Greatest Hits I & II

~ Release by Linda Ronstadt (see all versions of this release, 1 available)

Annotation

Combines 2 earlier individual releases (both vinyl & CD) onto a single CD

Annotation last modified on 2017-07-20 17:56 UTC.

Tracklist

1▼CD
#TitleRatingLength
1You’re No Good
recording engineer:
Val Garay (from 1974-06 until 1974-09) and David Hassinger (from 1974-06 until 1974-09)
engineer:
Val Garay
producer:
Peter Asher, Jay Faires and Tricia Holloway
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1974-06 until 1974-09)
drums (drum set), electric piano and percussion:
Andrew Gold (from 1974-06 until 1974-09)
electric guitar:
Ed Black (from 1974-06 until 1974-09)
solo electric guitar:
Andrew Gold (from 1974-04 until 1974-09)
background vocals:
Clydie King (from 1974-06 until 1974-09) and Shirley Matthews (Canadian pop singer) (from 1974-06 until 1974-09)
strings arranger:
Gregory Rose
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 2006) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1974, in 2013)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1974-06 until 1974-09)
part of:
New York Post: 100 Greatest Covers (2007) (number: 38)
cover recording of:
You’re No Good (from 1974-06 until 1974-09)
lyricist, writer and composer:
Clint Ballard, Jr.
publisher:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Edwin H. Morris & Co. (a division of MPL Communications Inc.)
4.753:47
2Silver Threads and Golden Needles
engineer:
John Haeny
producer:
John Boylan and J.D. Souther
mixer:
Al Schmitt
acoustic guitar and background vocals:
Herb Pedersen
bass:
Michael Bowden
drums (drum set):
Mickey McGee
electric guitar:
Richard Bowden (guitarist and songwriter)
fiddle:
Gib Guilbeau
steel guitar:
Ed Black
tambourine:
Linda Ronstadt
cover recording of:
Silver Threads and Golden Needles (in 1973)
writer:
Dick Reynolds (country songwriter) and Jack Rhodes (songwriter, producer, guitarist)
publisher:
Central Songs, Fort Knox Music Co, Fort Knox Music Inc. and Trio Music Co., Inc.
2:28
3Desperado
engineer:
John Haeny
producer:
J.D. Souther
mixer:
Al Schmitt
bass:
Chris Ethridge
drums (drum set):
Dennis St. John
electric guitar:
J.D. Souther
piano:
Spooner Oldham
trombone:
Gail Martin
trumpet:
Darrell Leonard and Mac Johnson
background vocals:
Clydie King, Sherlie Matthews (US vocalist) and Marti McCall (session vocalist)
horn and strings arranger:
Jim Ed Norman
cover recording of:
Desperado
writer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Don Henley
publisher:
Benchmark Music, Cass County Music, Kicking Bear, Neue Welt Musikverlag GmbH (2017 – present), Red Cloud Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Warner Bros. Music GmbH (publisher) (in 1981)
3:34
4Love Is a Rose
engineer:
Val Garay (from 1975-02 until 1975-06)
producer:
Peter Asher
acoustic guitar and handclaps:
Andrew Gold (from 1975-02 until 1975-06)
banjo:
Herb Pedersen (from 1975-02 until 1975-06)
bass and bass guitar:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1975-02 until 1975-06)
drums (drum set):
Russell Kunkel (session drummer) (from 1975-02 until 1975-06)
fiddle:
David Lindley (from 1975-02 until 1975-06)
handclaps, shakers and tambourine:
Peter Asher (from 1975-02 until 1975-06)
harmonica:
Jim Connor (US folk/country composer, singer and musician) (from 1975-02 until 1975-06)
background vocals:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1975-02 until 1975-06), Andrew Gold (from 1975-02 until 1975-06) and Herb Pedersen (from 1975-02 until 1975-06)
lead vocals:
Linda Ronstadt (from 1975-02 until 1975-06)
recorded at:
The Sound Factory (1969–1980) in Los Angeles, California, United States (from 1975-02 until 1975-06)
mixed at:
The Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
Love Is a Rose (from 1975-02 until 1975-06)
lyricist and composer:
Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
is based on:
Dance, Dance, Dance
52:47
5That’ll Be the Day
recording engineer and engineer:
Val Garay (from 1976-03 until 1976-06)
assistant engineer:
Greg Ladanyi (from 1976-03 until 1976-06)
producer:
Peter Asher
mixer:
Val Garay
bass guitar:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1976-03 until 1976-06)
drums (drum set):
Michael Botts (from 1976-03 until 1976-06)
electric guitar [electric guitars (left)]:
Andrew Gold (from 1976-03 until 1976-06)
