The No. 1 Hits 1988

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Orinoco Flow
tecnico:
Ross Cullum e Nicky Ryan
co-produttore:
Ross Cullum e Enya (Irish singer-songwriter)
produttore:
Nicky Ryan
tecnico di missaggio:
Jimbo Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
strumenti e voce:
Enya (Irish singer-songwriter)
arrangiatore:
Enya (Irish singer-songwriter) e Nicky Ryan
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (dal 1988 a oggi) e WEA Records Ltd. (UK holding company, 1984–1991) (nel 1988)
registrata presso:
Orinoco Studios in Southwark, London (Greater London), England, Regno Unito
mixata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
video musicali:
Orinoco Flow di Enya (Irish singer-songwriter)
registrazione di:
Orinoco Flow
paroliere:
Roma Ryan
compositore:
Enya (Irish singer-songwriter)
editore:
Aigle Music, EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Enya4.34:28
2Nothing's Gonna Change My Love for You
diritti fonografici (℗) detenuti da:
Amherst Records, Inc. e PolyGram International Music B.V. (not for release label use!) (nel 1988)
registrazione cover di:
Nothing’s Gonna Change My Love for You
paroliere:
Gerald Goffin e Michael Masser
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Glenn Medeiros3.53:50
3First Time
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1988) e The Coca-Cola Company (nel 1988)
video musicali:
First Time ("concept" version) di Robin Beck e First Time (band version) di Robin Beck
registrazione di:
First Time
paroliere:
Tom Anthony (wrote "First Time") e Terry Boyle
compositore:
Gavin Spencer
editore:
EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Music Publishing Scandinavia AB
Robin Beck33:20
4A Groovy Kind of Love
tecnico:
Steve Chase
produttore:
Phil Collins (of Genesis) e Anne Dudley (English score composer)
batteria , tastiera e voce principale:
Phil Collins (of Genesis)
direttore d'orchestra:
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1988)
registrazione cover di:
A Groovy Kind of Love
autore:
Carole Bayer Sager e Toni Wine
editore:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. e Screen Gems-EMI Music (nel 1966)
si basa su:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
Phil Collins43:31
5The Only Way Is Up
produttore:
Coldcut (Matt Black & Jonathan More)
diritti fonografici (℗) detenuti da:
Big Life (UK indie/dance) (nel 1988)
è stato produttore per:
Ahead Of Our Time Productions
registrazione cover di:
The Only Way Is Up
autore:
Johnny Henderson (southern soul songwriter) e George Jackson (US soul songwriter/vocalist)
editore:
Big Life Music (nel 1988) e Malaco Music (publisher related to Malaco Records) (nel 1988)
Yazz & The Plastic Population2.654:04
6Get Outta My Dreams, Get Into My Car
produttore:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Nigel Green (engineer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988) e Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1988)
edit di:
Get Outta My Dreams, Get Into My Car di Billy Ocean
registrazione di:
Get Outta My Dreams, Get Into My Car (nel 1987)
autore:
Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Universal Music Publishers MGB Australia Pty Ltd e Zomba Music Publishing Ltd.
Billy Ocean2.354:43
7Anything for You
registrazione di:
Anything for You
paroliere e compositore:
Gloria M. Estefan
Gloria Estefan and Miami Sound Machine3:44
8Girl You Know It's True
produttore:
Frank Farian
diritti fonografici (℗) detenuti da:
Hansa (nel 1988)
è stato produttore per:
Far Music Production
registrazione cover di:
Girl You Know It's True
autore:
Ky Adeyemo, Bill Pettaway, Jr. (R&B songwriter, musician, producer), Rodney Holloman (Numarx), Kevin Lyles (executive / songwriter) e Sean Spencer (American DJ and record producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e MCA Music Ltd.
