Rock Times plus, Volume 8: 1983–1986

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Dancing With Tears in My Eyes
tecnico:
Rik Walton
produttore:
Ultravox
tecnico di missaggio:
John Hudson (producer, recording and mixing engineer) (il 1984-03-19)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1984, nel 2025)
registrata presso:
Musicfest Studio (recording studio, located in Chiswick, London, UK) in Chiswick, Hounslow, London (Greater London), England, Regno Unito (il 1983-08-08)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito (il 1984-03-19)
video musicali:
Dancing With Tears in My Eyes di Ultravox
registrazione di:
Dancing With Tears in My Eyes (il 1983-08-08)
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox44:04
2Love Is a Battlefield
registrazione di:
Love Is a Battlefield
autore:
Mike Chapman (Australian producer and songwriter) e Holly Knight
editore:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing Ltd.
Pat Benatar4:10
3Living in America
registrazione di:
Living in America
autore:
Dan Hartman e Charlie Midnight
editore:
April Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. e United Lion Music Inc.
James Brown4:43
4Walking on Sunshine
registrata a:
England, Regno Unito
assistente tecnico:
Jon Goldberger (engineer)
tecnico e tecnico di missaggio:
Scott Litt (producer and engineer)
produttore:
Pat Collier e Katrina and the Waves (British‐American rock band)
produttore aggiunto:
Scott Litt (producer and engineer)
batteria e percussione :
Alex Cooper (drummer, member of “Katrina and the Waves”)
chitarra [lead guitar] :
Kimberley Rew
chitarra [rhythm guitar] e voce principale:
Katrina Leskanich
chitarra basso :
Vince de la Cruz
organo ospite :
Nick Glennie‐Smith
ottoni [Rumour Brass Section] ospite :
Ray Beavis, Dick Hanson e John "Irish" Earl (Irish saxophonist)
voce di accompagnamento:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz e Kimberley Rew
arrangiatore ottoni :
Eamon Fitzpatrick
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1985)
registrata presso:
Alaska Studios in London (Greater London), England, Regno Unito e Greenhouse Studio (London) in London (Greater London), England, Regno Unito
mixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1984-12 al 1985-03)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 378)
registrazione di:
Walking on Sunshine
paroliere:
Kimberley Rew (nel 1983)
compositore:
Kimberley Rew
editore:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:57
5You’re the Voice
tecnico di registrazione e tecnico di missaggio:
Doug Brady (engineer)
programmazione degli strumenti:
Dave (Australian score composer), Jack e Ross
assistente tecnico:
Michael Wickow (engineer)
produttore:
Ross Fraser
basso senza tasti :
Roger McLachlan
chitarra :
Brett Garsed
sintetizzatore [Fairlight] e tastiera :
David Hirschfelder (Australian score composer)
voce di accompagnamento:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton e Sandy Weekes
voce principale:
Whispering Jack
arrangiatore:
John Farnham, Ross Fraser e David Hirschfelder (Australian score composer)
diritti fonografici (℗) detenuti da:
BMG Arista/Ariola Limited (not for release label use! manufacturers/distributors operating in Australasia) (nel 1986), BMG Australia Limited (not for release label use!) (nel 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1986), Wheatley Records Pty. Ltd. (nel 1986) e RCA/Ariola (nel 1987)
registrata presso e mixata presso:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 15)
registrazione di:
You’re the Voice
paroliere e autore:
Andy Qunta, Keith Reid, Maggie Ryder e Chris Thompson (vocalist with Manfred Mann’s Earth Band)
editore:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing AB (Sweden)
John Farnham4.15:05
6(I Just) Died in Your Arms
tecnico:
Terry Brown (producer)
produttore:
Terry Brown (producer), Cutting Crew e John Jansen (US recording engineer and producer)
tecnico di missaggio:
Tim Palmer (British producer/mixer)
