Ain’t That a Grand and Glorious Feeling

~ Release by Royal Society Jazz Orchestra (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Shaking the Blues Away
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
vocals:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
3:27
2Boogie Woogie
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
3:22
3Conversational Man
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
vocals:
Carla Normand (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
3:02
4The Breakaway
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
vocals:
A.C. Griffing (from 1990-04-23 until 1990-04-25) and "Scrumbley" Koldwyn (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
3:32
5Waitin’ for Katy
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
vocals:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
3:38
6Make My Cot Where the Cot-Cot-Cotton Grows
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
vocals:
A.C. Griffing (from 1990-04-23 until 1990-04-25), "Scrumbley" Koldwyn (from 1990-04-23 until 1990-04-25) and Carla Normand (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
4:38
7Sweet Jennie Lee
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
vocals:
A.C. Griffing (from 1990-04-23 until 1990-04-25) and "Scrumbley" Koldwyn (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
3:38
8Absolutely Positively
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
vocals:
Don Neely (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
3:25
9My Kinda Love
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
3:30
10New Moten Stomp
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
2:45
11Wob-a-ly Walk
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
vocals:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
recording of:
Wob-a-ly Walk
lyricist:
Bud Green
composer:
Harry Warren (US composer and lyricist)
2:42
12I Know That My Baby’s Cheatin’ on Me
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
vocals:
Carla Normand (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
3:03
13Changes
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
vocals:
A.C. Griffing (from 1990-04-23 until 1990-04-25) and "Scrumbley" Koldwyn (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
2:49
14Ain’t That a Grand and Glorious Feeling
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
vocals:
Don Neely (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
recording of:
Ain’t That a Grand and Glorious Feeling? (in 1990-04)
lyricist:
Jack Yellen
composer:
Milton Ager
3:49
15My Cutey’s Due at Two-to-Two Today
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
vocals:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
3:10
16Sunday
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
vocals:
A.C. Griffing (from 1990-04-23 until 1990-04-25), "Scrumbley" Koldwyn (from 1990-04-23 until 1990-04-25) and Carla Normand (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
3:09
17I’m Tickled Pink With a Blue-Eyed Baby
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
vocals:
Don Neely (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
3:15
18(What Do We Do on a) Dew-Dew-Dewy Day
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
vocals:
A.C. Griffing (from 1990-04-23 until 1990-04-25) and "Scrumbley" Koldwyn (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
3:44
19The Things That Were Made for Love
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
vocals:
Carla Normand (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
3:37
20Mule Face Blues
recording engineer:
Mike Cogan (from 1990-04-23 until 1990-04-25)
producer:
Bob Erdos
brass:
Frank Davis (brass) (from 1990-04-23 until 1990-04-25)
cornet:
Kent Mikasa (from 1990-04-23 until 1990-04-25)
membranophone:
Steve Apple (from 1990-04-23 until 1990-04-25)
piano:
Frederick Hodges (from 1990-04-23 until 1990-04-25)
reeds:
Lin Patch (from 1990-04-23 until 1990-04-25) and Mark Warren (reeds) (from 1990-04-23 until 1990-04-25)
strings:
Dix Bruce (from 1990-04-23 until 1990-04-25)
trombone:
Jon Schermer (from 1990-04-23 until 1990-04-25)
woodwind:
Don Neely (from 1990-04-23 until 1990-04-25)
orchestra:
Royal Society Jazz Orchestra (from 1990-04-23 until 1990-04-25)
recorded at:
Bay Records (Berkeley) in Berkeley, California, United States (from 1990-04-23 until 1990-04-25)
2:47

Credits

Release

design/illustration:Joe Busam
photography:Mark A. Vieira
double bass and tuba:Jeff Wells (tuba, bass)