Greatest Ever Rock Party

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1We’re Not Gonna Take It
tecnico di registrazione e tecnico di missaggio:
Geoff Workman
assistente tecnico:
Gary McGachan
tecnico:
John Agnello (engineer & producer), Greg Laney e Geoff Workman
produttore:
Tom Werman
batteria :
A.J. Pero
chitarra basso :
Mark Mendoza (Twisted Sister bassist)
chitarra elettrica :
Jay Jay French e Eddie Ojeda
voce di accompagnamento:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero e Dee Snider
voce principale:
Dee Snider
arrangiatore:
Twisted Sister e Tom Werman
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1984-02 al 1984-03) e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03)
mixata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
We're Not Gonna Take it (music video [extended version]) di Twisted Sister e We're Not Gonna Take It (music video) di Twisted Sister
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 47) e Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 81)
registrazione di:
We’re Not Gonna Take It
paroliere e compositore:
Dee Snider
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Tunes
parte di:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (numero: 7)
Twisted Sister4.353:39
2Living in Paradise
David Lee Roth4:03
3Crazy Crazy Nights
produttore:
Ron Nevison
tecnico di missaggio:
Ron Nevison (dal 1987-06 al 1987-07)
voce principale:
Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1987), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
mixata presso:
Can‐Am Recorders in Tarzana, Los Angeles, California, Stati Uniti (dal 1987-06 al 1987-07)
registrazione di:
Crazy Crazy Nights
autore:
Adam Mitchell (Scottish-Canadian songwriter) e Paul Stanley (KISS frontman)
editore:
Downtown DMP Songs, Hori Productions America Inc., Largo Cargo Music, Piccadilly Music Corporation e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e 大洋音楽 (Taiyō Music)
KISS3.93:44
4Cherry BombThe Runaways2:18
5Too Much Too Young
Little Angels4:21
6Black Betty
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since 2009; operates worldwide except in JP) (nel 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e CBS Schallplatten GmbH (nel 1990)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam3.653:56
7The Boys Are Back in Town
assistente tecnico di registrazione:
Neil Hornby
tecnico:
Will Reid-Dick
produttore:
John Alcock (producer)
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist) e Brian Robertson (Thin Lizzy & Motörhead)
chitarra acustica e chitarra basso e voce principale:
Phil Lynott
voce:
Brian Robertson (Thin Lizzy & Motörhead)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 272) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 499)
registrazione di:
The Boys Are Back in Town
paroliere e compositore:
Phil Lynott
editore:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e PolyGram Music Publishing (nel 1989)
Thin Lizzy4.14:26
8Real Wild Child (Wild One)
Iggy Pop3:33
9Get Your Hands Off My Woman
registrazione di:
Get Your Hands Off My Woman
autore:
Daniel Francis Hawkins (member of The Darkness and Stone Gods), Francis Gilles Poullain-Patterson, Edwin James Graham e Justin Hawkins
editore:
Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
The Darkness2:45
10Don’t You Forget About Me
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Jez Coad
esecutore:
Simple Minds (Scottish rock band) (il 1984-07-10)
diritti fonografici (℗) detenuti da:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 25) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 340)
registrazione di:
Don’t You (Forget About Me) (il 1984-07-10)
autore:
Keith Forsey (drummer, producer and songwriter) e Steve Schiff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:20
11World Shut Your Mouth
Julian Cope3:02
12Swords of a Thousand Men
produttore:
Bob Andrews (keyboardist and producer) e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Stiff Records Ltd. (nel 1981), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
Swords of a Thousand Men
paroliere e compositore:
Edward Tudor-Pole
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:54
13Please Don’t Touch
produttore:
Vic Maile (nel 1980-12)
batteria :
Denise Dufort (nel 1980-12)
chitarra [Lead Guitar] :
Eddie Clarke (Motörhead guitarist) (nel 1980-12) e Kelly Johnson (nel 1980-12)
chitarra [Rhythm Guitar] :
Kim McAuliffe (nel 1980-12)
chitarra basso :
Lemmy Kilmister (“Lemmy” from Motörhead) (nel 1980-12) e Enid Williams (nel 1980-12)
voce principale:
Kelly Johnson (nel 1980-12) e Lemmy Kilmister (“Lemmy” from Motörhead) (nel 1980-12)
registrazione cover di:
Please Don’t Touch (nel 1980-12)
compositore:
Frederick Heath e Guy Robinson (UK songwriter)
editore:
EMI Blackwood Music Inc.
Girlschool & Motörhead32:47
14Good Morning Judge
assistente tecnico e assistente tecnico di missaggio:
Tony Spath
tecnico, tecnico di missaggio e editor:
Eric Stewart
produttore:
10cc, Graham Gouldman e Eric Stewart
basso elettrico [six string bass] , chitarra basso, chitarra elettrica, chitarra e tamburello e voce di accompagnamento:
Graham Gouldman
cabassa, batteria, pianoforte e tamburello :
Paul (UK rock drummer)
moog, chitarra, pianoforte e chitarra slide e voce di accompagnamento e voce principale:
Eric Stewart
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1977) e Phonogram Ltd. (not for release label use!) (nel 1977)
registrata da:
Phonogram Ltd. (London) (company name, NOT a label!)
registrata presso:
Strawberry Studios South in Dorking, Surrey, England, Regno Unito
video musicali:
Good Morning Judge di 10cc
registrazione di:
Good Morning Judge
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. e Man-Ken Music Ltd. (nel 1977)
10cc4.42:53
15Hush
tecnico:
Ian Taylor (rock producer/engineer)
produttore:
Stephen Harris (mixer/producer) e Crispian Mills
registrazione cover di:
Hush (South, Royal, Deep Purple) (nel 1996)
paroliere e compositore:
Joe South (fino al 1967)
editore:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher), Lowery-Chappell Music e Sony/ATV Music Publishing Australia Pty Ltd.
Kula Shaker4.652:54
16If I Could Turn Back Time
registrazione di:
If I Could Turn Back Time
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!) e Realsongs (nel 1989)
Cher3:52
17Scream
produttore:
Keith Forsey (drummer, producer and songwriter)
basso :
Stephen McGrath
batteria :
Brian Tichy
chitarra :
Steve Stevens (US guitarist and songwriter)
tastiera :
Derek Sherinian
voce principale:
Billy Idol (English rock singer‐songwriter)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 2005)
registrazione di:
Scream
autore:
Billy Idol (English rock singer‐songwriter) e Brian Tichy
editore:
Bad Trip Tunes, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Wixen Music Publishing, Inc. e Wixen Music UK Ltd.
Billy Idol3:51
18Carnival of Souls
produttore:
Gene Simmons (KISS bassist and vocalist)
tecnico di missaggio:
Gene Simmons (KISS bassist and vocalist) e Alex Todorov
basso elettrico e voce principale:
Gene Simmons (KISS bassist and vocalist)
chitarra :
Richie Kotzen
voce di accompagnamento:
Christine Parrish, Steve Parrish e Nick Tweed‐Simmons (son of Gene Simmons of KISS)
registrazione di:
Carnival of Souls
autore:
Gene Simmons (KISS bassist and vocalist) e Scott Van Zen
editore:
Gene Simmons Worldwide, Inc. e Van Zen Publishing
Gene Simmons3:27
19Born to Run
tecnico:
Stuart Bruce e Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
percussione ospite :
Luís Jardim
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) e Anne Dudley (English score composer)
voce principale:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) e Paul Rutherford (member of Frankie Goes to Hollywood)
diritti fonografici (℗) detenuti da:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione cover di:
Born to Run
editore:
Bruce Springsteen (nel 1975, nel 1988, nel 2003)
paroliere e compositore:
Bruce Springsteen (nel 1974)
editore:
Bruce Springsteen Music, Intersong Music Ltd., Penjane, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing France (not for release label use!), Universal Music Works (GMR affiliated) e Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (nel 1974)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frankie Goes to Hollywood43:55
20I Want Out
tecnico di registrazione:
Dennis Ward
produttore:
Charlie Bauerfeind (sound engineer) e Andreas Becker (guitarist, member of FEE)
tecnico di missaggio:
Charlie Bauerfeind (sound engineer)
batteria :
Daniel Löble
chitarra :
Sascha Gerstner e Michael Weikath
chitarra basso :
Markus Grosskopf
chitarra ospite :
Andreas Becker (guitarist, member of FEE)
percussione ospite :
Nippy Noya
cori:
Class 6 Of The Humboldt Gymnasium KA, Gabriel Goebel, Julian Hildenbrand, Jaro Kirchgessner e Thilo Müller Maatsch
voce principale:
Andi Deris
arrangiatore:
Andreas Becker (guitarist, member of FEE) e Helloween (German power metal band)
registrata presso:
Angel Recording Studios in Islington, London (Greater London), England, Regno Unito (cori), G-Tracks Studio in Ebermannstadt, Bayern (Baviera), Germania (chitarra), Mi Sueno Recording Studios in Tenerife, Santa Cruz de Tenerife (Province of Santa Cruz de Tenerife), Canarias (isole Canarie), Spagna (voce principale), rothrecording studios in Burghaslach, Bayern (Baviera), Germania (percussione) e Twilight Hall Studios in Grefrath, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (batteria)
registrazione di:
I Want Out
paroliere e compositore:
Kai Hansen (German metal guitarist & vocalist)
editore:
Maldoror (German publisher) e Wintrup Musikverlag
Helloween4:20
3CD

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Pubblicazione

ASIN:DE: B07457QTJB [info]