Goe Vur In Den Otto

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1(We Are) The Road Crew
producer:
Vic Maile (from 1980-08-04 until 1980-09-15)
drums (drum set):
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (from 1980-08-04 until 1980-09-15)
electric bass guitar and lead vocals:
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (from 1980-08-04 until 1980-09-15)
electric guitar:
'Fast' Eddie Clarke (Motörhead guitarist) (from 1980-08-04 until 1980-09-15)
recorded at:
Jackson’s Studios in Rickmansworth, Hertfordshire, England, United Kingdom (from 1980-08-04 until 1980-09-15)
recording of:
(We Are) the Road Crew (from 1980-08-04 until 1980-09-15)
lyricist:
Ian Fraser Kilmister (“Lemmy” from Motörhead)
composer:
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) and Phil Taylor (former Motörhead drummer)
Motörhead4.353:08
2Death to All but MetalSteel Panther42:29
3Rock the Night
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
background vocals:
Ian Haugland, Mic Michaeli and John Norum
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1986) and Sony BMG Music Entertainment (2004–2008) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland and Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Sweden
recording of:
Rock the Night
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Europe4.54:03
4I Wanna Rock
recording engineer and mixer:
Geoff Workman
assistant engineer:
Gary McGachan
engineer:
John Agnello (engineer & producer) and Greg Laney
producer:
Tom Werman
bass guitar:
Mark Mendoza (Twisted Sister bassist) (from 1984-02 until 1984-03)
drums (drum set):
A.J. Pero (from 1984-02 until 1984-03)
electric guitar:
Jay Jay French (from 1984-02 until 1984-03) and Eddie Ojeda (from 1984-02 until 1984-03)
background vocals:
Jay Jay French (from 1984-02 until 1984-03), Mark Mendoza (Twisted Sister bassist) (from 1984-02 until 1984-03), Eddie Ojeda (from 1984-02 until 1984-03), A.J. Pero (from 1984-02 until 1984-03) and Dee Snider (from 1984-02 until 1984-03)
lead vocals:
Dee Snider (from 1984-02 until 1984-03)
arranger:
Twisted Sister and Tom Werman
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1984-02 until 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 17)
recording of:
I Wanna Rock (from 1984-02 until 1984-03)
lyricist and composer:
Dee Snider
publisher:
Universal Tunes
Twisted Sister4.13:02
5Detroit Rock City
producer:
Bob Ezrin
phonographic copyright (℗) by:
Casablanca Records (label founded by Neil Bogart) (in 1976)
edit of:
Detroit Rock City / Rock Bottom (intro) (1978 remix, LP version) by KISS (US rock band)
recording of:
Detroit Rock City
writer:
Bob Ezrin and Paul Stanley (KISS frontman)
publisher:
Café Americana Inc. (ended), KISS Songs Inc. (ended), All by Myself Publishing Company, Hori Productions America Inc. and Intersong U.S.A. (publisher)
sub-publisher:
大洋音楽 (Taiyō Music)
is based on:
You’re Much Too Young
KISS3.53:54
6Wild Child
W.A.S.P.5:11
7Rock You Like a Hurricane
engineer:
Mike Beiriger, Dieter Dierks, David Hewitt (engineer) and Gerd Rautenbach
producer:
Dieter Dierks
mixer:
Mike Beiriger, Dieter Dierks and Scorpions (German rock band)
acoustic guitar and electric guitar:
Rudolf Schenker (in 1984)
bass guitar:
Francis Buchholz (in 1984)
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany) (in 1984)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs (in 1984) and Rudolf Schenker (in 1984)
slide guitar:
Matthias Jabs (in 1984)
background vocals:
Francis Buchholz (in 1984), Matthias Jabs (in 1984), Klaus Meine (in 1984), Herman Rarebell (drummer, Germany) (in 1984) and Rudolf Schenker (in 1984)
lead vocals:
Klaus Meine (in 1984)
arranger:
Dieter Dierks
phonographic copyright (℗) by:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 1984, in 2015, in 2018), Breeze Music (in 1984), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1984) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1984)
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1983 until 1984)
part of:
Alan Cross: Hurricane Songs (number: 5), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 18) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 36)
recording of:
Rock You Like a Hurricane (in 1984)
lyricist:
Klaus Meine and Herman Rarebell (drummer, Germany)
composer:
Rudolf Schenker
publisher:
Arabella Music Edition München, Arabella Musikverlag GmbH and Universal Music Publishing (use ONLY if no country‐specific information is available)
Scorpions44:11
8Antisocial
assistant engineer:
Paul Speck
engineer:
Alex Perialas
associate producer:
Alex Perialas
executive producer:
Jon Zazula and Marsha Zazula
producer:
Anthrax (US thrash metal band) and Mark Dodson (UK producer)
assistant mixer:
Bridget Daly
bass guitar [bass]:
Frank Bello (US bassist for Anthrax)
drums (drum set):
Charlie Benante
guitar:
Dan Spitz
guitar [rhythm guitar]:
Scott Ian
lead vocals:
Joe Belladonna
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1988)
recorded at:
Quadradial Studios in North Miami, Florida, United States
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Antisocial (English version by Anthrax) (from 1988-04 until 1988-06)
writer:
Bernard Bonvoisin and Norbert Krief
publisher:
EMI Songs Ltd. and SBK Songs Ltd.
translated version of:
Antisocial (French version by Trust)
cover recording of:
Antisocial (English version by Trust)
lyricist:
Bernard Bonvoisin
composer:
Norbert Krief
translator:
Jimmy Pursey (Founder member of Sham 69)
translated version of:
Antisocial (French version by Trust)
Anthrax34:23
9Bed of Nails
recording engineer:
Sir Arthur Payson
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional guitar:
Kane Roberts
additional keyboard:
Paul Chiten (songwriter and producer) and Gregg Mangiafico
