New York Counterpoint

~ Veröffentlichung von Richard Stoltzman (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1Sky
recording engineer:
Larry Swist (in 1986-07)
assistierende(r) Techniker(in):
Chris Bubacz
Produzent(in):
Jeremy Wall
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (in 1986-07)
Riq [riqq]:
Glen Velez (in 1986-07)
Synthesizer:
Jeremy Wall (in 1986-07)
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1987)
aufgenommen bei:
Bear Tracks Studio in Suffern, New York, Vereinigte Staaten (in 1986-07)
recording of:
Sky (in 1986-07)
Komponist(in):
Bill Douglas (Canadian musician & composer)
Bill Douglas4:07
A2Pie Jesu
recording engineer:
Larry Swist (in 1986-07)
assistierende(r) Techniker(in):
Chris Bubacz
Produzent(in):
Jeremy Wall
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (in 1986-07)
Synthesizer:
Jeremy Wall (in 1986-07)
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1987)
aufgenommen bei:
Bear Tracks Studio in Suffern, New York, Vereinigte Staaten (in 1986-07)
instrumental recording of:
Requiem: Pie Jesu (in 1986-07)
Texter und Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Ltd., The Really Useful Company Limited und The Really Useful Music Co. Ltd. (not for release label use!)
Teil von:
Requiem
Andrew Lloyd Webber4:03
A3Feast
recording engineer:
Larry Swist (in 1986-07)
assistierende(r) Techniker(in):
Chris Bubacz
Produzent(in):
Jeremy Wall
Caxixi, Rahmentrommel [pandero], Perkussion [wood bowl], shakers und triangle:
Glen Velez (in 1986-07)
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (in 1986-07)
Solo-Synthesizer:
Bill Douglas (Canadian musician & composer) (in 1986-07)
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1987)
aufgenommen bei:
Bear Tracks Studio in Suffern, New York, Vereinigte Staaten (in 1986-07)
recording of:
Feast (in 1986-07)
Komponist(in):
Bill Douglas (Canadian musician & composer)
Bill Douglas4:52
A4Song for Catherine
recording engineer:
Larry Swist (in 1986-07)
assistierende(r) Techniker(in):
Chris Bubacz
Produzent(in):
Jeremy Wall
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (in 1986-07)
Synthesizer:
Jeremy Wall (in 1986-07)
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1987)
aufgenommen bei:
Bear Tracks Studio in Suffern, New York, Vereinigte Staaten (in 1986-07)
recording of:
Song for Catherine (in 1986-07)
Komponist(in):
Bill Douglas (Canadian musician & composer)
Bill Douglas3:03
A5The Circular Word
recording engineer:
Larry Swist (in 1986-07)
assistierende(r) Techniker(in):
Chris Bubacz
Produzent(in):
Jeremy Wall
Caxixi, Rammana [ramana] und thon:
Glen Velez (in 1986-07)
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (in 1986-07)
Synthesizer:
Jeremy Wall (in 1986-07)
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1987)
aufgenommen bei:
Bear Tracks Studio in Suffern, New York, Vereinigte Staaten (in 1986-07)
recording of:
The Circular Word (in 1986-07)
Komponist(in):
Jeremy Wall
Jeremy Wall4:23
A6Goodbye (in memory of Benny)
recording engineer:
Larry Swist (in 1986-07)
assistierende(r) Techniker(in):
Chris Bubacz
Produzent(in):
Jeremy Wall
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (in 1986-07)
Synthesizer:
Jeremy Wall (in 1986-07)
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1987)
aufgenommen bei:
Bear Tracks Studio in Suffern, New York, Vereinigte Staaten (in 1986-07)
instrumental recording of:
Goodbye (in 1986-07)
Texter und Komponist(in):
Gordon Jenkins
Verfasser(in):
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) und WB Music Corp. (1929–2019)
Gordon Jenkins4:23
B1Viderunt omnes
recording engineer:
Larry Swist (in 1986-07)
assistierende(r) Techniker(in):
Chris Bubacz
