The Songbooks

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Notes

A best-of the famous songbooks from the early Verve years.
A decent compilation, though The Best of the Songbooks is probably superior.

Anmerkung zuletzt geändert am 2007-12-03 23:50 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Oh, Lady Be Good
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1959)
conductor:
Nelson Riddle (in 1959)
Interpret(in):
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1959-01 bis 1959-03)
cover recording of:
Oh, Lady Be Good! (in 1959)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
American Splendor
Teil von:
Lady, Be Good (full musical)
4:04
2Nice Work If You Can Get It
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1959)
conductor:
Nelson Riddle (in 1959)
Interpret(in):
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1959-01 bis 1959-03)
cover recording of:
Nice Work If You Can Get It (in 1959)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
3:35
3Fascinating Rhythm
Sologesang:
Ella Fitzgerald (American jazz singer)
conductor:
Nelson Riddle
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1959-01 bis 1959-03)
cover recording of:
Fascinating Rhythm (for piano solo)
Komponist(in):
George Gershwin (composer) (in 1924)
arranger:
George Gershwin (composer)
Arrangement von:
Fascinatin’ Rhythm
Teil von:
George Gershwin’s Songbook (18 arrangements for piano solo by George Gershwin, 1932)
3:25
4All the Things You Are
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1963)
conductor:
Nelson Riddle (in 1963)
Interpret(in):
Nelson Riddle and His Orchestra (in 1963)
arranger:
Nelson Riddle
cover recording of:
All the Things You Are (from “Very Warm for May”) (vom 1963-01-07 bis heute)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
3:18
5Yesterdays
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1963)
conductor:
Nelson Riddle (in 1963)
Interpret(in):
Nelson Riddle and His Orchestra (in 1963)
arranger:
Nelson Riddle
cover recording of:
Yesterdays (in 1963)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
2:53
6Can’t Help Lovin’ Dat Man
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1963)
conductor:
Nelson Riddle (in 1963)
Interpret(in):
Nelson Riddle and His Orchestra (in 1963)
arranger:
Nelson Riddle
cover recording of:
Can’t Help Lovin’ Dat Man (Show Boat) (in 1963)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
enthalten in:
The Real Book (compilation of jazz standards, volume I)
Medley von:
Selections from "Show boat"
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
3:56
7Come Rain or Come Shine
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer)
Orchester:
Billy May
arranger:
Billy May
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1961-01-16)
cover recording of:
Come Rain or Come Shine
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
3:25
8It’s Only a Paper Moon
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer)
Orchester:
Billy May
arranger:
Billy May
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-08-01)
cover recording of:
It’s Only a Paper Moon
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
3.653:38
9Over the Rainbow
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer)
Orchester:
Billy May
arranger:
Billy May
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1961-01-14)
cover recording of:
Over the Rainbow (The Wizard of Oz)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
4:19
10Laura
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (von 1964-10-19 bis 1964-10-21)
Instrumente:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (von 1964-10-19 bis 1964-10-21)
Klarinette:
Buddy DeFranco (von 1964-10-19 bis 1964-10-21)
Tenorsaxophon:
Plas Johnson (von 1964-10-19 bis 1964-10-21)
Vibraphon:
Frank Flynn (von 1964-10-19 bis 1964-10-21)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1964-10-19 bis 1964-10-21)
conductor:
Nelson Riddle (von 1964-10-19 bis 1964-10-21)
Interpret(in):
Nelson Riddle and His Orchestra (in 1964)
arranger:
Nelson Riddle
cover recording of:
Laura (1945 song) (in 1964)
Texter:
Johnny Mercer (in 1945)
Komponist(in):
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. und United Partnership Ltd.
Version von:
Laura (original 1944 film theme)
3:45
11Skylark
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (von 1964-10-19 bis 1964-10-21)
Instrumente:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (von 1964-10-19 bis 1964-10-21)
Klarinette:
Buddy DeFranco (von 1964-10-19 bis 1964-10-21)
Tenorsaxophon:
Plas Johnson (von 1964-10-19 bis 1964-10-21)
Vibraphon:
Frank Flynn (von 1964-10-19 bis 1964-10-21)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1964-10-19 bis 1964-10-21)
conductor:
Nelson Riddle (von 1964-10-19 bis 1964-10-21)
Interpret(in):
Nelson Riddle and His Orchestra (in 1964)
arranger:
Nelson Riddle
cover recording of:
Skylark (in 1964)
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:13
12This Time the Dream’s on Me