electric guitar [electric guitars (right)]:
Waddy Wachtel (from 1976-03 until 1976-06)
handclaps and lead vocals:
Linda Ronstadt (from 1976-03 until 1976-06)
wood block:
Peter Asher (from 1976-03 until 1976-06)
background vocals:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1976-03 until 1976-06) and Andrew Gold (from 1976-03 until 1976-06)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
recorded at:
The Sound Factory (1969–1980) in Los Angeles, California, United States (from 1976-03 until 1976-06)
mixed at:
The Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
That’ll Be the Day (from 1976-03 until 1976-06)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
52:34
6Long Long Time
engineer:
Lee Hazin and Elliot Mazer
producer:
Elliot Mazer
bass and harpsichord:
Norbert Putnam
fiddle:
Buddy Spicher (American country and bluegrass fiddle player)
guitar:
Pete Wade
steel guitar:
Weldon Myrick
arranger:
Elliot Mazer and Norbert Putnam
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 171)
recording of:
Long Long Time
lyricist and composer:
Gary White (Texas musician and songwriter)
publisher:
RCA Music
44:23
7Different Drum
engineer:
Peter Abbott (US recording engineer) and John Krause (1950s US engineer)
producer:
Nick Venet
acoustic guitar:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt), Bernie Leadon and Al Viola
bass:
Lyle Ritz
drums (drum set):
Jimmy Gordon (US drummer with Derek and the Dominos)
harpsichord:
Don Randi
performer:
Linda Ronstadt
cover recording of:
Different Drum
lyricist and composer:
Michael Nesmith
publisher:
EMI Music Publishing (do not use as a release label!) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
4.352:39
8When Will I Be Loved?
recording engineer:
Val Garay and David Hassinger
engineer:
Val Garay
producer:
Peter Asher
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
cowbell:
Peter Asher
drums (drum set):
Russ Kunkel (session drummer)
guitar family and tambourine:
Andrew Gold
background vocals:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt), Andrew Gold and Linda Ronstadt
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1974, in 2013)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
When Will I Be Loved? (from 1974-06 until 1974-09)
lyricist and composer:
Phil Everly
publisher:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
52:11
9Love Has No Pride
engineer:
John Haeny
producer:
John Boylan
mixer:
Al Schmitt
bass:
Michael Bowden
drums (drum set):
Mickey McGee
electric guitar:
Richard Bowden (guitarist and songwriter) and Andy Johnson (US guitarist)
electric piano:
John Boylan
steel guitar:
Sneaky Pete
background vocals:
Ginger Holladay (American singer-songwriter) and Mary Holliday
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
cover recording of:
Love Has No Pride
writer:
Eric Kaz and Libby Titus
publisher:
Glasco Music Company
4:17
10Heat Wave
engineer:
Val Garay (from 1975-02 until 1975-06)
producer:
Peter Asher
acoustic guitar, congas, drums (drum set), electric guitar, handclaps and piano and string synthesizer [ARP string ensemble]:
Andrew Gold (from 1975-02 until 1975-06)
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1975-02 until 1975-06)
handclaps:
Peter Asher (from 1975-02 until 1975-06)
background vocals:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1975-02 until 1975-06) and Andrew Gold (from 1975-02 until 1975-06)
lead vocals:
Linda Ronstadt (from 1975-02 until 1975-06)
recorded at:
The Sound Factory (1969–1980) in Los Angeles, California, United States (from 1975-02 until 1975-06)
mixed at:
The Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
(Love Is Like a) Heat Wave (from 1975-02 until 1975-06)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music and Stone Agate Music Division
2:47
11It Doesn’t Matter Anymore
recording engineer:
Val Garay and David Hassinger
engineer:
Val Garay
producer:
Peter Asher
acoustic guitar:
Bob Warford
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
drums (drum set) and percussion:
Andrew Gold
harmonica:
Jimmie Fadden
percussion:
Peter Asher
steel guitar:
Sneaky Pete
background vocals:
Linda Ronstadt and Wendy Waldman
strings arranger:
Gregory Rose
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
It Doesn’t Matter Anymore (from 1974-06 until 1974-09)
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Robert Mellin Ltd.