Milli Vanilli24:15
9Im Nin' Alu
registrazione di:
אם ננעלו
paroliere:
שלום שבזי
compositore:
עממי תימני ([traditional], special purpose artist)
עפרה חזה3:31
10Don't Worry, Be Happy
produttore:
Linda Goldstein
diritti fonografici (℗) detenuti da:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1988) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1988)
video musicali:
Don’t Worry, Be Happy di Bobby McFerrin
registrazione di:
Don’t Worry, Be Happy (nel 1988)
paroliere e compositore:
Bobby McFerrin
autore:
Steve Sidwell (English composer & wind instrumentalist)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Probnoblem Music
Bobby McFerrin3.553:55
11I Owe You Nothing
tecnico di registrazione:
John Brand (engineer), Simon Humphrey e Robin Sellers
assistente tecnico:
Richard Edwards (sound engineer) e Alex Osman
tecnico:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
produttore e tecnico di missaggio:
Nicky Graham
produttore aggiunto:
Ric Wake
remixer:
Bob Cadway e Ric Wake
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1988)
registrata presso:
Hot Nights Studio in London (Greater London), England, Regno Unito
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
I Owe You Nothing
autore:
Nicky Graham e Thomas Watkins
editore:
Alderzone Ltd., BMG Gold Songs, EMI Virgin Music Ltd. (do not use this as a release label!), Maximum Music Limited, Graham Music Publishers Ltd. (nel 1988), Intersong Music Ltd. (nel 1988) e Virgin Music (Publishers) Ltd. (nel 1988)
Bros3:38
12I Should Be So Lucky
tecnico:
Karen Hewitt, Mark McGuire (UK producer/engineer) e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
produttore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
tecnico di missaggio:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
diritti fonografici (℗) detenuti da:
Mushroom Records (dal 1988 a oggi)
video musicali:
I Should Be So Lucky di Kylie Minogue
registrazione di:
I Should Be So Lucky
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
Mushroom Music Pty. Ltd. (dal 1988 a oggi)
Kylie Minogue4.353:26
13Perfect
produttore:
Fairground Attraction e Kevin Moloney
assistente tecnico di missaggio:
Alistair Johnson (engineering)
tecnico di missaggio:
Kevin Moloney
voce principale:
Eddi Reader
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (nel 1988) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrata presso:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Regno Unito
video musicali:
Perfect di Fairground Attraction
registrazione di:
Perfect
paroliere e compositore:
Mark Nevin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.253:39
14Heaven Is a Place on Earth
tecnico di registrazione:
Steve McMillan
programmazione degli strumenti:
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
assistente tecnico:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble e Joe Schiff
tecnico aggiunto:
Stacy Baird (former audio engineer) e Robert Feist
produttore:
Rick Nowels
produttore aggiunto:
Robert Feist (altra voce [vocal]) e Ellen Shipley (altra voce [vocal])
tecnico di missaggio:
Shelly Yakus
basso :
John Pierce (US session bassist)
batteria [drums] :
Kenny Aronoff e Curly Smith (Jo Jo Gunne musician)
chitarra [air guitar] e voce principale:
Belinda Carlisle
chitarra [guitars] aggiunto:
Michael Landau
chitarra acustica [acoustic guitars] :
Rick Nowels
chitarra aggiunto:
Tim Pierce (US session guitarist)
chitarra elettrica [electric guitars] :
Dan Huff, John McCurry e Rick Nowels
percussione aggiunto:
Jimmy Bralower e Paulinho da Costa (Brazilian percussionist)
pianoforte [acoustic piano] :
Charles Judge (American guitarist, pianist, arranger and songwriter)
sintetizzatore [Fairlight] :
Rhett Lawrence
tastiera [keyboards] :
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
tastiera [keyboards] aggiunto:
Thomas Dolby
voce:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips e Ellen Shipley
arrangiatore:
Rick Nowels
diritti fonografici (℗) detenuti da:
Artist Management Services Ltd. (nel 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1987), Virgin Records Ltd (not for release label use! for company relationships only) (nel 1987) e Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2019)
registrata in aggiunta presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Hollywood Sound in Los Angeles, California, Stati Uniti e Music Grinder Studios in Hollywood, Los Angeles, California, Stati Uniti
registrata presso:
American Recording e Ocean Way Studio in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 400)
registrazione di:
Heaven Is a Place on Earth
autore:
Rick Nowels e Ellen Shipley
editore:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (nel 1987) e Shipwreck Music (publisher) (nel 1987)
sub-editore:
Fujipacific Music, Inc.
Belinda Carlisle4.154:07
15Baby, I Love Your Way
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (nel 1987) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 97)
registrazione cover di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
registrazione di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
registrazione di:
Baby, I Love Your Way / Freebird
paroliere e compositore:
Allen Collins, Peter Frampton e Ronnie Van Zant
editore:
Anidraks Music (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Duchess Music Corporation (BMI-affiliated), Hustler Inc. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
medley di:
Baby, I Love Your Way
medley di:
Free Bird
Will to Power44:09
16Theme From S'Express
registrazione di:
Theme From S’Express
paroliere e compositore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) e Mark Moore (DJ, producer, member of S’Express)
autore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory e Mark Moore (DJ, producer, member of S’Express)
editore:
Edition Intro (publisher) e Rhythm King Music (Publishing arm of Rhythm King Records)
si basa su:
Is It Love You’re After
S’Express5:02

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parte di:The No. 1 Hits (numero: 1988) (ordine: 27)