Let the Good Times Roll

~ Veröffentlichung von Jerry Lee Lewis (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: Volume 1
Nr.TitelBewertungLänge
1Lewis Boogie
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1957-06)
Gitarre:
Roland Janes (in 1957-06)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
Schlagzeug:
Jimmy Van Eaton (in 1957-06)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
phonographisches Urheberrecht (℗) von:
Sun Record Company (vom 1958 bis heute, in 1958)
recording of:
Lewis Boogie (in 1957-06)
Texter und Komponist(in):
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
publisher:
Knox Music, Inc.
2:02
2It'll Be Me
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (von 1957-01 bis 1957-02)
Gitarre:
Roland Janes (von 1957-01 bis 1957-02)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1957-01 bis 1957-02)
Schlagzeug:
Jimmy Van Eaton (von 1957-01 bis 1957-02)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1957-01 bis 1957-02)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1957) und Charly Records (vom 2008 bis heute)
recording of:
It’ll Be Me (von 1957-01 bis 1957-02)
Texter, Verfasser(in) und Komponist(in):
Jack Clement
publisher:
Bob Webster Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
2:47
3High School Confidential
recording of:
High School Confidential
Verfasser(in):
Ron Hargrave (von 1958-01 bis 1958-01-28) und Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-01 bis 1958-01-28)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Penron Music und Penron Music Publishing
3:01
4Whole Lotta Shakin' Goin' On
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records) (in 1957)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) und Charly Records (vom 2008 bis heute)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-02-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (am 1957-02-05)
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
4.652:53
5Good Rockin' Tonight
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre und Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1958-02-14)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-02-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-02-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1983)
cover recording of:
Good Rockin’ Tonight (am 1958-02-14)
Texter und Komponist(in):
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. und Wixen Music UK Ltd.
2:44
6Big Legged Woman
Produzent(in):
Jack Clement und Bill Justis
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (von 1958-07-11 bis 1958-07-19)
Gitarre:
Roland Janes (von 1958-07-11 bis 1958-07-19)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-07-11 bis 1958-07-19)
Schlagzeug:
Jimmy Van Eaton (von 1958-07-11 bis 1958-07-19)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-07-11 bis 1958-07-19)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1969)
recording of:
Big Legged Woman (von 1958-07-11 bis 1958-07-19)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
2:28
7Great Balls of Fire
Produzent(in):
Jerry Bruckheimer, Jack Clement, Don Simpson (American film producer, screenwriter, and actor) und Sam Phillips (founder of Sun Records) (in 1957)
Bassgitarre:
Sidney Stokes
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1957)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-10-08)
Bearbeitung von:
Great Balls of Fire (chat & master) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 96) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 242)
recording of:
Great Balls of Fire (in 1957-10)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
cover recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
4.351:54
8Drinkin' Wine Spo-Dee-O-Dee
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1971)
cover recording of:
Drinkin’ Wine, Spo‐Dee‐O‐Dee (am 1957-02-05)
Verfasser(in):
Stick McGhee und J. Mayo ‘Ink’ Williams
2:37
9Matchbox
Bearbeitung von:
Matchbox (chat & undubbed master) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Matchbox
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music und Wren Music Co.
Version von:
Match Box Blues
1:44
10You Win Again
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-08-21)
Gitarre:
Roland Janes (am 1957-08-21)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-08-21)
Schlagzeug:
Otis Jett (am 1957-08-21)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-08-21)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1983)
cover recording of:
You Win Again (am 1957-08-21)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK) und Acuff-Rose Publications, Inc. (BMI) (am 1952-09-03)
2:56
11Will the Circle Be Unbroken
Produzent(in):
Ernie Barton
Bassgitarre:
Leo Lodner (von 1959-06-25 bis 1959-06-26)
Gitarre:
Roland Janes (von 1959-06-25 bis 1959-06-26) und Billy Lee Riley (von 1959-06-25 bis 1959-06-26)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1959-06-25 bis 1959-06-26)
Schlagzeug:
Russell Smith (US 1950s drummer) (von 1959-06-25 bis 1959-06-26)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1959-06-25 bis 1959-06-26)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1970)
cover recording of:
Can the Circle Be Unbroken (By and By) (von 1959-06-25 bis 1959-06-26)
publisher:
Charles M. Alexander, Chicago, Illinois (gospel) (am 1907-04-30)
Texter:
Ada Ruth Habershon (christian hymnist and writer) (in 1907)
zusätzlicher Texter und zusätzliche(r) Komponist(in):
A.P. Carter
Komponist(in):
Charles Hutchinson Gabriel (in 1907)
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (am 1935-06-22)
Version von:
Will the Circle Be Unbroken?
2:24
12That Lucky Old Sun
Produzent(in):
Jack Clement und Bill Justis
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-07-05 bis 1958-07-07)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-07-05 bis 1958-07-07)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1975)
cover recording of:
That Lucky Old Sun (von 1958-07-05 bis 1958-07-07)
Texter:
Haven Gillespie (in 1949)
Komponist(in):
Beasley Smith (in 1949)
publisher:
Beasley Smith Music, Haven Gillespie Music Publishing Co. und Robbins Music Corp.