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (von 1964-10-19 bis 1964-10-21)
Instrumente:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (von 1964-10-19 bis 1964-10-21)
Klarinette:
Buddy DeFranco (von 1964-10-19 bis 1964-10-21)
Tenorsaxophon:
Plas Johnson (von 1964-10-19 bis 1964-10-21)
Vibraphon:
Frank Flynn (von 1964-10-19 bis 1964-10-21)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1964-10-19 bis 1964-10-21)
conductor:
Nelson Riddle (von 1964-10-19 bis 1964-10-21)
arranger:
Nelson Riddle
cover recording of:
This Time the Dream’s on Me
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
2:56
13Puttin’ on the Ritz
Techniker(in):
Val Valentin (am 1958-03-18)
Produzent(in):
Norman Granz
vocals:
Ella Fitzgerald (American jazz singer) (am 1958-03-18)
conductor:
Paul Weston (am 1958-03-18)
Interpret(in):
Paul Weston and His Orchestra (am 1958-03-18)
arranger:
Paul Weston (in 1958)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-03-18)
cover recording of:
Puttin’ On the Ritz (am 1958-03-18)
Texter und Komponist(in):
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
Idiot’s Delight (film)
2:18
14Alexander’s Ragtime Band
Techniker(in):
Val Valentin (am 1958-03-19)
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (am 1958-03-19)
conductor:
Paul Weston (in 1958)
Interpret(in):
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-03-19)
cover recording of:
Alexander’s Ragtime Band (am 1958-03-19)
Texter und Komponist(in):
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
2:44
15Cheek to Cheek
Techniker(in):
Val Valentin (am 1958-03-18)
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (am 1958-03-18)
conductor:
Paul Weston (in 1958)
Interpret(in):
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-03-18)
cover recording of:
Cheek to Cheek (from “Top Hat”) (am 1958-03-18)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
3:48
16My Funny Valentine
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
Waldhorn:
Vince DeRosa (am 1956-08-30)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-30)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1956-08-30)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Babes in Arms (full musical)
Teil von:
Waiting to Exhale (1995 film)
43:56
17Have You Met Miss Jones
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
Waldhorn:
Vince DeRosa (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-30)
recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (am 1956-08-30)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
3:42
18The Lady Is a Tramp
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Bud Shank (am 1956-08-21) und Maurice Stein (American jazz saxophonist) (am 1956-08-21)
baritone saxophone:
Chuck Gentry (am 1956-08-21)
Bass:
Joe Mondragon (am 1956-08-21)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-21)
Gitarre:
Barney Kessel (am 1956-08-21)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-21)
Posaune:
Milt Bernhart (am 1956-08-21), Joe Howard (american trombone player) (am 1956-08-21) und Lloyd Ulyate (am 1956-08-21)
Schlagzeug:
Alvin Stoller (am 1956-08-21)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-21) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-21)
Trompete:
Pete Candoli (am 1956-08-21), Maynard Ferguson (am 1956-08-21), Conrad Gozzo (am 1956-08-21) und Ray Linn (am 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-21)
conductor:
Buddy Bregman (am 1956-08-21)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-21)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1956-08-21)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
4.653:23
19Manhattan
Techniker(in):
Val Valentin (am 1956-08-29)
Produzent(in):
Norman Granz
baritone saxophone, Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-29)
Bass:
Joe Mondragon (von 1956-08-21 bis 1956-08-31)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-29)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-29) und Edgar Lustgarten (am 1956-08-29)
Englischhorn [English horn] und Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-29), Bud Shank (am 1956-08-29) und Willie Schwartz (am 1956-08-29)
Gitarre:
Barney Kessel (am 1956-08-29)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-29)
Perkussion:
Milt Holland (am 1956-08-29)
Schlagzeug:
Alvin Stoller (am 1956-08-29)
Waldhorn:
Vince DeRosa (am 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-29)
conductor:
Buddy Bregman (am 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-29)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-29)
cover recording of:
Manhattan (am 1956-08-29)
Texter:
Lorenz Hart (in 1925)
Komponist(in):
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company und Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:51

Nennungen

Veröffentlichung

Produzent(in):Jim Fishel
remastering:Dennis Drake (US PolyGram engineer)
Teil von:Verve Silver Collections (Nummer: 823 445-2) (Reihenfolge: 2)
ASIN:US: B0000046VX [Info]