Les 50 plus belles chansons

~ Release by Bob Marley & The Wailers (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleRatingLength
1Easy Skanking
assistant engineer:
Terry Barham (engineer)
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1978)
recording of:
Easy Skanking
composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
32:57
2Zimbabwe
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Zimbabwe (Bob Marley)
composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
33:49
3So Much Things to Say
assistant engineer:
Terry Barham (engineer) and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
So Much Things to Say (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
3:11
4One Drop
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1979)
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
One Drop (in 1979)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
33:52
5Lively Up Yourself
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Lively Up Yourself (in 1974)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Odnil Music Ltd. (from 1974 to present), Blue Mountain Music (in 1974) and Fifty Six Hope Road Music Limited (in 1974)
45:13
6No More Trouble
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Aston “Family Man” Barrett (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar:
Bob Marley (Jamaican reggae artist) (in 1972-10) and Peter Tosh (in 1972-10)
keyboard:
Earl “Wya” Lindo (in 1972-10) and Winston Wright (Jamaican piano and keyboard player) (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10)
piano:
Earl “Wya” Lindo (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
No More Trouble (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
3.353:59
7Burnin’ and Lootin’
recorded at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States (on 1973-10-31)
edit of:
Burnin’ and Lootin’ (live, 1973-10-31: The Record Plant, Sausalito, CA, USA; includes intro to next song) by The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
live recording of:
Burnin’ and Lootin’ (on 1973-10-31)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
6:38
8Crazy Baldhead
producer:
Bob Marley & The Wailers
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1976)
recording of:
Crazy Baldhead (in 1975-09)
writer:
Vincent Ford and Rita Marley
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) and Odnil Music Ltd. (in 1976)
33:24
9Slave Driver
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Aston “Family Man” Barrett (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar:
Bob Marley (Jamaican reggae artist) (in 1972-10) and Peter Tosh (in 1972-10)
keyboard:
Earl “Wya” Lindo (in 1972-10) and Winston Wright (Jamaican piano and keyboard player) (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10)
piano:
Earl “Wya” Lindo (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Slave Driver (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
32:55
10Kinky Reggae
producer:
Bob Marley & The Wailers
mixer:
Jack Nuber
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, United States
live recording of:
Kinky Reggae
lyricist and composer:
Bob Marley (Jamaican reggae artist)
34:51
11No Woman No Cry (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (on 1975-07-18)
producer:
Chris Blackwell (Island Records), Bob Marley & The Wailers and Steve Smith (US recording engineer, mainly rock & game scores)
mixer:
Phill Brown (UK engineer) and Dave Harper (on 1975-07-18)
bass:
Aston “Family Man” Barrett (on 1975-07-18)
drums (drum set):
Carlton “Carly” Barrett (on 1975-07-18)
guitar:
Al Anderson (Bob Marley & The Wailers guitarist) (on 1975-07-18) and Bob Marley (Jamaican reggae artist) (on 1975-07-18)
keyboard:
Tyrone Downie (on 1975-07-18)
percussion:
Alvin “Seeco” Patterson (on 1975-07-18)
background vocals:
I Threes (on 1975-07-18)
lead vocals:
Bob Marley (Jamaican reggae artist) (on 1975-07-18)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1974) and Island Records, Inc. (US, Island holding) (in 1975)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (on 1975-07-18)
live recording of:
No Woman, No Cry (on 1975-07-18)
lyricist and composer:
Vincent Ford
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Musikverlag (Global Musik GmbH & Co. KG), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) and Global (publisher) (in 1976)
3.957:10
12Johnny Was
engineer:
Jack Nuber, Alex Sadkin, Syl Morris and Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett and Chris Blackwell (Island Records)
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Johnny Was
lyricist and composer:
Rita Marley
publisher:
Bob Marley Music, Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) and Odnil Music Ltd. (in 1976)
3.753:49
13Time Will Tell
assistant engineer:
Terry Barham (engineer)
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
recording of:
Time Will Tell
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1978), Fifty Six Hope Road Music Limited (in 1978) and Odnil Music Ltd. (in 1978)
13:30
14Natty Dread
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Natty Dread
writer:
Allen Cole (Jamaican songwriter) and Rita Marley
publisher:
Bob Marley Music BVI, Cayman Music ltd., Kobalt Music Publishing Ltd. (UK), Marley Marl Music Inc, Odnil Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
33:36
15Kaya
assistant engineer:
Terry Barham (engineer)
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
recording of:
Kaya (Bob Marley song) (in 1977)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Cayman Music Inc, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
version of:
Kaya (Lee “Scratch” Perry song)
23:16
16Duppy Conqueror
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
bass:
Aston “Family Man” Barrett (in 1973-04)
drums (drum set):
Carlton “Carly” Barrett (in 1973-04)
guitar:
Bob Marley (Jamaican reggae artist) (in 1973-04) and Peter Tosh (in 1973-04)
keyboard:
Earl “Wya” Lindo (in 1973-04)
percussion:
Alvin “Seeco” Patterson (in 1973-04) and Bunny Wailer (in 1973-04)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1973-04)
tenor vocals [harmony vocals]:
Peter Tosh (in 1973-04) and Bunny Wailer (in 1973-04)
publisher:
Trojan Records
recorded at:
Harry J’s Recording Studio in Kingston (Kingston Parish), Jamaica (in 1973-04)
recording of:
Duppy Conqueror (in 1973-04)
writer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music, Cayman Music Inc and Rondor Music (London) Ltd.
3.353:44
17Rastaman Chant
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
recording of:
Rasta Man Chant (in 1973-04)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
33:47
3CD

Credits

Release

ASIN:FR: B000SFP5X4 [info]