Unforgettable

~ Veröffentlichung von Nat King Cole (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Unforgettable
Bratsche / Viola:
Paul Robyn (am 1951-08-17) und Dave Sterkin (am 1951-08-17)
Celesta und Klavier:
Buddy Cole (am 1951-08-17)
Cello:
Cy Bernard (am 1951-08-17) und Eleanor Slatkin (US cellist, b. Aller) (am 1951-08-17)
Conga:
Joe Costanzo (am 1951-08-17)
Geige / Violine:
Alex Beller (am 1951-08-17), Harry Bluestone (am 1951-08-17), Walter Edelstein (am 1951-08-17), Henry Hill (Violin player) (am 1951-08-17), Dan Lube (am 1951-08-17), Erno Neufeld (am 1951-08-17), Mischa Russell (violinist) (am 1951-08-17) und Marshall Sosson (am 1951-08-17)
Gitarre:
Bob Bain (guitarist) (am 1951-08-17)
Harfe:
Ann Mason Stockton (American harpist) (am 1951-08-17)
Kontrabass:
Joe Comfort (am 1951-08-17)
Schlagzeug:
Nick Fatool (am 1951-08-17)
vocals:
Nat King Cole (am 1951-08-17)
Orchester:
Nelson Riddle and His Orchestra (am 1951-08-17)
conductor:
Nelson Riddle (am 1951-08-17)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-08-17)
recording of:
Unforgettable (am 1951-08-17)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
43:12
2Mona Lisa
cover recording of:
Mona Lisa
Texter:
Raymond B. Evans (American songwriter)
Komponist(in):
J. Livingston und New York Trio
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1950 winner)
3:15
3Too Young
recording of:
Too Young
Texter:
Sylvia Dee (American lyricist)
Komponist(in):
Sidney Lippman (American songwriter)
publisher:
Aria Music Co.
3:12
4Pretend
recording of:
Pretend (1952 song popularized by Nat King Cole)
Texter:
Lew Douglas, Frank Lavere und Cliff Parman
Komponist(in):
Dan Belloc, Lew Douglas, Frank Lavere und Cliff Parman
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
2:44
5A Blossom Fell
Bass:
Red Callender (am 1954-12-20)
Bassposaune:
George Roberts (american bass trombone) (am 1954-12-20)
Bratsche / Viola:
Stanley Spiegelman (am 1954-12-20) und Dave Sterkin (am 1954-12-20)
Cello:
Victor Gottlieb (am 1954-12-20) und Edgar Lustgarten (am 1954-12-20)
flute:
Harry Klee (am 1954-12-20), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-12-20) und Champ Webb (am 1954-12-20)
Geige / Violine:
Israel Baker (American violinist) (am 1954-12-20), Victor Bay (am 1954-12-20), Alex Beller (am 1954-12-20), Harry Bluestone (am 1954-12-20), Walter Edelstein (am 1954-12-20), Murray Kellner (am 1954-12-20), Nathan Ross (am 1954-12-20) und Mischa Russell (violinist) (am 1954-12-20)
Gitarre:
Al Hendrickson (am 1954-12-20)
Harfe:
Kathryn Julye (am 1954-12-20)
Klavier:
Ray Turner (pianist) (am 1954-12-20)
Posaune:
Joe Howard (american trombone player) (am 1954-12-20)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-12-20)
Trompete:
Harry “Sweets” Edison (am 1954-12-20)
Ventilposaune:
Juan Tizol (am 1954-12-20)
Waldhorn:
Vincent DeRosa (am 1954-12-20) und Joseph Eger (horn player) (am 1954-12-20)
vocals:
Nat King Cole (am 1954-12-20)
Orchester:
Nelson Riddle and His Orchestra (am 1954-12-20)
conductor:
Nelson Riddle (am 1954-12-20)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-12-20)
recording of:
A Blossom Fell (am 1954-12-20)
Verfasser(in) und Komponist(in):
Howard Barnes, Harold Cornelius und Dominic John (songwriter, aka Dominic John)
42:32
6Nature Boy
recorded in:
New York, New York, Vereinigte Staaten (am 1947-08-22)
Geige / Violine:
Harry Bluestone (am 1947-08-22)
Klavier:
Nat King Cole (am 1947-08-22)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1947-08-22)
zusätzlich Gitarre:
Oscar Moore (am 1947-08-22)
vocals:
Nat King Cole (am 1947-08-22)
Orchester:
Frank De Vol Orchestra (am 1947-08-22)
recording of:
Nature Boy (am 1947-08-22)
Texter und Komponist(in):
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
32:38
7Smile
Produzent(in):
Lee Gillette
Bass:
Charlie Harris (jazz bassist) (am 1954-07-27)
Bassposaune:
George Roberts (american bass trombone) (am 1954-07-27)
Bratsche / Viola:
Stanley Harris (US big band viola player) (am 1954-07-27), Paul Robyn (am 1954-07-27), Barbara Simons (am 1954-07-27) und Dave Sterkin (am 1954-07-27)
Cello:
Cy Bernard (am 1954-07-27), Armand Kaproff (am 1954-07-27), Ray Kramer (am 1954-07-27) und Eleanor Slatkin (US cellist, b. Aller) (am 1954-07-27)
Geige / Violine:
Leonard Atkins (am 1954-07-27), Victor Bay (am 1954-07-27), Alex Beller (am 1954-07-27), Harry Bluestone (am 1954-07-27), Walter Edelstein (am 1954-07-27), Nathan Ross (am 1954-07-27), Mischa Russell (violinist) (am 1954-07-27), Eudice Shapiro (Violinist) (am 1954-07-27), Paul Shure (am 1954-07-27), Felix Slatkin (am 1954-07-27), Marshall Sosson (am 1954-07-27) und Gerald Vinci (American violinist and strings conductor) (am 1954-07-27)
Gitarre:
John Collins (US jazz guitarist) (am 1954-07-27)
Klavier:
Bill Miller (pianist) (am 1954-07-27)
Perkussion:
Louis Singer (percussionist) (am 1954-07-27)
Posaune:
Francis Howard (trombone) (am 1954-07-27)
Rohrblattinstrumente:
John Hacker (am 1954-07-27), Harry Klee (am 1954-07-27) und Dominic Mumolo (am 1954-07-27)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-07-27)
Waldhorn:
Vincent DeRosa (am 1954-07-27) und William Hinshaw (American horn player) (am 1954-07-27)
vocals:
Nat King Cole (am 1954-07-27)
Orchester:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (am 1954-07-27)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-07-27)
cover recording of:
Smile (song version w/ lyrics) (am 1954-07-27)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
2:53
8Orange Coloured Sky
Bass und Kontrabass:
Joe Comfort (am 1950-08-16)
Bongos und Conga:
Jack Costanzo (am 1950-08-16)
Gitarre:
Irving Ashby (am 1950-08-16)
Klavier:
Nat King Cole (am 1950-08-16)
vocals:
Nat King Cole (am 1950-08-16)
Orchester:
Stan Kenton and His Orchestra (am 1950-08-16)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1950-08-16)
recording of:
Orange Colored Sky (am 1950-08-16)
Verfasser(in):
Milton DeLugg und William Stein
publisher:
Amy Dee Music Corp.
3.52:33
9Lush Life
recording of:
Lush Life
Texter und Komponist(in):
Billy Strayhorn (von 1933 bis 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und Tempo Music, Inc. (Duke Ellington’s music publishing company) (vom 1949 bis heute)
enthalten in:
The Real Book (compilation of jazz standards, volume I)
3:18
10Somewhere Along The Way
recording of:
Somewhere Along the Way
Texter:
Sammy Gallop
Komponist(in):
Kurt Adams
publisher:
United Music Corp.
2:54
11Darling, Je Vous Aime Beaucoup
cover recording of:
Darling, je vous aime beaucoup
Texter und Komponist(in):
Anna Sosenko (in 1935)
publisher:
Chappell & Co., Inc. (USA) und Francis Day S.A.
Medley von:
La Vie en rose (French original)
2:51
12Faith Can Move Mountains
recording of:
Faith Can Move Mountains
Texter:
Ben Raleigh
Komponist(in):
Guy B. Wood
3:13
13Jet
recording of:
Jet
Texter:
Bennie Benjamin und George David Weiss
Komponist(in):
Harry Revel (British-born American composer)
2:49
14Because You're Mine
recording of:
Because You’re Mine (Because You’re Mine)
Texter:
Sammy Cahn
Komponist(in):
Nicholas Brodzsky
publisher:
EMI Music Publishing (do not use as a release label!)