basso :
Colin Farley
batteria , percussione e tamburello :
Martin Beedle
chitarra acustica , chitarra elettrica e sintetizzatore [E-mu Emulator] :
Kevin MacMichael
pianoforte :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce di accompagnamento:
Peter Birch
voce principale:
Nick Van Eede
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) e Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1986)
registrata presso:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
mixata presso:
Utopia Studios (London) in London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 26)
registrazione di:
(I Just) Died in Your Arms
paroliere e compositore:
Nick Van Eede
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. e Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:35
7Who’s Zoomin’ Who
tecnico:
Dr. Dave Frazer
produttore:
Narada Michael Walden
tecnico di missaggio aggiunto:
Michael Brauer (engineer)
batteria e pianoforte :
Narada Michael Walden
chitarra :
Corrado Rustici
sintetizzatore basso :
Randy Jackson (former bassist with Journey and American Idol judge)
tastiera :
Walter Afanasieff e Preston Glass
voce di accompagnamento:
Jim Gilstrap, Preston Glass, Randy Jackson (former bassist with Journey and American Idol judge), Laundon Von Kendricks, Sylvester (US disco and soul singer-songwriter), Jeanie Tracy e Vickie Randle
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1985)
registrazione di:
Who’s Zoomin’ Who
autore:
Aretha Franklin, Preston Glass e Narada Michael Walden
editore:
Bellboy Music, Carlin Music Corporation, Gratitude Sky Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Aretha Franklin34:39
8I Like Chopin
diritti fonografici (℗) detenuti da:
BMG Music (nel 1983)
registrazione di:
I Like Chopin
paroliere:
Gazebo (80s Italian synth‐pop artist Paul Mazzolini “I Like Chopin”)
compositore:
Pierluigi Giombini (arranger ,composer and producer)
editore:
Abramo Allione Ed Mus SRL, Shinko Music Entertainment Co., Ltd., Televis Edizioni Musicali S.R.L. (publisher), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Gazebo3.54:07
9The Power of Love
registrazione di:
The Power of Love (Jennifer Rush song)
autore:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende e Jennifer Rush
editore:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (fino al 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Jennifer Rush4:17
10Jump (for My Love)
registrata a:
Los Angeles, California, Stati Uniti (nel 1983)
programmazione degli strumenti:
Reek Havoc (nel 1983) e Stephen Mitchell (US musician, composer, songwriter, producer et al.) (nel 1983)
tecnico:
Gary Skardina
produttore:
Richard Perry (producer)
produttore associato:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) e Gary Skardina
basso :
Louis Johnson (bass, member of Brothers Johnson) (nel 1983)
drum machine e sintetizzatore :
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (nel 1983)
minimoog e batteria elettronica e sintetizzatore aggiunto:
Howie Rice (nel 1983)
percussione :
Paulinho da Costa (Brazilian percussionist) (nel 1983)
voce principale:
June Pointer (nel 1983)
remixer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) e James C. Tract
diritti fonografici (℗) detenuti da:
Planet Records Inc. (nel 1983)
registrazione di:
Jump (for My Love) (nel 1983)
autore:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron e Gary Skardina
editore:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Songs LLC
The Pointer Sisters3.354:27
11Big in Japan
tecnico di registrazione e tecnico di missaggio:
Wolfgang Loos (dal 1984-07 al 1984-08)
assistente alla programmazione:
Boris Balin (dal 1984-07 al 1984-08) e Thomas Beck (technical assistant, likely German) (dal 1984-07 al 1984-08)
programmazione:
Wolfgang Loos (dal 1984-06 al 1984-08)
produttore:
Andreas Budde, Wolfgang Loos e Colin Pearson (producer and violinist)
drum machine :
Bernhard Lloyd (dal 1984-07 al 1984-08)
tastiera :
