100% More Loungin’: Urban Sounds for Modern Living, Vol. 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1The Candy Man
cover recording of:
The Candy Man
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Downtown DMP Songs und Taradam Music, Inc.
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Charlie and the Chocolate Factory (2017 stage musical)
Teil von:
Willy Wonka & the Chocolate Factory (1971 American musical fantasy film adaptation of Roald Dahl's 1964 novel)
Sammy Davis Jr.3:10
2Fly Me to the Moon
Techniker(in):
David Hassinger
Produzent(in):
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
phonographisches Urheberrecht (℗) von:
Liberty (a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Julie London42:31
3Buena Sera
Produzent(in):
Voyle Gilmore
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber (am 1956-04-19)
Kontrabass:
Amato Rodrigues (am 1956-04-19)
Posaune:
James Blount, Jr. (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Buona sera (am 1956-04-19)
Texter:
Carl Sigman
Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
übersetzte Version von:
Buona sera signorina (italian version for Fred Buscaglione)
Louis Prima42:56
4As Time Goes By
recording of:
As Time Goes By (the song from “Casablanca”) (am 1943-10-11)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
Dooley Wilson42:44
5Everybody Loves Somebody
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
cover recording of:
Everybody Loves Somebody
Texter:
Sam Coslow und Irving Taylor
Komponist(in):
Sam Coslow und Ken Lane
publisher:
Sands Music Corp. und フジパシフィックミュージック (Fujipacific Music, Inc.)
sub-publisher:
Warner Chappel Music Belgium NV
Dean Martin4.652:42
6Mr. Wonderful
cover recording of:
Mr. Wonderful
Verfasser(in):
Jerry Bock, Lawrence Holofcener und George David Weiss
Peggy Lee3:20
7It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
Produzent(in):
Peter Sullivan (UK producer)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 393)
recording of:
It’s Not Unusual
Verfasser(in):
Gordon Mills (60s/70s UK producer and songwriter) und Les Reed
publisher:
Leeds Music (beendet), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) und Universal Duchess Music Corp. (in 1964)
Tom Jones4.51:59
8Let’s Do It
Orchester:
Henri René & His Orchestra (am 1953-10-05)
recording of:
Let’s Do It (Noël Coward version)
Texter und Komponist(in):
Cole Porter (composer)
zusätzlicher Texter:
Noël Coward
Version von:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Eartha Kitt3:07
9Feelings
phonographisches Urheberrecht (℗) von:
Som Indústria E Comércio S.A. (Brazilian record company) (in 1974)
Teil von:
The Downloader’s Music Source Book (Nummer: 322)
recording of:
Feelings
Texter:
Morris Albert
Komponist(in):
Louis Gasté
publisher:
Bucks Music Ltd, Fermata International Melodies, Inc., Peter Maurice Music Co. Ltd. und United Artists (publisher)
Version von:
Pour toi
Morris Albert33:39
10Light My Fire
Produzent(in):
Rick Jarrard
Saiteninstrumente arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
cover recording of:
Light My Fire (am 1968-01-06)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. und 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:34
11Diamonds Are Forever
Produzent(in):
John Barry (English score composer)
Mix:
John Richards (engineer)
Sologesang:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Liberty Records, Inc. (in 1971)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
recording of:
Diamonds Are Forever (main title theme)
Texter:
Don Black (English lyricist)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
Diamonds Are Forever (Soundtrack of the James Bond film)
Shirley Bassey4.152:40
12Unforgettable
Produzent(in):
Lee Gillette
Klavier:
Nat King Cole (in 1961)
vocals:
Nat King Cole (in 1961)
conductor:
Ralph Carmichael (in 1961)
recording of:
Unforgettable (in 1961)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
Nat King Cole43:26
13Singin’ in the Rain
recording of:
Singin’ in the Rain
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
Singin’ in the Rain (stage musical)
Teil von:
Singin’ in the Rain (soundtrack of the 1952 film)
Teil von:
The Hollywood Revue (1929 MGM musical film)
Gene Kelly2:45
14Just a Gigolo
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1956-04-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber Jr. (am 1956-04-19)
Posaune:
Jimmy 'Little Red' Blount (am 1956-04-19) und Lou Sineaux (am 1956-04-19)
Schlagzeug:
Bobby Morris (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (am 1956-04-19)
Texter:
Julius Brammer und Roger Graham
Komponist(in):
Leonello Casucci und Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
Übersetzer:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America und Wiener Bohème Verlag GmbH
Medley von:
Just a Gigolo (English version)
Medley von:
I Ain’t Got Nobody
Louis Prima44:42
15Whatever Will Be (Que sera)
vocals:
Doris Day (am 1956-02-24)
Orchester:
Frank De Vol and His Orchestra (am 1956-02-24)
conductor:
Frank De Vol (am 1956-02-24)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (vom 1956 bis heute)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (am 1956-02-24)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1956 winner)
Doris Day2:04
16Volare
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1975)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
Übersetzer:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Robbins Music Corp.
übersetzte Version von:
Nel blu dipinto di blu (Volare)
Al Martino2:53
17Stand by Your Man
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Sologesang:
Tammy Wynette (in 1968)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 473)
recording of:
Stand by Your Man (in 1968)
Verfasser(in):
Billy Sherrill (US songwriter/producer/arranger) und Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette3.82:38
18Mr. Bojangles
Produzent(in):
Don Costa (US pop music arranger & producer) und Mike Curb
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (in 1971)
cover recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
Sammy Davis Jr.5:44
19I Say a Little Prayer
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 430)
recording of:
I Say a Little Prayer
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick3:06
20Music to Watch Girls By
Produzent(in):
Nick de Caro
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Music to Watch Girls By (am 1967-02-21)
Verfasser(in):
Sid Ramin und Tony Velona
publisher:
Sidray Enterprises Ltd. und Sony Music Publishing (worldwide except Japan, ended 1995)
Andy Williams4.252:34
21The Girl From Ipanema
recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
enthalten in:
The Real Book (compilation of jazz standards, volume I)
übersetzte Version von:
Garota de Ipanema
Astrud Gilberto, João Gilberto & Stan Getz45:18
22The More I See You
cover recording of:
The More I See You
Texter:
M. Gordon
Komponist(in):
H. Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music International Ltd. (UK publisher, 1996–2019)
übersetzte Version von:
The More I See You (Valli’s version with french lyrics)
Chris Montez2:39
23Something Stupid
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-02-01)
Techniker(in):
Eddie Brackett und Phil Ramone
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter) und Lee Hazlewood
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-02-01) und Nancy Sinatra (am 1967-02-01)
conductor:
Billy Strange (am 1967-02-01)
arranger:
Billy Strange
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1967)
cover recording of:
Somethin’ Stupid (am 1967-02-01)
Texter und Komponist(in):
Carson Parks
publisher:
Greenwood Music, Montclare Music und Montclare Music Co Ltd.
übersetzte Version von:
Forelsket
recording of:
Somethin’ Stupid
Texter und Komponist(in):
Carson Parks
publisher:
Greenwood Music, Montclare Music und Montclare Music Co Ltd.
übersetzte Version von:
Forelsket
Frank & Nancy Sinatra42:38

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Veröffentlichungsgruppe

Teil von:100% Loungin’: Urban Sounds for Modern Living (Nummer: 2) (Reihenfolge: 2)