| # | Title | Artist | Rating | Length |
|---|
| 1 | I’m Yours | Jason Mraz | 3.45 | 4:05 |
| 2 | Riptide | Vance Joy | 3.6 | 3:22 |
| 3 | Cold Water- producer:
- benny blanco , Diplo , Jr Blender and King Henry
- vocals:
- Justin Bieber and MØ
- phonographic copyright (℗) by:
- Third Pardee, LLC (in 2016)
- part of:
- Billboard Year-End Hot 100 singles of 2016 (number: 25)
- recording of:
- Cold Water
- writer:
- Benjamin Levin , Justin Bieber, Henry Allen, Karen Marie Ørsted , Philip Meckseper , Jamie Scott , Ed Sheeran and Thomas Wesley Pentz
- publisher:
- 12th and Spring Garden, Bieber Time Publishing, EMI Music Publishing Ltd. , I Like Turtles Music, Songs of SMP and Sony/ATV Music Publishing (UK) Ltd.
| Major Lazer feat. Justin Bieber & MØ | 1.9 | 3:07 |
| 4 | Lush Life- recording engineer:
- Email and Mack
- producer:
- Email (lead vocals [vocal]), Freedo , Mack (lead vocals [vocal]) and Shuko
- mixer:
- Freedo
- music videos:
- Lush Life by Zara Larsson
- part of:
- Billboard Hot 100: 2026-04-18 (number: 35), Billboard Hot 100: 2026-02-07 (number: 36), Billboard Hot 100: 2026-04-11 (number: 36), Billboard Hot 100: 2026-03-28 (number: 37), Billboard Hot 100: 2026-02-28 (number: 39), Billboard Hot 100: 2026-01-31 (number: 40), Billboard Hot 100: 2026-04-25 (number: 42), Billboard Hot 100: 2026-05-23 (number: 42), Billboard Hot 100: 2026-04-04 (number: 44), Billboard Hot 100: 2026-03-07 (number: 45), Billboard Hot 100: 2026-06-20 (number: 47), Billboard Hot 100: 2026-01-24 (number: 48), Billboard Hot 100: 2026-03-14 (number: 48), Billboard Hot 100: 2026-05-02 (number: 48), Billboard Hot 100: 2026-03-21 (number: 50), Billboard Hot 100: 2026-02-14 (number: 53), Billboard Hot 100: 2026-05-16 (number: 53), Billboard Hot 100: 2026-06-13 (number: 54), Billboard Hot 100: 2026-06-06 (number: 59), Billboard Hot 100: 2026-05-09 (number: 61), Billboard Hot 100: 2026-02-21 (number: 65), Billboard Hot 100: 2026-01-17 (number: 70) and Billboard Hot 100: 2026-05-30 (number: 75)
- recording of:
- Lush Life
- writer:
- Christoph Bauss, Email , Fridolin Walcher , Iman Conta Hultén, Linnea Södahl and Mack
| Zara Larsson | 3.9 | 3:23 |
| 5 | Sorry | Justin Bieber | 4 | 3:21 |
| 6 | Work From Home- assistant recording engineer and assistant editor:
- Dexter Randall
- recording engineer and editor:
- Andrew Bolooki
- programming:
- Ammo and DallasK
- producer:
- Ammo , DallasK and Victoria Monét
- assistant mixer:
- Daniela Rivera
- mixer:
- Phil Tan
- instruments:
- Ammo and DallasK
- guest vocals and guest performer:
- Ty Dolla $ign
- vocals:
- Ally Brooke, Camila Cabello, Dinah Jane, Lauren Jauregui and Normani
- performer:
- Fifth Harmony
- phonographic copyright (℗) by:
- Simco Limited (in 2016)
- recorded at:
- The Mothership in Hollywood, Los Angeles, California, United States and Windmark Recording in Virginia Beach, Virginia, United States
- mixed at:
- Callanwolde Fine Arts Center in Atlanta, Georgia, United States
- part of:
- Billboard Year-End Hot 100 singles of 2016 (number: 16) and Rolling Stone: The 100 Best Songs of the 2010s (number: 86)
- recording of:
- Work From Home
- writer:
- Daniel Bedingfield , Dallas Koehlke , Jude Demorest, Alexander Izquierdo, Joshua Coleman , Brian Lee and Tyrone Griffin Jr.
