Music of the Millennium II

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 6 disponibili)

Elenco tracce

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#TitoloArtistaValutazioneDurata
1Woman
tecnico:
Lee DeCarlo
produttore:
Jack Douglas, John Lennon (The Beatles) e Yoko Ono (Japanese‐American musician and artist)
voce principale:
John Lennon (The Beatles)
diritti fonografici (℗) detenuti da:
The David Geffen Company (legal rights relating to Geffen Records) (nel 1980) e Calderstone Productions Limited (nel 2016)
video musicali:
Woman di John Lennon (The Beatles)
registrazione di:
Woman
paroliere e compositore:
John Lennon (The Beatles)
editore:
Geffen/Kaye Music, Lenono Music e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
John Lennon43:25
2Every Breath You Take
tecnico:
Hugh Padgham
produttore:
Hugh Padgham e The Police (British rock band)
basso elettrico e voce principale:
Sting (singer, songwriter & member of The Police) (nel 1983)
batteria :
Stewart Copeland (drummer, percussionist, pianist and composer) (nel 1983)
chitarra elettrica :
Andy Summers (nel 1983)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1981, nel 2003), A&M Records (nel 1983, nel 2016), A&M Records Limited (nel 1983) e Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (nel 1983)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1983) e Le Studio in Morin‐Heights, Québec (Quebec), Canada (nel 1983)
video musicali:
Every Breath You Take di The Police (British rock band)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 287) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 305)
registrazione di:
Every Breath You Take (nel 1983)
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) e Virgin Music (Publishers) Ltd.
sub-editore:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Police4.054:13
3Nothing Compares 2 U
tecnico:
Chris Birkett
produttore:
Nellee Hooper e Sinéad O’Connor (Irish singer‐songwriter)
tecnico di missaggio:
Chris Birkett, Fachtna Ó Ceallaigh e Sinéad O’Connor (Irish singer‐songwriter)
voce:
Sinéad O’Connor (Irish singer‐songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1990) e Ensign Records Ltd. (company; do NOT use as release label) (nel 1990)
video musicali:
Nothing Compares 2 U (music video) di Sinéad O’Connor (Irish singer‐songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 184) e Indie 88: Top 500 Indie Rock Songs (numero: 413)
registrazione cover di:
Nothing Compares 2 U
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing e Warner Chappell (Warner/Chappell Music, Inc.)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:01
4That's the Way Love Goes
tecnico di registrazione:
Steve Hodge (engineer and producer)
produttore:
Janet Jackson e Jimmy Jam & Terry Lewis
tecnico di missaggio:
Dave Rideau (engineer) e Steve Hodge (engineer and producer)
voce di accompagnamento e voce principale:
Janet Jackson
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1993) e Virgin Records Inc. (nel 2018)
campionamenti:
Impeach the President di The Honey Drippers (70s US funk band, backing band for Roy C. Hammond) e Papa Don’t Take No Mess di James Brown (The Godfather of Soul)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 216)
registrazione di:
That’s the Way Love Goes
autore:
Charles Bobbitt, James Brown (The Godfather of Soul), Janet Jackson, James Harris (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner), John Starks e Fred Wesley
editore:
Black Ice Publishing, Dynatone Publishing Co. e Kobalt Music Publishing Ltd. (UK)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 大洋音楽 (Taiyō Music)
Janet Jackson3.64:25
5Fastlove
registrazione di:
Fastlove
paroliere e compositore:
George Michael
George Michael4:30
6Angels
programmazione:
Steve Power e Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
assistente tecnico:
Jim Brumby (UK engineer) e Matt Hay
produttore:
Guy Chambers (English songwriter and record producer) e Steve Power
tecnico di missaggio:
Steve Power
basso :
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
batteria [drums] :
Chris Sharrock
chitarra :
Andre Barreau, Chester Kamen e Gary Nuttall
percussione :
Andy Duncan (UK drummer and producer)
tastiera [keyboards] :
Guy Chambers (English songwriter and record producer) e Steve Power
voce di accompagnamento:
Andre Barreau, Gary Nuttall e Nicole Patterson
voce principale:
Robbie Williams
orchestra:
London Session Orchestra
arrangiatore:
Guy Chambers (English songwriter and record producer)
primo violino:
Gavyn Wright (UK violinist, conductor)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1997)
registrata presso:
Matrix Maison Rouge Studios in London (Greater London), England, Regno Unito
mixata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 5)
registrazione di:
Angels
autore:
Guy Chambers (English songwriter and record producer) e Robbie Williams
editore:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) e Kobalt Music Publishing Ltd. (UK)
Robbie Williams3.654:26
7What's Love Got to Do With It
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984)
registrazione di:
What’s Love Got to Do With It
autore:
Graham Lyle e Terence Ernest Britten
editore:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (nel 1984), Irving Music, Inc. (nel 1984), Rondor Music (London) Ltd. (nel 1984), WB Music Corp. (1929–2019) (dal 1984 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Tina Turner3:17
