Pottery Barn Divas

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Big Spender
produttore:
Kenneth Hume e Norman Newell
voce:
Shirley Bassey (Welsh singer)
voce principale:
Shirley Bassey (Welsh singer)
orchestra:
Alyn Ainsworth and His Orchestra
direttore d'orchestra:
Ernest Freeman
arrangiatore:
Ernest Freeman
registrazione di:
Big Spender
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Cy Coleman
editore:
Campbell Connelly & Co. Ltd. e WB Music Corp. (1929–2019)
parte di:
Overture (Sweet Charity)
parte di:
Sweet Charity
Shirley Bassey4.51:51
2Comes Love
produttore:
Norman Granz (nel 1957-01)
batteria :
Alvin Stoller (il 1957-01-04)
chitarra :
Barney Kessel (il 1957-01-04)
contrabbasso :
Red Mitchell (jazz double-bassist, composer and lyricist) (il 1957-01-04)
pianoforte :
Jimmy Rowles (il 1957-01-04)
sassofono tenore :
Ben Webster (il 1957-01-04)
tromba :
Harry “Sweets” Edison (il 1957-01-04)
voce:
Billie Holiday (il 1957-01-04)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1957-01-04)
registrazione di:
Comes Love (il 1957-01-04)
paroliere:
Lew Brown
compositore:
Sam H. Stept e Charles Tobias (Tin Pan Alley songwriter)
Billie Holiday44:01
3I’m a Woman
voce:
Peggy Lee (jazz vocalist) (il 1962-11-14)
direttore d'orchestra:
Benny Carter (il 1962-11-14)
registrazione cover di:
I’m a Woman (il 1962-11-14)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Sony/ATV Songs LLC
Peggy Lee2:09
4All I Need to Get By
tecnico di registrazione e tecnico:
Gene Paul
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
tecnico di missaggio:
Arif Mardin
arrangiatore archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1971) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1971)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione cover di:
You’re All I Need to Get By
autore:
Nickolas Ashford e Valerie Simpson
editore:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin3.53:35
5My Baby Just Cares for MeNina Simone3:02
6I’m Beginning to See the Light
registrazione cover di:
I’m Beginning to See the Light
paroliere:
Don George (US songwriter/composer, 1909–1987) (nel 1944)
autore:
Duke Ellington (US composer, pianist & jazz bandleader)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1944), Johnny Hodges (nel 1944) e Harry James (US big band leader, trumpeter & actor) (nel 1944)
editore:
Anne-Rachel Music Corp.
Ella Fitzgerald3:26
7Sometimes I’m Happy
registrazione cover di:
Sometimes I’m Happy
paroliere:
Vincent Youmans
compositore:
Irving Caesar
editore:
Harms, Inc.
parte di:
Hit the Deck (1927 musical)
parte di:
Hit the Deck (1955 movie)
Sarah Vaughan2:58
8Tired
Pearl Bailey2:55
9They Can’t Take That Away From Me
assistente tecnico di registrazione:
Lawrence Manchester
tecnico di registrazione e tecnico di missaggio:
Al Schmitt
produttore:
Tommy LiPuma
assistente tecnico di missaggio:
Koji Egawa
chitarra :
Russell Malone
contrabbasso :
Christian McBride (American jazz bassist)
pianoforte e voce principale:
Diana Krall
diritti fonografici (℗) detenuti da:
GRP Records, Inc. (do not use as a release label!) e Verve Music Group (now known as Verve Label Group; not for release label use!)
registrata presso:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
mixata presso:
Bill Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
They Can’t Take That Away From Me (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., 1968‐09‐19–1999‐11‐09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
Diana Krall5:41
10Since I Fell for You
registrazione cover di:
Since I Fell for You
paroliere e compositore:
Buddy Johnson (nel 1945)
editore:
Warner Bros. Music (publisher; do NOT use as release label) (conclusa), Warner Bros., Inc. (not for release label use!) (conclusa) e Warner Bros., Inc. (Warner Bros. Music Division)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dinah Washington3:14
11My Heart Belongs to Daddy
orchestra:
Henri René & His Orchestra (il 1953-10-12)
registrazione cover di:
My Heart Belongs to Daddy
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (library/production music), Chappell & Co. e Chappell Music Ltd.
Eartha Kitt with Henri René & His Orchestra3:03
12Tell It Like It Is
registrazione cover di:
Tell It Like It Is
autore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Lee Diamond
editore:
Conrad Music (publisher; do NOT use as release label) e Olrap Publishing Co., Inc.
Etta James3:23