3:29
12Tracks of My Tears
engineer:
Val Garay (from 1975-02 until 1975-06)
producer:
Peter Asher
acoustic guitar and tambourine and electric piano:
Andrew Gold (from 1975-02 until 1975-06)
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1975-02 until 1975-06)
cabasa:
Peter Asher (from 1975-02 until 1975-06)
drums (drum set):
David Kemper (from 1975-02 until 1975-06)
electric guitar:
Danny Kortchmar (Danny Kootch) (from 1975-02 until 1975-06)
steel guitar:
Dan Dugmore (from 1975-02 until 1975-06)
background vocals:
Peter Asher (from 1975-02 until 1975-06), Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1975-02 until 1975-06), Don Francisco (contemporary Christian music) (from 1975-02 until 1975-06), Andrew Gold (from 1975-02 until 1975-06) and Herb Pedersen (from 1975-02 until 1975-06)
lead vocals:
Linda Ronstadt (from 1975-02 until 1975-06)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger) (from 1975-02 until 1975-06: strings)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recorded at:
The Sound Factory (1969–1980) in Los Angeles, California, United States (from 1975-02 until 1975-06)
mixed at:
The Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
The Tracks of My Tears (from 1975-02 until 1975-06)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
3:14
13It’s So Easy
recording engineer:
Val Garay (from 1977-05-23 until 1977-07-22)
assistant engineer:
Mark Howlett
producer:
Peter Asher
mixer:
Val Garay
acoustic guitar:
Dan Dugmore (from 1977-05-23 until 1977-07-22)
bass guitar [bass]:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1977-05-23 until 1977-07-22)
clavinet:
Don Grolnick (from 1977-05-23 until 1977-07-22)
drums (drum set):
Rick Marotta (US drummer/percussionist) (from 1977-05-23 until 1977-07-22)
electric guitar:
Waddy Wachtel (from 1977-05-23 until 1977-07-22)
background vocals:
Peter Asher (from 1977-05-23 until 1977-07-22), Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1977-05-23 until 1977-07-22), Linda Ronstadt (from 1977-05-23 until 1977-07-22) and Waddy Wachtel (from 1977-05-23 until 1977-07-22)
lead vocals:
Linda Ronstadt (from 1977-05-23 until 1977-07-22)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1977, in 2017) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1977-05-23 until 1977-07-22)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 90)
cover recording of:
It’s So Easy (from 1977-05-23 until 1977-07-22)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Publications Inc., Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1958)
42:27
14I Can’t Let Go
recording engineer:
Val Garay (from 1979-10-24 until 1980-01-10)
assistant engineer:
Niko Bolas (from 1979-10-24 until 1980-01-10)
producer:
Peter Asher
bass guitar:
Bob Glaub (from 1979-10-24 until 1980-01-10)
drums (drum set) [drums]:
Russell Kunkel (session drummer) (from 1979-10-24 until 1980-01-10)
electric guitar:
Dan Dugmore (from 1979-10-24 until 1980-01-10) and Mark Goldenberg (from 1979-10-24 until 1980-01-10)
keyboard [keyboards]:
Bill Payne (from 1979-10-24 until 1980-01-10)
solo electric guitar:
Mark Goldenberg (from 1979-10-24 until 1980-01-10)
tambourine:
Peter Asher (from 1979-10-24 until 1980-01-10)
background vocals:
Rosemary Butler (from 1979-10-24 until 1980-01-10), Nicolette Larson (from 1979-10-24 until 1980-01-10) and Linda Ronstadt (from 1979-10-24 until 1980-01-10)
lead vocals:
Linda Ronstadt (from 1979-10-24 until 1980-01-10)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (from 1979-10-24 until 1980-01-10)
cover recording of:
I Can't Let Go (from 1979-10-24 until 1980-01-10)
writer:
Al Gorgoni (guitarist, composer, arranger, and producer) and Chip Taylor (US singer/songwriter)
publisher:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music and WB Music Corp. (1929–2019)
52:43
15Hurt So Bad
recording engineer:
Val Garay (from 1979-10-24 until 1980-01-10)
assistant engineer:
Niko Bolas (from 1979-10-24 until 1980-01-10)
producer:
Peter Asher
bass guitar:
Bob Glaub (from 1979-10-24 until 1980-01-10)
drums (drum set) [drums]:
Russell Kunkel (session drummer) (from 1979-10-24 until 1980-01-10)
electric guitar:
Dan Dugmore (from 1979-10-24 until 1980-01-10) and Danny Kortchmar (Danny Kootch) (from 1979-10-24 until 1980-01-10)
keyboard [keyboards]:
Bill Payne (from 1979-10-24 until 1980-01-10)
solo electric guitar:
Danny Kortchmar (Danny Kootch) (from 1979-10-24 until 1980-01-10)