8You Wear It Well
produttore:
Rod Stewart
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1972)
registrazione di:
You Wear It Well
autore:
Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), G.H. Music Ltd, Three Bridges Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Windswept Pacific Music Ltd. (publishing company)
Rod Stewart4.54:23
91999
tecnico di registrazione:
Peggy McCreary (dal 1982-07 al 1982-08)
produttore:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
basso elettrico , batteria elettronica [Pearl SY-1 Syncussion] , battimani , campanaccio , chitarra elettrica , drum machine [Linn LM-1] , piatti , sintetizzatore [ARP Omni-2] , sintetizzatore [Oberheim OB-Xa] e tamburello :
Prince (“The Artist Formerly Known as…”) (dal 1982-07 al 1982-08)
voce di accompagnamento:
Jesse Johnson (original guitarist for The Time) (dal 1982-07 al 1982-08)
voce principale:
Lisa Coleman (US pianist/keyboardist & composer) (dal 1982-07 al 1982-08), Dez Dickerson (dal 1982-07 al 1982-08), Jill Jones (American singer, songwriter, and actress) (dal 1982-07 al 1982-08) e Prince (“The Artist Formerly Known as…”) (dal 1982-07 al 1982-08)
arrangiatore:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
edit di:
1999 (album version) di Prince (“The Artist Formerly Known as…”)
video musicali:
1999 di Prince (“The Artist Formerly Known as…”)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 212) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 339)
registrazione di:
1999 (dal 1982-07 al 1982-08)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince43:38
10Hot Stuff
registrazione di:
Hot Stuff
autore:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
editore:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer54:46
11Mamma Mia
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria :
Roger Palm (il 1975-03-12)
chitarra e chitarra aggiunto:
Janne Schaffer (il 1975-03-16)
chitarra basso :
Mike Watson (English‐Swedish rock musician) (il 1975-03-12)
chitarra elettrica :
Finn Sjöberg (il 1975-03-12)
marimba :
Benny Andersson (ABBA) (nel 1975-03)
oboe :
Lars-Erik Rönn (il 1975-03-15)
viola :
Nils Heie (il 1975-03-15) e Håkan Roos (Swedish violist) (il 1975-03-15)
violino :
Anders Dahl (Swedish media artist creates artworks and experimental sound) (il 1975-03-15), Inge Lindstedt (il 1975-03-15), Gunnar Michols (Swedish violinist) (il 1975-03-15), Sixten Strömvall (Swedish violinist) (il 1975-03-15), Harry Teike (il 1975-03-15) e Krzysztof Zdrzalka (Swedish violinist) (il 1975-03-15)
violoncello :
Kjell Bjurling (Swedish cellist) (il 1975-03-15) e Olle Gustafsson (cellist) (il 1975-03-15)
voce principale:
Agnetha Fältskog (il 1975-03-12) e Frida (Swedish singer and member of ABBA) (il 1975-03-12)
arrangiatore violoncello, viola e violino :
Sven-Olof Walldoff
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music AB (nel 1975) e Polar Music International AB (nel 2001, nel 2014)
registrata presso:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia (il 1975-03-12, il 1975-03-15, il 1975-03-16)
mixata presso:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia
registrazione di:
Mamma Mia (dal 1975-03-12 al 1975-03-16)
scritta a:
Lidingö municipality, Stockholms län (Stockholm county), Svezia
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Polar Music AB (conclusa), Union Songs AB (publisher) (conclusa), EMI Grove Park Music, Inc., Universal–Songs of PolyGram International, Inc. e Universal/Union Songs Musikförlag AB
parte di:
Mamma Mia! (1999 musical)
registrazione di:
Mamma Mia (Spanish version)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
traduttore:
Buddy McCluskey (translator) e Mary McCluskey (translator)
versione tradotta di:
Mamma Mia
ABBA3.853:33
12Chain Reaction
assistente tecnico:
Scott Glasel e John Haig (engineer)
tecnico:
Jack Joseph‐Puig, Karl Richardson e Brian Tench
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
tecnico di missaggio:
Jack Joseph‐Puig
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1985), Maurice Gibb (nel 1985) e Robin Gibb (nel 1985)
registrata presso:
Middle Ear Studio in Miami Beach, Florida, Stati Uniti
registrazione di:
Chain Reaction
compositore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music Publishing Ltd. e Gibb Brothers Music
Diana Ross4.253:47
13Get Up I Feel Like Being a Sex Machine
produttore:
James Brown (The Godfather of Soul)
batteria :
John Starks
chitarra :
Catfish Collins
chitarra basso :
Bootsy Collins (US funk musician & songwriter)
organo :
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
pianoforte :
James Brown (The Godfather of Soul)
sassofono tenore :
Robert McCollough
tromba :
Clayton Gunnells e Darryl Hassan Jamison
voce:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
voce principale:
James Brown (The Godfather of Soul) (il 1970-04-25)
esecutore:
The J.B.’s
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1970)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 196) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 326)
registrazione di:
Get Up (I Feel Like Being Like a) Sex Machine (il 1970-04-25)
autore:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) e Ron Lenhoff
editore:
Dynatone Publishing Co. e Intersong Music Ltd.