Produzent(in):
Jeremy Wall
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (in 1986-07)
Synthesizer:
Jeremy Wall (in 1986-07)
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1987)
aufgenommen bei:
Bear Tracks Studio in Suffern, New York, Vereinigte Staaten (in 1986-07)
recording of:
Viderunt omnes (in 1986-07)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Pérotin (European composer, fl. c. 1200 CE)
basiert auf:
Viderunt omnes
Pérotin2:09
B2In the Morning
recording engineer:
Larry Swist (in 1986-07)
assistierende(r) Techniker(in):
Chris Bubacz
Produzent(in):
Jeremy Wall
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (in 1986-07)
Synthesizer:
Jeremy Wall (in 1986-07)
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1987)
aufgenommen bei:
Bear Tracks Studio in Suffern, New York, Vereinigte Staaten (in 1986-07)
instrumental recording of:
In the Mornin', S. 441 (in 1986-07)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Charles Ives (American composer) (in 1929)
Teil von:
A Descriptive Catalogue of the Music of Charles Ives (Nummer: S. 441)
Charles Ives2:34
B3G Song
recording engineer:
Larry Swist (in 1986-07)
assistierende(r) Techniker(in):
Chris Bubacz
Produzent(in):
Jeremy Wall
Klavier:
Jeremy Wall (in 1986-07)
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (in 1986-07)
Tamburin [pandereta]:
Glen Velez (in 1986-07)
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1987)
aufgenommen bei:
Bear Tracks Studio in Suffern, New York, Vereinigte Staaten (in 1986-07)
recording of:
G Song (in 1986-07)
Komponist(in):
Sir Richard Rodney Bennett (English composer)
Richard Rodney Bennett4:58
B4Serenity
recording engineer:
Larry Swist (in 1986-07)
assistierende(r) Techniker(in):
Chris Bubacz
Produzent(in):
Jeremy Wall
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (in 1986-07)
Synthesizer:
Jeremy Wall (in 1986-07)
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1987)
aufgenommen bei:
Bear Tracks Studio in Suffern, New York, Vereinigte Staaten (in 1986-07)
instrumental recording of:
Serenity, S. 347 (in 1986-07)
Texter:
John Greenleaf Whittier
Komponist(in):
Charles Ives (American composer)
Teil von:
A Descriptive Catalogue of the Music of Charles Ives (Nummer: S. 347)
Charles Ives2:54
B5New York Counterpoint
recording engineer:
Larry Swist (in 1986-07)
assistierende(r) Techniker(in):
Chris Bubacz
Produzent(in):
Jeremy Wall
Bassklarinette:
Richard Stoltzman (clarinetist) (in 1986-07)
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (in 1986-07)
Synthesizer:
Jeremy Wall (in 1986-07)
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1987)
aufgenommen bei:
Bear Tracks Studio in Suffern, New York, Vereinigte Staaten (in 1986-07)
recording of:
New York Counterpoint (in 1986-07)
Komponist(in):
Steve Reich (American composer) (in 1985)
was commissioned by:
Richard Stoltzman (clarinetist) (in 1984)
uraufgeführt von:
Richard Stoltzman (clarinetist) (am 1986-01-20)
was commissioned by:
Fromm Foundation (in 1984)
Premiere bei:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1986-01-20)
Steve Reich11:39

Nennungen

Veröffentlichung

art direction:Ria Lewerke (art direction, design)
mastering:Robert C. Ludwig (mastering engineer)
Es-Klarinette, Bassklarinette und Klarinette:Richard Stoltzman (clarinetist) (in 1986-07)
Fagott, Hybrid-Piano und Klavier:Bill Douglas (Canadian musician & composer) (in 1986-07)
illustration:David Peters (graphic artist)
design:Pietro Alfieri (art director and designer)
mastered at:Masterdisk in New York, New York, Vereinigte Staaten
Discogs:https://www.discogs.com/release/4797194 [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/913985 [Info]