Teil von:
The 25th Academy Award for Best Original Song (Nummer: 2)
3:12
15Can't I
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1953-01-14)
Bass:
Jack Agee (am 1953-01-14) und Ralph Peña (am 1953-01-14)
Bongos und Conga:
Jack Costanzo (am 1953-01-14)
Gitarre:
John Collins (US jazz guitarist) (am 1953-01-14)
Klarinette und Saxophon:
Bob Dawes (am 1953-01-14) und Charles Deremo (am 1953-01-14)
Klavier:
Cliff Fishback (am 1953-01-14)
Posaune:
Karl DeKarske (am 1953-01-14), Dick Nash (am 1953-01-14), Robert Reisiger (am 1953-01-14) und Si Zentner (am 1953-01-14)
Schlagzeug:
John Markham (am 1953-01-14)
Tenorsaxophon:
Richard Clay (am 1953-01-14) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-01-14)
Trompete:
Tony Facciuto (am 1953-01-14), Conrad Gozzo (am 1953-01-14), Jack H. Laubach (trumpeter) (am 1953-01-14), Robert McKinzie (am 1953-01-14) und Andy Peele (40s jazz trumpeter) (am 1953-01-14)
vocals:
Nat King Cole (am 1953-01-14)
Orchester:
Billy May & His Orchestra (am 1953-01-14)
conductor:
Billy May (am 1953-01-14)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-01-14)
cover recording of:
Can’t I? (am 1953-01-14)
Texter und Komponist(in):
Leroy Lovett Jr
3:14
16Angel Eyes
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1953-01-14)
Bass:
Jack Agee (am 1953-01-14) und Ralph Peña (am 1953-01-14)
Bongos und Conga:
Jack Costanzo (am 1953-01-14)
Gitarre:
John Collins (US jazz guitarist) (am 1953-01-14)
Klarinette und Saxophon:
Bob Dawes (am 1953-01-14) und Charles Deremo (am 1953-01-14)
Klavier:
Cliff Fishback (am 1953-01-14)
Posaune:
Karl DeKarske (am 1953-01-14), Dick Nash (am 1953-01-14), Robert Reisiger (am 1953-01-14) und Si Zentner (am 1953-01-14)
Schlagzeug:
John Markham (am 1953-01-14)
Tenorsaxophon:
Richard Clay (am 1953-01-14) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-01-14)
Trompete:
Tony Facciuto (am 1953-01-14), Conrad Gozzo (am 1953-01-14), Jack H. Laubach (trumpeter) (am 1953-01-14), Robert McKinzie (am 1953-01-14) und Andy Peele (40s jazz trumpeter) (am 1953-01-14)
vocals:
Nat King Cole (am 1953-01-14)
Orchester:
Billy May & His Orchestra (am 1953-01-14)
conductor:
Billy May (am 1953-01-14)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-01-14)
cover recording of:
Angel Eyes (1946 jazz standard) (am 1953-01-14)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) und Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:16
17Make Her Mine
recording of:
Make Her Mine
Verfasser(in):
Chester Conn und Sammy Gallop
2:58
18Tenderly
recording of:
Tenderly
Texter:
J. Lawrence (US songwriter) (in 1946)
Komponist(in):
W. Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
2:57
19Mother Nature And Father Time
recording of:
Mother Nature and Father Time
Verfasser(in):
Benjamin Weisman, Kathleen Twomey und Fred Wise
3:11
20The Christmas Song (Merry Christmas to You)
cover recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire)
Texter:
Robert Wells (songwriter) (in 1945-07) und Mel Tormé (“The Velvet Fog”) (in 1945-07)
Komponist(in):
Mel Tormé (“The Velvet Fog”) (in 1945-07)
publisher:
Chappell/Morris Ltd., MPL Music Publishing Inc., Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Tunes LLC (ASCAP), Warner Chappell, Warner Chappell Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (vom 1946 bis heute)
3:13
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