3:10
13Crazy Arms
Bearbeitung von:
Crazy Arms (version 2: chat & take) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Crazy Arms
Verfasser(in):
Ralph Mooney (in 1954) und Chuck Seals (in 1954)
publisher:
Champion Music Corp., Leeds Music, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Sony/ATV Tree Publishing (in 1956) und MCA Music Svenska AB (in 1978)
2:39
14Break Up
Bearbeitung von:
Break Up (false start to 'Settin' the Woods on Fire' & take named (2.1) on BCD 17254) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Break Up
Texter und Komponist(in):
Charlie Rich (US country singer)
publisher:
Knox Music, Inc.
2:25
15Memory of You
Produzent(in):
Jack Clement und Bill Justis
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-07-05 bis 1958-07-07)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-07-05 bis 1958-07-07)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1983)
recording of:
Memory of You (von 1958-07-05 bis 1958-07-07)
Texter und Komponist(in):
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
2:10
16Johnny B. Goode
Produzent(in):
Jack Clement und Bill Justis
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-07-05 bis 1958-07-07)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-07-05 bis 1958-07-07)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1983)
cover recording of:
Johnny B. Goode (von 1958-07-05 bis 1958-07-07)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
1:55
17Little Queenie
Produzent(in):
Jack Clement, Bill Justis und Sam Phillips (founder of Sun Records)
Bassgitarre:
Leo Lodner (am 1959-05-28)
Gitarre:
Roland Janes (am 1959-05-28)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1959-05-28)
Schlagzeug:
Jimmy Van Eaton (am 1959-05-28)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1959-05-28)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1959)
cover recording of:
Little Queenie (am 1959-05-28)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2:26
18Milkshake Mademoiselle
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (von 1958-01-16 bis 1958-01-18)
Gitarre:
Roland Janes (von 1958-01-16 bis 1958-01-18) und Billy Lee Riley (von 1958-01-16 bis 1958-01-18)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-01-16 bis 1958-01-18)
Schlagzeug:
Jimmy Van Eaton (von 1958-01-16 bis 1958-01-18)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-01-16 bis 1958-01-18)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1983)
recording of:
Milkshake Mademoiselle (von 1958-01-16 bis 1958-01-18)
Texter und Komponist(in):
Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Microhits Music Limited und Sony/ATV Tunes LLC (ASCAP)
2:08
19Big Blon' Baby
Produzent(in):
Jack Clement, Bill Justis und Sam Phillips (founder of Sun Records)
Bassgitarre:
Billy Lee Riley (von 1958-12 bis 1959-01)
Gitarre:
Roland Janes (von 1958-12 bis 1959-01)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-12 bis 1959-01)
Schlagzeug:
Jimmy Van Eaton (von 1958-12 bis 1959-01)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-12 bis 1959-01)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1959)
recording of:
Big Blon’ Baby (von 1958-12 bis 1959-01)
Verfasser(in):
Kenny Jacobson und Rhoda Roberts
publisher:
Alamo Music, Inc.
1:43
20Breathless
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1958-01-21)
Gitarre:
Roland Janes (am 1958-01-21) und Billy Lee Riley (am 1958-01-21)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-01-21)
Schlagzeug:
Jimmy Van Eaton (am 1958-01-21)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-01-21)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
recording of:
Breathless (am 1958-01-21)
Texter und Komponist(in):
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Home Folks Music (USA) Inc. und Obie Music Inc.
42:45
21Mean Woman Blues
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Sid Manker (am 1957-09-10)
Gitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-09-10)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-09-10)
Schlagzeug:
Otis Jett (am 1957-09-10)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-09-10)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1957)
cover recording of:
Mean Woman Blues (am 1957-09-10)
Texter und Komponist(in):
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. und Williamson Music Company
2:26
22Down the Line
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (von 1958-01-16 bis 1958-01-18)
Gitarre:
Roland Janes (von 1958-01-16 bis 1958-01-18) und Billy Lee Riley (von 1958-01-16 bis 1958-01-18)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-01-16 bis 1958-01-18)
Schlagzeug:
Jimmy Van Eaton (von 1958-01-16 bis 1958-01-18)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-01-16 bis 1958-01-18)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
cover recording of:
Go Go Go (Down the Line) (von 1958-01-16 bis 1958-01-18)
Texter und Komponist(in):
Roy Orbison
publisher:
Barbara Orbison Music Company, Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., Roy Orbison Music Company und Roys Boy’s, LLC
2:15
23When the Saints Go Marching In
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (in 1957-02)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-02)
Schlagzeug:
Jimmy Van Eaton (in 1957-02)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-02)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-02)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1983)
recording of:
When the Saints Go Marching In (in 1957-02)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13983)
Arrangement von:
笑おう (album ver.)
Version von:
When the Saints Go Marching In
2:12
24End of the Road
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (am 1956-11-14)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1956-11-14)
Schlagzeug:
Jimmy Van Eaton (am 1956-11-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1956-11-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1956)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1956-11-14)
recording of:
End of the Road (am 1956-11-14)
Texter und Komponist(in):
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (bis 1956-11-14)
Verfasser(in):
Traditional ([traditional], special purpose artist)
publisher:
Hill & Range Songs, Inc. (publisher) und Knox Music, Inc.
1:50
25What'd I Say
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Bassgitarre:
Bob Moore (U.S. bassist and bandleader) (am 1961-02-09)
Gitarre:
Hank Garland (am 1961-02-09) und Kelton ‘Kelso’ Herston (am 1961-02-09)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1961-02-09)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1961-02-09)
Chorgesang und Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1961-02-09)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1961)
Remix von:
What’d I Say (master stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
What’d I Say (am 1961-02-09)
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
2:27
2▶CD: Volume 2
3▶CD: Volume 3

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