- quotes music from:
- Gotta Get Thru This
| Fifth Harmony feat. Ty Dolla $ign | 4.2 | 3:37 |
| 7 | Ignition (remix) | R. Kelly | 3.35 | 3:08 |
| 8 | Dilemma- producer:
- BAM and Ryan Bowser
- guest vocals:
- Kelly Rowland
- lead vocals:
- Nelly and Kelly Rowland
- performer:
- Kelly Rowland
- produced for:
- Suga Shack Entertainment
- samples:
- Love, Need and Want You by Patti LaBelle
- recording of:
- Dilemma
- lyricist:
- Kenneth Gamble , Nelly and Bunny Sigler
- composer:
- BAM and Ryan Bowser
- publisher:
- BMG (ended), Jackie Frost Music (ended), Phat Nasty (ended), Suga Shack (ended), EMI April Music Inc., Hipgnosis SFH I Limited, Kobalt Songs Music Publishing , Shack Suga Entertainment, Universal Music–MGB Songs and Warner–Tamerlane Publishing Corp.
- is based on:
- Love, Need and Want You
| Nelly feat. Kelly Rowland | 3.35 | 3:56 |
| 9 | Want to Want Me | Jason Derulo | 2.25 | 3:27 |
| 10 | Sugar- programming:
- Ammo , Cirkut, Dr. Luke and Maroon 5
- assistant engineer:
- John Armstrong , Eric Eylands, Rachael Findlen and Cameron Montgomery
- engineer:
- Clint Gibbs, Jonathan Sher, Doug McKean and Noah Passovoy
- producer:
- Ammo and Cirkut
- mixer:
- John Hanes
- bass synthesizer:
- Dr. Luke
- drums (drum set):
- Cirkut and Matt Flynn
- electric bass guitar:
- Mickey Madden
- guitar:
- Jesse Carmichael, Dr. Luke and James Valentine
- keyboard and synthesizer:
- Ammo , Jesse Carmichael, Cirkut, Dr. Luke and PJ Morton
- additional vocals:
- Mike Posner
- lead vocals:
- Adam Levine
- instruments technician:
- Artie Smith
- edit of:
- Sugar by Maroon 5
- music video for:
- Sugar by Maroon 5
- recording of:
- Sugar
- writer:
- Łukasz Gottwald, Henry Walter, Jacob Kasher Hindlen , Joshua Coleman , Adam Levine and Mike Posner
- publisher:
- Each Note Counts, J. Kasher Music, Kasz Money Publishing , Kevinthecity Publishing, North Greenway Productions, Oneirology Publishing, Prescription Songs, Sony/ATV Tunes LLC and Sudgee 2 Music
| Maroon 5 | 4 | 3:56 |
| 11 | All About That Bass- recording engineer, sound engineer, engineer, producer and mixer:
- Kevin Kadish
- drums (drum set) programming:
- Kevin Kadish
- baritone saxophone, Hammond organ and piano:
- David Baron
- bass and electric guitar:
- Kevin Kadish
- handclaps, percussion, background vocals and lead vocals:
- Meghan Trainor
- recorded at and engineered at:
- The Carriage House in Nolensville, Tennessee, United States
- recording of:
- All About That Bass
- writer:
- Kevin Kadish and Meghan Trainor
- publisher:
- Endurance Alpha, MTrain Music, Over‐Thought Under‐Appreciated Songs, Sony/ATV Allegro, Year of the Dog Music, エイベックス・ミュージック・パブリッシング 第7出版事業部 and 大洋音楽
| Meghan Trainor | | 3:09 |
| 12 | Black Magic | Little Mix | | 3:33 |
| 13 | Timber- programming and producer:
- Cirkut and Dr. Luke
- engineer:
- Al Burna , Rachael Findlen , Alana Da Fonseca, Clint Gibbs and Ryan Gladieux
- mixer:
- John Hanes
- harmonica:
- Paul Harrington
- instruments:
- Cirkut and Dr. Luke
- phonographic copyright (℗) by:
- RCA Records (in 2013)
- part of:
- Billboard Year-End Hot 100 singles of 2014 (number: 11) and Billboard Decade End Chart: Streaming Songs (number: 42)
- recording of:
- Timber
- writer:
- Armando C. Perez , Steve Arrington, Breyan Stanley Isaac, Charles Carter , Greg Errico, Łukasz Gottwald, Waung Hankerson, Henry Walter, Kesha Sebert , Keri Oskar, Lee Oskar, Roger Parker , Priscilla “Priscilla Renea” Hamilton, Jamie Sanderson and Pebe Sebert
- publisher:
- Abuela y Tía Songs, Artist 101 Publishing Group, Artist Publishing Group West, BMG Rights Management (US) LLC , Dynamite Cop Music, Far Out Music, Far Out Music, Inc., Ikke-Bad Music, Ikke-Bad Music, Inc., Kasz Money Publishing , Keep It Simple Stupid Publishing, Kesce Rose Music, Oneirology Publishing, Prescription Songs, Radio Active Material Publishing Co., Songs of Lastrada , Sony/ATV Songs LLC, Warner/Chappell , WB Music Corp. and Where da Kasz At
| Pitbull feat. Ke$ha | 3.7 | 3:26 |
| 14 | Bang Bang- programming:
- Rickard Göransson, ILYA and Max Martin
- assistant engineer:
- Cory Bice and Paul Norris (task: Jessie J vocals)
- engineer:
- Peter Carlsson (task: vocals), John Hanes (task: engineered for mix), Kuk Harrell (task: Jessie J vocals) and Sam Holland
- producer:
- Rickard Göransson, Kuk Harrell (task: Jessie J vocals), ILYA and Max Martin
- mixer:
- Serban Ghenea
- editor:
- Peter Carlsson
- bass and guitar:
- Rickard Göransson
- drums (drum set):
- Peter Carlsson
- horn:
- Jonas Thander
- keyboard:
- Johan Carlsson , Rickard Göransson and Max Martin
- percussion:
- Peter Carlsson and Rickard Göransson
- background vocals:
- Chonita Gillespie, Rickard Göransson, ILYA , Joi Gilliam and Taura Stinson
- guest performer:
- Ariana Grande and Nicki Minaj
- solo performer:
- Jessie J
- phonographic copyright (℗) by:
- Republic Records (in 2014) and Universal International (in 2014)
- produced for:
- MXM Productions, Suga Wuga Music, Inc. and Wolf Cousins Productions
- recorded at:
- Conway Studios in Hollywood, Los Angeles, California, United States (lead vocals [Ariana Grande’s vocals]), Glenwood Place Studios in Burbank, California, United States (lead vocals [Nicki Minaj’s vocals]) and Metropolis in London , England, United Kingdom (lead vocals [Jessie J’s vocals])
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- engineered at:
- Metropolis Studios in London , England, United Kingdom
- music videos:
- Bang Bang by Jessie J + Ariana Grande + Nicki Minaj
- part of:
- Grammy Award: Best Pop Duo/Group Performance nominees (number: 2015), Billboard Year-End Hot 100 singles of 2014 (number: 27), BILLIONS CLUB and Billboard Year-End Hot 100 singles of 2015 (number: 80)
- recording of:
- Bang Bang
- writer:
- Rickard Göransson, Savan Kotecha, Max Martin and Onika Maraj
- publisher:
- BMG Gold Songs, Harajuku Barbie Music, Ken & Barbie Music, Money Mack Music , MXM, Songs of Universal, Inc. and Universal Music Works
- sub-publisher:
- BMG Rights Management GmbH , Kobalt Music Publishing Ltd. and Universal/MCA Music Publishing GmbH
| Jessie J, Ariana Grande & Nicki Minaj | 3.65 | 3:20 |
| 15 | The Hills- recording engineer, engineer and mixer:
- Carlo “Illangelo” Montagnese
- producer:
- Illangelo and Mano
- phonographic copyright (℗) by:
- The Weeknd XO, Inc. (in 2015)
- recorded at, mixed at and engineered at:
- Abel’s Crib in Toronto, Ontario, Canada
- part of:
- Paste: The 10 Best Halloween Songs of the 21st Century (number: 2), Billboard Year-End Hot 100 singles of 2015 (number: 10), Billboard Decade End Chart: Streaming Songs (number: 25), Billboard Year-End Hot 100 singles of 2016 (number: 32) and BILLIONS CLUB
- recording of:
- The Hills
- writer:
- Abel “The Weeknd” Tesfaye , Ahmad “Belly” Balshe , Carlo Montagnese and Mano
- publisher:
- Connoisseur of Connisseurs, Songs Music Publishing, LLC, Songs of SMP and WB Music Corp.
| The Weeknd | 4.15 | 4:04 |
| 16 | Are You With Me (radio edit) | Lost Frequencies | 3.8 | 2:20 |
| 17 | Love Me Again (radio edit) | John Newman | 4 | 3:37 |
| 18 | Rude | MAGIC! | 4.3 | 3:46 |
| 19 | Payphone- recording engineer:
- Noah "Mailbox" Passovoy and Shellback
- programming:
- benny blanco , Shellback and James Valentine
- assistant engineer:
- Andrew "Muffman" Luftman, Eric Eylands, Sam "Såklart" Holland and Scott "Yarmov" Yarmovsky
- engineer:
- benny blanco , Jonathan Mann , Chris Sclafani and Bradford Smith
- additional producer:
- Robopop
- producer:
- Shellback
- assistant mixer:
- Phil Seaford
- mixer:
- John Hanes
- additional acoustic guitar, additional bass and additional background vocals:
- Shellback
- additional guitar:
- Robopop
- additional keyboard and additional synthesizer:
- benny blanco , Robopop and Shellback
- drums (drum set):
- Matt Flynn
- electric bass guitar:
- Mickey Madden
- guitar [lead and rhythm]:
- James Valentine
- keyboard, synthesizer and background vocals:
- PJ Morton
- guest lead vocals:
- Wiz Khalifa
- lead vocals:
- Adam Levine
- recorded at:
- Conway Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- engineered at:
- Jon Mann Studios in Reston, Virginia, United States and Record Plant Studios in Hollywood, Los Angeles, California, United States
- edit of:
- Payphone by Maroon 5 feat. Wiz Khalifa
- recording of:
- Payphone
- lyricist:
- Benjamin Levin , Cameron Jibril Thomaz and Adam Levine
- composer:
- Benjamin Levin , Daniel Thomas Omelio, Johan Karl Schuster and Ammar Malik
- arranger:
- Daniel Thomas Omelio and Johan Karl Schuster
- publisher:
- BMG Ruby Songs, E A R Entertainment Ltd., Kobalt Music Publishing Limited , Lotzah Balls Soup, Maru Cha Cha, Matza Ball Music, Music Edition Discoton GmbH, MXM Music, Neue Welt Musikverlag GmbH & Co. KG. , Sudgee Music, Warner–Tamerlane Publishing Corp. , Where da Kasz At and Wiz Khalifa Publishing
| Maroon 5 feat. Wiz Khalifa | 3.5 | 3:53 |
| 20 | Let It Go | James Bay | 3.45 | 4:24 |
| 21 | How to Save a Life | The Fray | 4.2 | 4:25 |
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