James Brown4.255:17
14What's Going On
produttore:
Marvin Gaye
tecnico di missaggio:
Lawrence Miles (il 1971-05-06)
percussione [box drum] , pianoforte e voce principale:
Marvin Gaye (il 1971-05-06)
strumenti:
Detroit Symphony Orchestra (il 1971-05-06) e The Funk Brothers (il 1971-05-06)
voce di accompagnamento:
Lem Barney (il 1971-05-06), Mel Farr (il 1971-05-06) e Marvin Gaye (il 1971-05-06)
direttore d'orchestra:
David Van dePitte (il 1971-05-06)
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1971)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1971-05-06)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 102) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
What’s Going On (il 1971-05-06)
paroliere e compositore:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) e Marvin Gaye
editore:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. e Stone Agate Music Corp.
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Marvin Gaye4.23:48
15Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:54
16(Sittin' on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:43
17Uptight (Everything's Alright)
produttore:
Henry Cosby e William Stevenson (Motown songwriter)
voce principale:
Stevie Wonder (nel 1965)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1965)
registrazione di:
Uptight (Everything’s Alright) (nel 1965)
paroliere e compositore:
Henry Cosby, Sylvia Moy e Stevie Wonder
editore:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music e Stone Agate Music
Stevie Wonder4.72:53
18Mrs. Robinson
tecnico di registrazione:
Roy Halee (il 1968-02-02)
assistente produttore:
Bob Johnston (US record producer and early rockebilly singer)
produttore:
Art Garfunkel, Roy Halee e Paul Simon (of Simon & Garfunkel)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1968-02-02)
chitarra :
Paul Simon (of Simon & Garfunkel) (il 1968-02-02)
voce:
Art Garfunkel (il 1968-02-02) e Paul Simon (of Simon & Garfunkel) (il 1968-02-02)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1968) e Sony BMG Music Entertainment (2004–2008) (nel 1968)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 270)
registrazione di:
Mrs. Robinson (il 1968-02-02)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.253:53
19Mull of Kintyre
assistente tecnico di registrazione:
Tim Summerhayes (dal 1977-08-09 al 1977-10)
tecnico di registrazione:
Geoff Emerick (British recording engineer) (dal 1977-08-09 al 1977-10)
produttore:
Paul McCartney (The Beatles)
tecnico di missaggio:
Geoff Emerick (British recording engineer)
basso acustico e voce principale:
Paul McCartney (The Beatles) (dal 1977-08-09 al 1977-10)
batteria :
Tommy Blue (dal 1977-08-09 al 1977-10), Joe English (dal 1977-08-09 al 1977-10), Campbell Maloney (dal 1977-08-09 al 1977-10) e Jimmy McGeachy (dal 1977-08-09 al 1977-10)
chitarra acustica :
Denny Laine (dal 1977-08-09 al 1977-10) e Paul McCartney (The Beatles) (dal 1977-08-09 al 1977-10)
chitarra elettrica :
Denny Laine (dal 1977-08-09 al 1977-10)
cornamusa :
John Lang Brown (dal 1977-08-09 al 1977-10), Campbelltown Pipe Band (dal 1977-08-09 al 1977-10), Archie Coffield (dal 1977-08-09 al 1977-10), Dougie Lang (dal 1977-08-09 al 1977-10), John McGeachy (dal 1977-08-09 al 1977-10), Ian McKerral (dal 1977-08-09 al 1977-10) e Tony Wilson (bagpipes) (dal 1977-08-09 al 1977-10)
percussione :
Linda McCartney (dal 1977-08-09 al 1977-10)
voce di accompagnamento:
Denny Laine (dal 1977-08-09 al 1977-10), Linda McCartney (dal 1977-08-09 al 1977-10), Paul McCartney (The Beatles) (dal 1977-08-09 al 1977-10), Ian McKerral (dal 1977-08-09 al 1977-10) e Dave Paton (dal 1977-08-09 al 1977-10)
diritti fonografici (℗) detenuti da:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
registrata presso:
Spirit of Ranachan Studio in Scotland, Regno Unito (il 1977-08-09) e Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1977-10)
registrazione di:
Mull of Kintyre (dal 1977-08-09 al 1977-10)
autore:
Denny Laine e Paul McCartney (The Beatles)
editore:
ATV Music
Wings2.84:45
20American Pie
tecnico:
Tom Flye
banjo e chitarra acustica :
Don McLean (il 1971-05-26)
basso :
Bob Rothstein (il 1971-05-26)
batteria e percussione :
Roy Markowitz (il 1971-05-26)
chitarra elettrica :
David Spinozza (il 1971-05-26)
marimba e vibrafono :
Mike Mainieri (il 1971-05-26)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1971-05-26)
pianoforte elettrico :
Ray Colcord (il 1971-05-26)
cori:
West 44th Street Rhythm and Noise Choir (il 1971-05-26)
voce:
Bob Rothstein (il 1971-05-26) e Don McLean (il 1971-05-26)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1971) e United Artists Records (for bootlegs and counterfeit) (nel 1971)
registrazione parziale di:
American Pie (il 1971-05-26)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:07

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Discogs:https://www.discogs.com/master/119643 [info]