lead vocals:
Linda Ronstadt (from 1979-10-24 until 1980-01-10)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1980), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (from 1979-10-24 until 1980-01-10)
cover recording of:
Hurt So Bad (from 1979-10-24 until 1980-01-10)
writer:
Bobby Wilding (US songwriter), Bobby Hart and Teddy Randazzo
publisher:
Embassy Music Corporation, Songs of Universal, Inc. (BMI), Teddy Randazzo Music and Vogue Music
53:11
16Blue Bayou
recording engineer and mixer:
Val Garay
assistant engineer:
Mark Howlett
producer:
Peter Asher
acoustic guitar:
Waddy Wachtel (from 1977-05-23 until 1977-07-22)
bass guitar [bass] and mandolin:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1977-05-23 until 1977-07-22)
cowbell, drums (drum set) and electronic drum set [syn-drums]:
Rick Marotta (US drummer/percussionist) (from 1977-05-23 until 1977-07-22)
electric piano:
Don Grolnick (from 1977-05-23 until 1977-07-22)
marimba:
Steve Forman (US percussionist) (from 1977-05-23 until 1977-07-22)
steel guitar:
Dan Dugmore (from 1977-05-23 until 1977-07-22)
background vocals:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1977-05-23 until 1977-07-22) and Don Henley (from 1977-05-23 until 1977-07-22)
lead vocals:
Linda Ronstadt (from 1977-05-23 until 1977-07-22)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 2017)
recorded at:
Sound Factory, LA (1969–1980) in Los Angeles, California, United States (from 1977-05-23 until 1977-07-22)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 61)
cover recording of:
Blue Bayou (English) (from 1977-05-23 until 1977-07-22)
lyricist:
Joe Melson (in 1963) and Roy Orbison (in 1963)
composer:
Joe Melson and Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI) (in 1961)
4.253:54
17How Do I Make You?
recording engineer:
Val Garay (from 1979-10-24 until 1980-01-10)
assistant engineer:
Niko Bolas (from 1979-10-24 until 1980-01-10)
producer:
Peter Asher
bass guitar:
Bob Glaub (from 1979-10-24 until 1980-01-10)
drums (drum set) [drums]:
Russell Kunkel (session drummer) (from 1979-10-24 until 1980-01-10)
electric guitar:
Dan Dugmore (from 1979-10-24 until 1980-01-10) and Mark Goldenberg (from 1979-10-24 until 1980-01-10)
keyboard [keyboards]:
Bill Payne (from 1979-10-24 until 1980-01-10)
solo electric guitar:
Mark Goldenberg (from 1979-10-24 until 1980-01-10)
background vocals:
Mark Goldenberg (from 1979-10-24 until 1980-01-10) and Nicolette Larson (from 1979-10-24 until 1980-01-10)
lead vocals:
Linda Ronstadt (from 1979-10-24 until 1980-01-10)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (from 1979-10-24 until 1980-01-10)
recording of:
How Do I Make You (from 1979-10-24 until 1980-01-10)
lyricist and composer:
Billy Steinberg
4.652:19
18Back in the USA
recording engineer:
Val Garay (from 1978-05-05 until 1978-07-03)
assistant engineer:
George Ybarra (from 1978-05-05 until 1978-07-03)
producer:
Peter Asher
mixer:
Val Garay
bass guitar:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1978-05-05 until 1978-07-03)
drums (drum set) [drums]:
Russell Kunkel (session drummer) (from 1978-05-05 until 1978-07-03)
electric guitar:
Dan Dugmore (from 1978-05-05 until 1978-07-03) and Waddy Wachtel (from 1978-05-05 until 1978-07-03)
piano:
Don Grolnick (from 1978-05-05 until 1978-07-03)
background vocals:
Peter Asher (from 1978-05-05 until 1978-07-03), Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1978-05-05 until 1978-07-03) and Waddy Wachtel (from 1978-05-05 until 1978-07-03)
lead vocals:
Linda Ronstadt (from 1978-05-05 until 1978-07-03)
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
recorded at:
The Sound Factory (1969–1980) in Los Angeles, California, United States (from 1978-05-05 until 1978-07-03)
mixed at:
The Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
Back in the U.S.A. (from 1978-05-05 until 1978-07-03)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
52:58
19Ooh Baby Baby
recording engineer:
Val Garay (from 1978-05-05 until 1978-07-03)
assistant engineer:
George Ybarra (from 1978-05-05 until 1978-07-03)
producer:
Peter Asher
mixer:
Val Garay
alto saxophone [alto sax]:
David Sanborn (from 1978-05-05 until 1978-07-03)
bass guitar:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1978-05-05 until 1978-07-03)
drums (drum set) [drums]:
Russell Kunkel (session drummer) (from 1978-05-05 until 1978-07-03)
electric guitar:
Dan Dugmore (from 1978-05-05 until 1978-07-03) and Waddy Wachtel (from 1978-05-05 until 1978-07-03)
piano:
Don Grolnick (from 1978-05-05 until 1978-07-03)
background vocals:
Jim Gilstrap (from 1978-05-05 until 1978-07-03) and John Lehman (from 1978-05-05 until 1978-07-03)
lead vocals:
Linda Ronstadt (from 1978-05-05 until 1978-07-03)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
recorded at:
The Sound Factory (1969–1980) in Los Angeles, California, United States (from 1978-05-05 until 1978-07-03)
mixed at:
The Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
Ooo Baby Baby (from 1978-05-05 until 1978-07-03)
writer:
Warren “Pete” Moore and Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
53:18
20Poor Poor Pitiful Me
recording engineer and mixer:
Val Garay
assistant engineer:
Mark Howlett
producer:
Peter Asher
acoustic guitar:
Dan Dugmore
bass guitar [bass]:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
clavinet:
Don Grolnick
drums (drum set) and electronic drum set [syn-drums]:
Rick Marotta (US drummer/percussionist)
electric guitar:
Waddy Wachtel
maracas and tambourine:
Peter Asher
background vocals:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) and Larry Hagler
lead vocals:
Linda Ronstadt
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1977, in 2017) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1977-05-23 until 1977-07-22)
cover recording of:
Poor Poor Pitiful Me (from 1977-05-23 until 1977-07-22)
lyricist and composer:
Warren Zevon
publisher:
Zevon Music Inc. (BMI), Darkroom Music (in 1973) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1973)
43:39
21Tumbling Dice
recording engineer and mixer:
Val Garay
assistant engineer:
Mark Howlett
producer:
Peter Asher
bass guitar [bass]:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
drums (drum set):
Rick Marotta (US drummer/percussionist)
electric guitar:
Dan Dugmore and Waddy Wachtel
piano:
Don Grolnick
solo slide guitar:
Waddy Wachtel
background vocals:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) and Waddy Wachtel
lead vocals:
Linda Ronstadt
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1977, in 2017) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1977-05-23 until 1977-07-22)
cover recording of:
Tumbling Dice (from 1977-05-23 until 1977-07-22)
written in:
France
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Promopub. B.V. and Schaltone B.V. (in 1977)
43:04
22Just One Look
recording engineer:
Val Garay (from 1978-05-05 until 1978-07-03)
assistant engineer:
George Ybarra (from 1978-05-05 until 1978-07-03)
producer:
Peter Asher
mixer:
Val Garay
bass guitar:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1978-05-05 until 1978-07-03)
cowbell and tambourine:
Peter Asher (from 1978-05-05 until 1978-07-03)
drums (drum set) [drums]:
Russell Kunkel (session drummer) (from 1978-05-05 until 1978-07-03)
electric guitar:
Dan Dugmore (from 1978-05-05 until 1978-07-03) and Waddy Wachtel (from 1978-05-05 until 1978-07-03)
piano:
Don Grolnick (from 1978-05-05 until 1978-07-03)
background vocals:
Pat Henderson (from 1978-05-05 until 1978-07-03), Sherlie Matthews (US vocalist) (from 1978-05-05 until 1978-07-03) and Linda Ronstadt (from 1978-05-05 until 1978-07-03)
lead vocals:
Linda Ronstadt (from 1978-05-05 until 1978-07-03)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
recorded at:
The Sound Factory (1969–1980) in Los Angeles, California, United States (from 1978-05-05 until 1978-07-03)
mixed at:
The Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
Just One Look (from 1978-05-05 until 1978-07-03)
writer:
Gregory Carroll and Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:13
23Someone to Lay Down Beside Me
recording engineer:
Val Garay
producer:
Peter Asher
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
cello:
Dennis Karmazyn
clavinet and piano:
Andrew Gold
drums (drum set) [drums]:
Michael Botts
electric guitar:
Dan Dugmore
background vocals:
Karla Bonoff (singer-songwriter), Linda Ronstadt and Wendy Waldman
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
concertmaster:
Charles Veal (violinist, conductor and arranger)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1976-03)
edit of:
Someone to Lay Down Beside Me by Linda Ronstadt
recording of:
Someone to Lay Down Beside Me
lyricist and composer:
Karla Bonoff (singer-songwriter)
publisher:
Sky Harbor Music and 大洋音楽 (Taiyō Music)
4:01