
Human
autore:
James Harris III (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
editore:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) e Flyte Tyme Tunes
The Human League3.53:46
17Vienna
produttore:
Conny Plank (German producer and sound engineer) e Ultravox
basso :
Chris Cross (UK bassist for Ultravox) (nel 1980-04)
batteria :
Warren Cann (nel 1980-04)
chitarra :
Midge Ure (nel 1980-04)
tastiera e violino :
Billy Currie (nel 1980-04)
voce:
Midge Ure (nel 1980-04)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981, nel 2025)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito (nel 1980-04)
mixata presso:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (nel 1980-05)
edit di:
Vienna (original album mix) di Ultravox
video musicali:
Vienna (music video) di Ultravox e Vienna (uncut) di Ultravox
registrazione di:
Vienna (nel 1980-04)
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3.354:38
1821st Century Boy
Sigue Sigue Sputnik4:41

Accreditamenti

Pubblicazione

ASIN:FR: B00005UP09 [info]