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~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:58
2Don’t You Want Me
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:58
3Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:41
4Girls on Film
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981, nel 1998)
registrazione di:
Girls on Film
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Gloucester Place Music Ltd.
versione di:
Girls on Film (Pre-Le Bon version)
Duran Duran3.653:28
5Take on Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.253:47
6Everybody Wants to Rule the World
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984)
chitarra e chitarra solista :
Neil Taylor (guitarist) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
voce principale:
Curt Smith
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014) e Phonogram Ltd. (not for release label use!) (nel 1985)
video musicali:
Everybody Wants to Rule the World di Tears for Fears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 319)
registrazione di:
Everybody Wants to Rule the World (nel 1984)
autore:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Tears for Fears3.954:10
7Karma Chameleon
tecnico:
Simon Frith, Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) ospite :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2002, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club44:13
8Kids in America
tecnico di registrazione:
Jeo (dal 1980 al 1981)
programmazione:
Jörn‐Uwe Fahrenkrog‐Petersen (dal 1980 al 1981) e Derek von Krogh (dal 1980 al 1981)
tecnico:
Steve Stewart (engineer, guitarist of The Enid)
produttore:
Ricky Wilde
batteria :
Bernhard Hahn (dal 1980 al 1981), Chris North (UK drummer of The Enid) (dal 1980 al 1981) e Tobias Wörner (dal 1980 al 1981)
chitarra :
Thomas Hahn (dal 1980 al 1981), Charlotte Hatherley (dal 1980 al 1981), Francis Lickerish (dal 1980 al 1981), Steve Stewart (engineer, guitarist of The Enid) (dal 1980 al 1981), James Stevenson (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
chitarra basso :
Martin Russell (recording engineer, producer, composer & musician) (dal 1980 al 1981) e Derek von Krogh (dal 1980 al 1981)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (dal 1980 al 1981), Robert John Godfrey (member of The Enid) (dal 1980 al 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (dal 1980 al 1981), Derek von Krogh (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
tastiera aggiunto:
Nick Priessnitz (dal 1980 al 1981)
voce:
Kim Wilde (dal 1980 al 1981)
voce di accompagnamento:
D. Janz (dal 1980 al 1981), M. Janz (dal 1980 al 1981), N. Janz (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
voce principale:
Charlotte Hatherley (dal 1980 al 1981) e Kim Wilde (dal 1980 al 1981)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981, nel 1996, nel 2001), EMI France (nel 1993) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrata presso:
Amira Studio (dal 1980 al 1981), RAK Studios in London (Greater London), England, Regno Unito (dal 1980 al 1981), Soundmastaz Studios (dal 1980 al 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germania (dal 1980 al 1981) e The Lodge Recording Studio in Northampton, Northamptonshire, England, Regno Unito (dal 1980 al 1981)
mixata presso:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germania, RAK Studios in London (Greater London), England, Regno Unito e Studio 77 in Stuttgart, Baden-Württemberg, Germania
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 55)
registrazione di:
Kids in America (dal 1980 al 1981)
autore:
Marty Wilde e Ricky Wilde
editore:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Rickim Music Ltd.
Kim Wilde4.13:26
9Stand and Deliver
produttore:
Chris Hughes (producer, aka “Merrick”)
armonica (a bocca) e voce principale:
Adam Ant (English new wave singer and actor)
batteria :
Merrick (ex Adam & The Ants) e Terry Lee Miall
chitarra :
Marco Pirroni (British musician and producer)
chitarra basso :
Adam Ant (English new wave singer and actor) e Gary Tibbs
video musicali:
Stand and Deliver di Adam and the Ants (English new wave band)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 10)
registrazione di:
Stand and Deliver
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants53:09
10Ballroom Blitz
tecnico:
Peter Coleman (British engineer & producer)
produttore:
Phil Wainman
arrangiatore:
Sweet (UK glam rock band)
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1973, nel 1974, nel 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso e lavorazione tecnica effettuata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
The Ballroom Blitz
autore:
Mike Chapman (Australian producer and songwriter), Chinn-Chapman (producer/songwriter duo Michael Donald "Mike" Chapman & Nicholas Barry "Nicky" Chinn) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing Ltd. e Universal Music Publishing MGB Australia
The Sweet4.64:04
11Virginia Plain
tecnico:
Andy Hendriksen (nel 1972-03)
produttore:
Peter Sinfield
basso :
Rik Kenton (production music composer) (nel 1972-03)
arrangiatore:
Roxy Music
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1972), Virgin EG Records Ltd. (nel 1972), Virgin EMI Records (division of Universal Music UK, 2013–2020) (nel 1999) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1999)
registrata presso:
Command Studios in London (Greater London), England, Regno Unito (nel 1972-03)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 3) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 348)
registrazione di:
Virginia Plain (nel 1972-03)
paroliere e compositore:
Bryan Ferry
arrangiatore:
Roxy Music
editore:
BMG Music Publishing Ltd., BMG Songs Ltd., Careers‐BMG Music Publishing, E.G. Music Inc., E.G. Music Ltd. (publisher), TRO-Total Music, Inc. e Buggane Music, Ltd. (nel 1972)
Roxy Music3.652:58
12Rockin’ All Over the World
assistente tecnico:
Kevin Whyte
tecnico:
John Eden (producer), Barry Hammond e Simon Sullivan
produttore:
Status Quo (UK boogie rock band) e Pip Williams (producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1977), Mercury Records Ltd. (London) (for copyrights use only) (nel 1977), Mercury Records Ltd. (UK) (nel 1977), Phonogram Ltd. (not for release label use!) (nel 1977), Phonogram Ltd. (London) (company name, NOT a label!) (nel 1977, nel 1988) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1992)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (il 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv municipality), Västra Götaland (Västra Götaland county), Svezia (il 1992-08-30) e Sutton Park in Birmingham, West Midlands, England, Regno Unito (il 1992-08-30)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
video musicali:
Rockin All Over the World di Status Quo (UK boogie rock band)
registrazione cover di:
Rockin’ All Over the World (il 1992-08-30)
paroliere e compositore:
John Fogerty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Wenaha Music, Wenaha Music Company e Intersong Ltd. (publisher) (nel 1977)
Status Quo43:36
13All by Myself
programmazione degli strumenti:
Simon Franglen (English score composer)
assistente tecnico:
Paul Boutin, Osie Bowe e Larry Schalit
tecnico e tecnico di missaggio:
Humberto Gatica
tecnico aggiunto:
Felipe Elgueta e David Reitzas
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Chris Brooke
basso :
Marc Langis
batteria :
Dominique Messier
chitarra :
André Coutu e Michael Thompson (session guitarist)
percussione :
Paul Picard
pianoforte :
David Foster (Canadian music producer, arranger and composer)
tastiera :
Yves Frulla e Claude Lemay
voce principale:
Céline Dion
arrangiatore archi :
Bill Ross (composer, orchestrator, arranger, conductor)
arrangiatore:
David Foster (Canadian music producer, arranger and composer)
è stato produttore per:
Chartmaker Inc.
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti, Compass Point in Nassau, Bahamas e The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
mixata presso:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti
registrazione cover di:
All by Myself (nel 1996)
paroliere:
Eric Carmen
compositore:
Eric Carmen e Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (conclusa), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Let’s Pretend
si basa su:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Céline Dion54:01
14Bleeding Love
programmazione, tecnico e produttore:
Ryan ‘Alias’ Tedder (American singer, songwriter, and producer)
assistente tecnico:
Craig Durrance e Nate Hertweck
tecnico di missaggio:
Phil Tan (Malaysian-American audio engineer)
strumenti:
Ryan ‘Alias’ Tedder (American singer, songwriter, and producer)
arrangiatore archi [string] :
Ryan ‘Alias’ Tedder (American singer, songwriter, and producer)
diritti fonografici (℗) detenuti da:
Simco Limited (not for release label use, for copyright/licensor use only) (nel 2007)
registrata presso:
Encore in Burbank, California, Stati Uniti, Mansfield Studios in Los Angeles, California, Stati Uniti e Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Bleeding Love (music video, UK Edition) di Leona Lewis
parte di:
Billboard Year-End Hot 100 singles of 2008 (numero: 2)
registrazione di:
Bleeding Love
autore:
Jesse McCartney e Ryan Tedder (American singer, songwriter, and producer)
editore:
Jambition Music (ASCAP) e Write 2 Live
Leona Lewis4.154:02
15The Promise
produttore:
Brian Higgins (British producer and song writer) e Xenomania
tecnico di missaggio:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
batteria :
Florrie Arnold (Florence Arnold)
chitarra :
Nick Coler, Kieran Jones, Owen Parker (UK composer, instrumentalist and producer) e Jason Resch
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 2008)
registrazione di:
The Promise
autore:
Carla Marie Williams, Nick Coler, Miranda Cooper, Brian Higgins (British producer and song writer), Kieran Jones, Tim Powell (Songwriter and producer, ex-Xenomania) e Jason Resch
editore:
Warner Chappell (1999-2019) e Xenomania
Girls Aloud2.354:05
16Black Magic
programmazione:
Edvard Førre Erfjord, Henrik Michelsen e Matt Rad
tecnico:
Chris Bishop (breakbeat, alias of Chris Bishop) e Electric (producer duo)
assistente produttore:
Sam Ellison
produttore:
Electric (producer duo) e Maegan Cottone
produttore aggiunto:
Matt Rad
tecnico di missaggio:
Serban Ghenea e John Hanes (audio engineer, mixer)
strumenti:
Edvard Førre Erfjord, Henrik Michelsen e Matt Rad
voce:
JADE (UK vocalist, member of Little Mix), Leigh‐Anne, Jesy Nelson e Perrie (English singer‐songwriter)
voce di accompagnamento:
Camille Purcell (British singer-songwriter and record producer)
esecutore:
Little Mix (British girl group)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2021) e Warner Music UK Limited (not for release label use!) (nel 2021)
registrazione di:
Black Magic
autore:
Camille Purcell (British singer-songwriter and record producer), Ed Drewett, Edvard Førre Erfjord e Henrik Michelsen
editore:
San Remo Music Limited, Sony/ATV Music Publishing (UK) Ltd. e Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Little Mix3:32
17What Makes You Beautiful
produttore:
Carl Falk (Swedish guitarist and songwriter) e Rami Yacoub (Swedish record producer and songwriter)
assistente tecnico di missaggio:
Phil Seaford
tecnico di missaggio:
Serban Ghenea e John Hanes (audio engineer, mixer) (incarico: mix engineer)
esecutore:
Niall Horan, Liam Payne, Harry Styles, Louis Tomlinson e ZAYN (British singer)
diritti fonografici (℗) detenuti da:
Simco Limited (not for release label use, for copyright/licensor use only) (nel 2011) e Simco Limited (not for release label use, for copyright/licensor use only) (nel 2012)
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
video musicali:
What Makes You Beautiful di One Direction (English‐Irish pop boy band)
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 10) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 86)
registrazione di:
What Makes You Beautiful
autore:
Carl Falk (Swedish guitarist and songwriter), Savan Kotecha e Rami Yacoub (Swedish record producer and songwriter)
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI April Music Inc., Mr. Kanani Songs e Rami Productions AB
One Direction3.153:20
18Sorry
produttore:
BLOOD e Skrillex
parte di:
Billboard Year-End Hot 100 singles of 2016 (numero: 2), Billboard Decade End Chart: Streaming Songs (2010s) (numero: 23), Rolling Stone: The 100 Best Songs of the 2010s (numero: 29) e Pitchfork: The 200 Best Songs of the 2010s (numero: 120)
registrazione di:
Sorry
autore:
Justin Bieber, Michael Tucker, Julia Michaels, Sonny Moore e Justin Tranter (singer and songwriter)
editore:
Bieber Time Publishing, Copaface, Justin’s School for Girls, Michael Diamond Music, Thanks for the Songs Richard e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Justin Bieber43:22
19How Deep Is Your Love
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1996)
registrazione cover di:
How Deep Is Your Love (Bee Gees song)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Gibb Brothers Music (nel 1977)
sub-editore:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Take That3:43
20Someone You Loved
programmazione:
Tom Barnes (UK songwriter and drummer)
produttore e tecnico di missaggio:
TMS (UK songwriting/production team)
archi :
Phil Cook (member of Megafaun, Justin Vernon collaborator)
chitarra basso :
Pete Kelleher (multi-instrumentalist)
pianoforte :
Benjamin Kohn (songwriter and producer)
voce:
Lewis Capaldi (singer-songwriter)
parte di:
Billboard Year-End Hot 100 singles of 2020 (numero: 10), Spotify: Top Hits of 2019 (numero: 11) e Billboard Year-End Hot 100 singles of 2019 (numero: 27)
registrazione di:
Someone You Loved
autore:
Benjamin Kohn (songwriter and producer), Lewis Capaldi (singer-songwriter), Pete Kelleher (multi-instrumentalist), Sam Roman (Sam Roman, singer / songwriter / producer) e Tom Barnes (UK songwriter and drummer)
Lewis Capaldi3.553:03
4▶CD
5▶CD

Accreditamenti

Gruppo di pubblicazioni

parte di:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (ordine: 106)