Voices: The Greatest Voices of All Time

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Packaging is a Gatefold Digipak.

Anmerkung zuletzt geändert am 2017-06-23 06:09 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1I Can’t Make You Love Me
Produzent(in):
George Michael
vocals:
George Michael
arranger:
George Michael
cover recording of:
I Can’t Make You Love Me
Verfasser(in):
Mike Reid (US country artist & former football player) und Allen Shamblin
publisher:
Universal Music–MGB Songs, Almo Music Corp. (USA, affiliated with ASCAP) (in 1991), Brio Blues Music (in 1991) und Hayes Street Music, Inc. (in 1991)
sub-publisher:
環球音樂出版股份有限公司 (Universal Music Publishing Co., Ltd.)
George Michael35:23
2The Man Who Can’t Be Moved
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2008)
Musikvideos:
The Man Who Can’t Be Moved von The Script
recording of:
The Man Who Can’t Be Moved
Verfasser(in):
Andrew Frampton, Steve Kipner, Danny O’Donoghue und Mark Sheehan
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Imagem Music und Stage Three Music Publishing Limited
The Script3.64:02
3New York
drum machine-Programmierung:
Pete Davis (UK engineer, programmer, keyboards)
Keyboard-Programmierung:
George Noriega (American songwriter and record producer) und Rob Wells (Canadian musician, pianist, songwriter and record producer)
Produzent(in):
Jodi Marr (American songwriter and record producer), George Noriega (American songwriter and record producer) und Rob Wells (Canadian musician, pianist, songwriter and record producer)
assistierende(r) Mix:
Darren Heelis (music engineer, producer, programming, additional production)
Mix:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Bassgitarre:
Pete Davis (UK engineer, programmer, keyboards)
Keyboard:
George Noriega (American songwriter and record producer) und Rob Wells (Canadian musician, pianist, songwriter and record producer)
Klavier:
Rob Wells (Canadian musician, pianist, songwriter and record producer)
Saiteninstrumente:
London Studio Orchestra
Hintergrundgesang:
Robin Bailey-Reid (tenor vocals), Paloma Faith, Pearle Jarrett, Bryon Jones (background vocals), Joy Malcolm, Jodi Marr (American songwriter and record producer), Subrina McCalla, Ian Pitter, Carol Riley, Patricia Scott, Dee Dee Wilde und Vanessa Yeboah
Sologesang:
Paloma Faith
conductor:
Simon Hale (Saiteninstrumente)
Blechblasinstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger), Jodi Marr (American songwriter and record producer), George Noriega (American songwriter and record producer) und Rob Wells (Canadian musician, pianist, songwriter and record producer)
Saiteninstrumente arranger:
Simon Hale
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
New York
Verfasser(in):
Paloma Faith und Jodi Marr (American songwriter and record producer)
Paloma Faith23:42
4Truly Madly Deeply
Produzent(in):
Charles Fisher (Australian producer)
Mix:
Mike Pela
vocals arranger:
Jim Bonnefond, Charles Fisher (Australian producer) und Darren Hayes
Orchestrator(in):
Jackie Orszaczky
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1997)
mixed at:
Whitfield Street Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, Vereinigtes Königreich
recording of:
Truly Madly Deeply
publisher:
Savage Garden
Verfasser(in):
Darren Hayes und Daniel Jones (Australian singer/producer of Savage Garden)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Music Publishing
Savage Garden4.254:25
5Torn
Produzent(in):
Phil Thornalley
Mix:
Nigel Godrich (English record producer)
Sologesang:
Natalie Imbruglia
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (vom 1997 bis heute) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 32), Cachitos Nochevieja 2022 (Nummer: 60) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 333)
cover recording of:
Torn
Texter:
Anne Preven
Komponist(in):
Scott Cutler, Anne Preven und Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:06
6Seven Nation Army
cover recording of:
Seven Nation Army
Texter und Komponist(in):
Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
publisher:
Peppermint Stripe Music
Marcus Collins2:59
7Drops of Jupiter
recording engineer:
Nick DiDia und Brett Eliason
Programmierung:
Scott Underwood (Drummer for Train)
assistierende(r) Techniker(in):
Karl Egsieker und Steve Genewick
Techniker(in):
Steve Churchyard
zusätzliche(r) Techniker(in):
Ryan Williams (US recording engineer/producer)
Produzent(in):
Brendan O’Brien (engineer)
Mix:
John Burton (engineer), Brett Eliason und Brendan O’Brien (engineer)
Bass:
Charlie Colin und Rob Hotchkiss
Bratsche / Viola:
Evan Wilson (viola player)
Cello:
Dan Smith (cellist) und Suzie Katayama
Geige / Violine:
Michael Markman
Gitarre und Hintergrundgesang:
Charlie Colin, Rob Hotchkiss und Jimmy Stafford (member of Train)
Keyboard:
Brendan O’Brien (engineer) und Scott Underwood (Drummer for Train)
Klavier:
Chuck Leavell
Mandoline:
Jimmy Stafford (member of Train)
Perkussion:
Pat Monahan und Scott Underwood (Drummer for Train)
Schlagzeug:
Scott Underwood (Drummer for Train)
Sologesang:
Pat Monahan
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2001)
Musikvideos:
Drops of Jupiter von Train (US pop rock band)
Teil von:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) und My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees (2001)
recording of:
Drops of Jupiter
Verfasser(in):
Charlie Colin, Rob Hotchkiss, Pat Monahan, Jimmy Stafford (member of Train) und Scott Underwood (Drummer for Train)
publisher:
Blue Lamp Music, EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!) und EMI Music Publishing Ltd. (PRS‐affiliated)
Train4.54:21
8Run for Your Life
Musikvideos:
Run for Your Life von Matt Cardle
recording of:
Run for Your Life
Texter und Komponist(in):
Gary Barlow
Matt Cardle24:06
9The Closest Thing to Crazy
Techniker(in):
Steve Sale
Produzent(in):
Mike Batt
Sologesang:
Katie Melua
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
Dramatico Entertainment Ltd. (not release label) (in 2003) und BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 2023)
recording of:
The Closest Thing to Crazy
Texter und Komponist(in):
Mike Batt
publisher:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) und Sony/ATV Music Publishing (UK) Ltd.
