The Bodyguard (Original Soundtrack Album)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 16 disponibili)

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1CD
#TitoloArtistaValutazioneDurata
1I Will Always Love You
tecnico:
David Reitzas, Bill Schnee e Peter Yianilos
produttore:
David Foster (Canadian music producer, arranger and composer)
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive) e Whitney Houston
tecnico di missaggio:
David Reitzas
direzione creativa:
Rickey Minor (bass player, music director, composer, music producer)
sassofono solista :
Kirk Whalum
arrangiatore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore voci:
Whitney Houston
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
mixata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 60), New York Post: 100 Greatest Covers (2007) (numero: 59), Billboard: Greatest of All Time Hot 100 Songs (numero: 60) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 94)
registrazione cover di:
I Will Always Love You
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. e Velvet Apple Music
Whitney Houston4.54:32
2I Have Nothing
tecnico:
David Reitzas
produttore:
David Foster (Canadian music producer, arranger and composer)
tecnico di missaggio:
Mick Guzauski
arrangiatore archi :
David Foster (Canadian music producer, arranger and composer) e Jeremy Lubbock
arrangiatore:
David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1993)
registrata presso:
Encore Recording Studios in Burbank, California, Stati Uniti, Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti e The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione di:
I Have Nothing
autore:
David Foster (Canadian music producer, arranger and composer) e Linda Thompson (American actress, lyricist)
parte di:
The 65th Academy Award for Best Original Song (numero: 2)
Whitney Houston4.24:50
3I’m Every Woman
programmazione:
James T. Alfano e Chauncey Mahan
tecnico:
Marc Reyburn e Matt Rohr (Recording Engineer)
tecnico aggiunto:
Richard Joseph (recording engineer and musician) e Acar Key
produttore:
Narada Michael Walden
produttore aggiunto:
Robert Clivillés (record producer, songwriter, arranger, music video director) e David Cole (US musician/producer, member of C+C Music Factory)
tecnico di missaggio:
Bob Rosa
arrangiatore voci aggiunto:
Robert Clivillés (record producer, songwriter, arranger, music video director) e David Cole (US musician/producer, member of C+C Music Factory)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
registrata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti e Tarpan Studios in San Rafael, California, Stati Uniti
registrazione cover di:
I’m Every Woman (nel 1992)
autore:
Nickolas Ashford e Valerie Simpson
editore:
Nick‐O‐Val Music Co., Inc.
Whitney Houston4.24:47
4Run to You
tecnico:
David Reitzas
produttore:
David Foster (Canadian music producer, arranger and composer)
tecnico di missaggio:
Mick Guzauski
arrangiatore archi :
David Foster (Canadian music producer, arranger and composer) e William Ross (composer, orchestrator, arranger, conductor)
arrangiatore:
David Foster (Canadian music producer, arranger and composer) e Jud Friedman
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
registrata presso:
Encore Recording Studios in Burbank, California, Stati Uniti, Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti e The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione di:
Run to You
autore:
Jud Friedman e Allan Rich
editore:
Candlelight, Nelana Songs, PSO Ltd. e Songs of Universal, Inc. (BMI)
parte di:
The 65th Academy Award for Best Original Song (numero: 2)
Whitney Houston4.54:24
5Queen of the Night
tecnico:
Milton Chan (Recording Engineer) e Barney Perkins
co-produttore:
Whitney Houston e Daryl Simmons
produttore:
Babyface (R&B musician Kenny Edmonds) e L.A. Reid
tecnico di missaggio:
Dave Way e Jim Zumpano (production engineer)
arrangiatore voci:
Whitney Houston
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
registrata presso:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti, Studio LaCoCo in Atlanta, Georgia, Stati Uniti e Summa Studios in Los Angeles, California, Stati Uniti