Bernhard Lloyd (dal 1984-07 al 1984-08) e Frank Mertens (German synthpop keyboardist Frank Sorgatz) (dal 1984-07 al 1984-08)
tastiera aggiunto:
Wolfgang Loos (dal 1984-07 al 1984-08)
voce di accompagnamento:
Wednesday (German‐English rock band active from 1975–1980) (dal 1984-07 al 1984-08)
voce principale:
Marian Gold (dal 1984-07 al 1984-08)
arrangiatore:
Alphaville (German synth pop band) e Wolfgang Loos
registrata presso e mixata presso:
Studio 54 (Berlin recording studio) in Germania (dal 1984-07 al 1984-08)
video musicali:
Big In Japan di Alphaville (German synth pop band)
registrazione di:
Big in Japan (dal 1984-07 al 1984-08)
paroliere:
Marian Gold
compositore:
Marian Gold, Lloyd Bernhard e Frank Mertens (German synthpop keyboardist Frank Sorgatz)
editore:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.154:43
12Don’t Leave Me This Way
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert, Leon Huff (Philly soul producer, of Gamble & Huff) e K. Gamble - L. Huff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards4:51
13Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
14The Way It Is
tecnico:
Elliot Scheiner
produttore:
Bruce Hornsby e Elliot Scheiner
batteria e percussione :
John Molo
pianoforte e sintetizzatore :
Bruce Hornsby
voce:
Bruce Hornsby
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (nel 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1986) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (nel 1986)
è stato produttore per:
Trackman, Inc.
registrazione di:
The Way It Is
paroliere e compositore:
B.R. Hornsby
editore:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Zappo Music (dal 1986 a oggi)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.054:57
15Midnight Lady
diritti fonografici (℗) detenuti da:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (nel 1986) e Hansa (nel 1986)
registrazione di:
Midnight Lady
paroliere e compositore:
Dieter Bohlen
editore:
Bavaria Sonor MV e Hanseatic (publisher)
Chris Norman4:10
16Don’t Answer Me
assistente tecnico:
Tony Richards (recording engineer)
tecnico e produttore:
Alan Parsons (of The Alan Parsons Project)
produttore esecutivo:
Eric Woolfson
batteria e percussione :
Stuart Elliott (session drummer, member of Cockney Rebel)
chitarra :
Ian Bairnson
chitarra acustica :
Ian Bairnson e David Paton (of Pilot)
chitarra basso :
David Paton (of Pilot)
sassofono :
Mel Collins
sintetizzatore [Fairlight] :
Alan Parsons (of The Alan Parsons Project)
tastiera e voce di accompagnamento:
Chris Rainbow e Eric Woolfson
voce principale:
Eric Woolfson
direttore d'orchestra:
Andrew Powell (producer, arranger & conductor)
arrangiatore:
Andrew Powell (producer, arranger & conductor)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
registrazione di:
Don’t Answer Me
autore:
Alan Parsons (of The Alan Parsons Project) e Eric Woolfson
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Careers Music, Inc. e Woolfsongs Ltd.
The Alan Parsons Project3.84:12
17Stairway to Heaven
diritti fonografici (℗) detenuti da:
Ariola Eurodisc GmbH (not for release label use!) (nel 1985), BMG Berlin Musik GmbH (this is a record company, not an imprint!) (nel 1985), MCI (nel 1985), Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (nel 1985) e Hansa (nel 1986)
registrazione parziale cover di:
Stairway to Heaven
paroliere:
Jimmy Page
autore:
Jimmy Page e Robert Plant (of Led Zeppelin)
editore:
Superhype Music, Inc. (conclusa), Flames of Albion Music, Inc., Superhype Publishing, Warner Bros. (holding: file NO releases), Warner Brothers (publisher, not an imprint), Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) (conclusa), Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (conclusa) e Neue Welt Musikverlag GmbH München
Far Corporation23:59
18Zu nah am Feuer
registrazione di:
Zu nah am Feuer
autore:
Alice (Italian singer Carla Bissi) e Stefan Waggershausen
Stefan Waggershausen & Alice5:06

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parte di:Rock Times Plus (numero: 8) (ordine: 8)