Katie Melua3.54:13
10Wherever You Will Go
Charlene Soraia3:19
11Over the Rainbow
Eva Cassidy5:00
12These Words
Produzent(in):
Andrew Frampton, Steve Kipner und Wayne Wilkins
Sologesang:
Natasha Bedingfield
remixer:
Manny Marroquin
phonographisches Urheberrecht (℗) von:
Sony BMG Music Publishing (UK) Limited (SM Publishing (UK) Limited, Sony Music, 2009–2020) (in 2004)
recording of:
These Words (I Love You, I Love You)
Verfasser(in):
Natasha Bedingfield, Andrew Frampton, Steve Kipner und Wayne Wilkins
Natasha Bedingfield3.33:37
13Born to Try
recording of:
Born to Try
Texter und Komponist(in):
Delta Goodrem und Audius Mtawarira
Delta Goodrem33:53
14Once
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2010)
recording of:
Once
Verfasser(in):
Cathy Dennis und Francis White (legal name of songwriter/producer Eg White)
Diana Vickers23:10
15Angel
recording of:
Angel
Texter:
Sarah McLachlan und Rudy Pérez (Cuban-born American)
Verfasser(in):
Rudy Pérez (Cuban-born American)
Komponist(in):
Sarah McLachlan
publisher:
Sony/ATV Songs LLC und Tyde Music
Sarah McLachlan4:02
16Heartbeats
Produzent(in):
José González (Swedish singer-songwriter and guitarist)
Mix:
Mikko Hellsing
Gitarre und Perkussion:
José González (Swedish singer-songwriter and guitarist)
vocals:
José González (Swedish singer-songwriter and guitarist)
Musikvideos:
Heartbeats (official music video) von José González (Swedish singer-songwriter and guitarist)
cover recording of:
Heartbeats
Texter und Komponist(in):
Karin Dreijer (Swedish singer‐songwriter) und Olof Dreijer
José González4.452:40
17How to Save a Life
Assistent recording engineer:
Kevin Loyal und James Masterson
recording engineer und Editing:
Paul Mahern
assistierende(r) Techniker(in):
Alex Uychocde
zusätzliche(r) Techniker(in):
Tim Hoagland und Aaron Johnson (producer/mixer/engineer, worked with The Fray)
Produzent(in):
Mike Flynn (A&R executive) und Aaron Johnson (producer/mixer/engineer, worked with The Fray)
Mix:
Mark Endert
zusätzliches Editing:
Warren Huart
Musikvideo für:
How to Save a Life (first variant) von The Fray (US alternative rock band)
Musikvideos:
How to Save a Life (third variant) von The Fray (US alternative rock band)
recording of:
How to Save a Life
Verfasser(in):
Joe King (guitarist and vocalist in The Fray) und Isaac Slade
publisher:
Aaron Edwards Publishing, EMI April Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
The Fray4.24:24
18Dream Catch Me
recording engineer:
Andy McKim
Produzent(in) und Mix:
Mike Spencer (UK producer)
Bass, Gitarre und Schlagzeug:
Newton Faulkner
zusätzlich Gitarre:
Crispin Hunt
vocals:
Newton Faulkner
phonographisches Urheberrecht (℗) von:
Peer‐Southern Productions Limited (not for release label use, only for copyrights and other legal credits) (in 2007) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2007)
Musikvideos:
Dream Catch Me von Newton Faulkner
recording of:
Dream Catch Me
Verfasser(in):
Newton Faulkner, Crispin Hunt und Gordon Mills (UK based engineer and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Newton Faulkner3.353:58
19Here You Come Again
vocals:
Dolly Parton
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1977) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 60)
cover recording of:
Here You Come Again
Texter:
Cynthia Weil
Komponist(in):
Barry Mann
publisher:
Dyad Music Ltd., EMI Music Publishing Australia Pty. Limited (not for release label use!), Screen Gems–EMI Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Summerhill Music Songs und Summerhill Songs
Dolly Parton42:55
20She’s Always a Woman
Techniker(in):
Jim Boyer (producer/engineer) und Phil Ramone
Produzent(in):
Phil Ramone
Akustikgitarre:
Steve Burgh (in 1977) und Hugh McCracken (in 1977)
E-Bass:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1977)
flute:
Richie Cannata (in 1977)
Klavier und Sologesang:
Billy Joel (American singer‐songwriter and pianist) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1977), Sony BMG Music Entertainment (2004–2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (in 1977)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
Musikvideos:
She’s Always a Woman von Billy Joel (American singer‐songwriter and pianist)
recording of:
She’s Always a Woman (in 1977)
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., EMI Songs Australia Pty. Ltd., Joelsongs (vom 1977 bis heute), CBS Songs Ltd. (in 1977) und Impulsive Music (in 1977)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Joel43:22
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