registrazione di:
Queen of the Night
autore:
Babyface (R&B musician Kenny Edmonds), Whitney Houston, L.A. Reid e Daryl Simmons
Whitney Houston43:10
6Jesus Loves Me
tecnico:
Victor Caldwell e Mike McCarthy (American record producer)
produttore:
Whitney Houston e BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
tecnico di missaggio:
David Reitzas
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
voce di accompagnamento:
Alvin Chea, Claude McKnight e BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
arrangiatore archi :
Ronn Huff
arrangiatore:
Cedric Caldwell e BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
arrangiatore voci:
Whitney Houston e BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
registrata presso:
16th Avenue Sound in Nashville, Tennessee, Stati Uniti, Javelina Recording in Nashville, Tennessee, Stati Uniti e Quad Studios in Nashville, Tennessee, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione cover di:
Jesus Loves Me (original hymn)
paroliere:
Anna Warner
compositore:
William B. Bradbury (composer of popular hymns)
Whitney Houston2.55:12
7Even If My Heart Would Break
programmazione:
Gary Cirimelli e Ren Klyce
assistente tecnico:
Kevin Becka e Steve Sheppard
tecnico:
Dana Jon Chappelle e Humberto Gatica
tecnico aggiunto:
Kevin Becka, Dana Jon Chappelle, Manny LaCarrubba e Steve Sheppard
produttore:
Walter Afanasieff e David Foster (Canadian music producer, arranger and composer)
tecnico di missaggio:
Mick Guzauski
membranofono :
John “JR” Robinson (session drummer)
organo, percussione e pianoforte e sintetizzatore :
Walter Afanasieff
sassofono tenore :
Kenny G (saxophonist)
tastiera :
Walter Afanasieff e Randy Kerber
voce di accompagnamento:
Lynn Davis (vocalist), Phillip Ingram (Soul and R&B singer-songwriter and keyboardist) e Jean McLean
voce principale:
Aaron Neville
esecutore:
Aaron Neville
arrangiatore:
David Foster (Canadian music producer, arranger and composer) e Kenny G (saxophonist)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
registrazione di:
Even If My Heart Would Break
autore:
Franne Golde e Adrian Gurvitz
editore:
BMG Platinum Songs US e WC Music Corp.
Kenny G and Aaron Neville54:58
8Someday (I’m Coming Back)
produttore:
Ian Devaney e Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
voce:
Lisa Stansfield
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
registrazione di:
Someday (I’m Coming Back)
autore:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) e Lisa Stansfield
Lisa Stansfield44:59
9It’s Gonna Be a Lovely Day
voce principale:
Michelle Visage
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
registrazione di:
It's Gonna Be a Lovely Day
autore:
Robert Clivillés (record producer, songwriter, arranger, music video director), David Cole (US musician/producer, member of C+C Music Factory), Tommy Never, Skip Scarborough, Michelle Visage e Bill Withers
editore:
Unichappell Music, Inc.
versione di:
Lovely Day
The S.O.U.L. S.Y.S.T.E.M.34:51
10(What’s So Funny ’Bout) Peace, Love and Understanding
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
registrazione cover di:
(What’s So Funny ’Bout) Peace, Love and Understanding
paroliere e compositore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
editore:
Plangent Visions Music, Inc.
Curtis Stigers44:05
11Waiting for You
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
registrazione di:
Waiting for You
compositore:
Kenny G (saxophonist)
Kenny G44:57
12Trust in Me
batteria :
David Beal
chitarra :
Phil Grande
chitarra basso :
T.M. Stevens (US bass player Thomas Michael Stevens)
tastiera :
Jeff Levine
esecutore:
Sass Jordan
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1987)
registrazione di:
Trust in Me
autore:
Francesca Beghe, Charlie Midnight e Marc Swersky
Joe Cocker feat. Sass Jordan44:13
13Theme From The Bodyguard
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
registrazione di:
Theme from The Bodyguard (The Bodyguard)
compositore:
Alan Silvestri (US score composer)
parte di:
The Bodyguard (1992 film)
Alan Silvestri32:46