additional other instruments [special effects]:
Gregg Mangiafico
bass guitar:
Hugh McDonald (bassist)
drums (drum set):
Bobby Chouinard
guitar:
John McCurry
keyboard:
Alan St. John
background vocals:
Alan St. John, Michael Anthony (US bassist, formerly of Van Halen), Desmond Child, Diana Grasselli, Jango (backing vocalist on “Trash” by Alice Cooper), Louie Merlino, Hugh McDonald (bassist), Jamie Sever, Bernie Shanahan, Stiv Bator, Tom Teeley, Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz), Myriam Valle and Maria Vidal (American singer-songwriter)
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975–present)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States, Blue Jay Recording Studios in Carlisle, Massachusetts, United States, Grog Kill Studio in Woodstock, New York, United States, Mediasound Studios in New York, New York, United States, Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Right Track Recording in Manhattan, New York, New York, United States, Sigma Sound Studios (New York) in New York, New York, United States, The Complex Studios in Los Angeles, California, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Bed of Nails
writer:
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975–present), Kane Roberts and Diane Warren (US songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Ezra Music, Realsongs (, from 1989 to present), SBK April Music Inc. (, from 1989 to ????), Sony/ATV Music Publishing Scandinavia, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Desmobile Music Co., Inc. (from 1989 to present) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Alice Cooper3.954:18
10Follow the Deadlights
Diablo Blvd.5:05
11Heaven nor Hell
Volbeat5:21
12All My Friends Are DeadTurboneger42:37
13Cherry BombThe Runaways2:18
14Last Caress
Misfits1:57
15Youth Gone Wild
recording engineer, producer and mixer:
Michael Wagener
additional engineer:
Dave Kent (engineer)
bass guitar:
Rachel Bolan (in 1988)
drums (drum set):
Rob Affuso (in 1988)
guitar:
Scotti Hill (in 1988) and Dave “The Snake” Sabo (in 1988)
background vocals:
Rachel Bolan (in 1988), Scotti Hill (in 1988) and Dave “The Snake” Sabo (in 1988)
lead vocals:
Sebastian Bach (Canadian metal singer) (in 1988)
recorded at:
Royal Recorders in Lake Geneva, Wisconsin, United States (in 1988)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 75)
recording of:
Youth Gone Wild (in 1988)
writer:
Rachel Bolan and Dave “The Snake” Sabo
Skid Row4.33:19
16Cherry Pie
producer and mixer:
Beau Hill
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1990), Sony BMG Music Entertainment (2004–2008) (in 1990), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1990) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1990)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 56)
recording of:
Cherry Pie
lyricist:
Jani Lane
composer:
Joey Allen (glam metal guitarist), Jerry Dixon (rock/metal bass guitarist), Jani Lane, Steven Sweet (drummer, member of Warrant) and Erik Turner (guitarist for Warrant)
publisher:
Crab Salad Music, Dick Dragon Music, Dixonyou Music, EMI Virgin Music Australia Pty Ltd, EMI-Virgin Songs, Erik Turner Music, Great Lips Music, Laney Jane Music, Likite Split Music, Rich McBitch Music, Round Hill Works and Virgin Songs, Inc.
Warrant4.63:18
17Blackout in the Red Room
Love/Hate2:32
18Holy Diver
recording of:
Holy Diver
lyricist and composer:
Ronnie James Dio
publisher:
Carlin Music Corporation and Niji Music
Dio4:21
19Cat Scratch Fever
engineer:
Tim Geelan and Wayne Tarnowski
producer:
Cliff Davies (British drummer, songwriter and producer), Lew Futterman and Tom Werman
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony BMG Music Entertainment (2004–2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
A.V. Club: 15 Songs That Make Diseases (Real and Imaginary) Rock (number: 12) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 32)
recording of:
Cat Scratch Fever
lyricist and composer:
Ted Nugent
publisher:
IQ Music Ltd., Magicland Music and Round Hill Works
Ted Nugent3.453:38
20Jailbreak
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1976) and Mercury Records Ltd. (not for release label use!) (in 1976)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 73)
recording of:
Jailbreak
lyricist and composer:
Phil Lynott
publisher:
Universal Music Publishing International Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Thin Lizzy4.44:01
21Don’t Stop Believin’
assistant engineer:
Wally Buck
engineer:
Kevin Elson
producer:
Kevin Elson and Mike Stone (producer and engineer, 1960s–80s)
bass guitar:
Ross Valory (from 1981-04 until 1981-06)
drums (drum set) and percussion:
Steve Smith (US drummer most associated with Journey) (from 1981-04 until 1981-06)
guitar:
Neal Schon (from 1981-04 until 1981-06)
keyboard and piano:
Jonathan Cain (from 1981-04 until 1981-06)
background vocals:
Jonathan Cain (from 1981-04 until 1981-06), Neal Schon (from 1981-04 until 1981-06) and Ross Valory (from 1981-04 until 1981-06)
lead vocals:
Steve Perry (former lead singer of Journey) (from 1981-04 until 1981-06)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1981-04 until 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
part of:
SWR1 Hitparade 2022 (Baden-Württemberg) (number: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 34), Billboard Hot 100: 2026-07-18 (number: 35), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 133)
recording of:
Don’t Stop Believin’ (Journey song) (from 1981-04 until 1981-06)
writer:
Jonathan Cain, Steve Perry (former lead singer of Journey) and Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) and Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Journey4.34:09
2▶CD

Credits

Release group

Wikidata:Q27995475 [info]