22 of Their Fabulous Hits

~ Pubblicazione di The 5th Dimension (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Matrix / Runout (Label A): AS 13225
Matrix / Runout (Label B): BS 13225
Matrix / Runout (Label C): AS 13226
Matrix / Runout (Label D): BS 13226
Other (Label A and B): P 13225
Other (Label C and D): P 13226
Barcode (Runout A): AS 13225-1A
Barcode (Runout B): BS 13225-1A
Barcode (Runout C): AS 13226-1A
Barcode (Runout D): BS 13226-1A

Annotazione modificata l'ultima volta il 2023-04-12 04:12 UTC.

Elenco tracce

1▶Vinile 12" (30 cm)
2▼Vinile 12" (30 cm)
#TitoloValutazioneDurata
C1One Less Bell to Answer
tecnico audio, tecnico e produttore:
Bones Howe
assistente tecnico:
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) e Rik Pekkonen
basso :
Joe Osborn (American bass guitar player, session musician and songwriter)
membranofono :
Hal Blaine (U.S. studio drummer and percussionist)
voce solista:
Marilyn McCoo Davis (nel 1970)
esecutore:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis e Ron Townson
lavorazione tecnica effettuata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
One Less Bell to Answer (nel 1970)
paroliere:
Hal David (nel 1967)
compositore:
Burt Bacharach (nel 1967)
editore:
Blue Seas Music, Inc. (conclusa), JAC Music Co., Inc. (conclusa), BMG Rights Management (UK) Ltd. (Hal David), New Hidden Valley Music Co., PW Arrangements e Universal Music Corp. (USA, affiliated with ASCAP)
?:??
C2Workin’ on a Groovy Thing
tecnico audio, tecnico e produttore:
Bones Howe
assistente produttore:
Ann McClelland
basso :
Joe Osborne (American bass guitar player, session musician and songwriter)
batteria e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
esecutore:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo e Ron Townson
arrangiatore:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) e Bones Howe
arrangiatore voci:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
registrazione cover di:
Workin’ on a Groovy Thing
paroliere:
Roger Atkins
compositore:
Neil Sedaka
editore:
Screen Gems–Columbia Music, Inc.
?:??
C3Love’s Lines, Angles and Rhymes
assistente tecnico:
John Golden (mastering engineer), Larry Cox (US engineer/producer) e Rik Pekkonen
tecnico e produttore:
Bones Howe
assistente produttore:
John Golden (mastering engineer)
basso :
Joe Osborn (American bass guitar player, session musician and songwriter)
membranofono :
Hal Blaine (U.S. studio drummer and percussionist)
voce di accompagnamento:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo e Ron Townson
voce solista:
Marilyn McCoo
arrangiatore:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) e Bones Howe
mixata presso e lavorazione tecnica effettuata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti
registrazione cover di:
Love’s Lines, Angles and Rhymes
paroliere e compositore:
Dorothea Joyce
editore:
April Music
?:??
C4Ashes to Ashes
assistente tecnico:
Ed Barton (engineer) e Ken Caillat
tecnico e produttore:
Bones Howe
batteria e tamburello :
Hal Blaine (U.S. studio drummer and percussionist)
chitarra [rhythm] :
Dennis Budimir
chitarra basso :
Joe Osborn (American bass guitar player, session musician and songwriter)
chitarra elettrica :
Louie Shelton
congas :
Larry Bunker
pianoforte :
Artie Butler
pianoforte elettrico :
Mike Melvoin
direttore d'orchestra:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
arrangiatore:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
arrangiatore voci:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) e René DeKnight
diritti fonografici (℗) detenuti da:
Bell Records (50s-70s US/UK pop, later became Arista) (nel 1973)
lavorazione tecnica effettuata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
Ashes to Ashes
autore:
Brian Potter (US songwriter & producer) e Dennis Lambert
editore:
Soldier Music, Inc. e Trousdale Music Publishers, Inc.
?:??
C5(Last Night) I Didn’t Get to Sleep at All
tecnico audio e produttore:
Bones Howe
assistente tecnico:
Ed Barton (engineer) e John Golden (mastering engineer)
basso :
Joe Osborn (American bass guitar player, session musician and songwriter)
batteria :
Hal Blaine (U.S. studio drummer and percussionist)
voce:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore e Ron Townson
voce solista:
Marilyn McCoo
arrangiatore:
Bill Holman e Bones Howe
diritti fonografici (℗) detenuti da:
Bell Records (50s-70s US/UK pop, later became Arista) (nel 1972)
registrata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
(Last Night) I Didn’t Get to Sleep at All
paroliere e compositore:
Tony Macaulay
editore:
PolyGram Music Publishing
3?:??
D1Aquarius / Let the Sunshine In
registrazione di:
Aquarius / Let the Sunshine In (The Flesh Failures)
autore:
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) e Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arrangiatore:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) e Bones Howe
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. e United Artists Music Co., Inc.
adattamenti:
Era de aquário / Deixa o sol entrar
medley di:
Aquarius (from “Hair”)
medley di:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
5?:??
D2Never My Love
assistente tecnico:
Ed Barton (engineer), John Golden (mastering engineer) e Ray Thompson (engineer)
tecnico:
Bones Howe
basso :
Andrew “Muff” White (jazz/R&B musician (sax, oboe, bass), musicologist and publisher) e Joe Osborn (American bass guitar player, session musician and songwriter)
batteria :
Hal Blaine (U.S. studio drummer and percussionist)
chitarra :
Rudy Stevenson
congas :
Montego Joe
organo e pianoforte elettrico :
Larry Knechtel
pianoforte :
Isaiah Jones
voce solista:
Marilyn McCoo
orchestra:
The Nat Brandwynne Orchestra
direttore d'orchestra:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
arrangiatore:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) e Bones Howe
lavorazione tecnica effettuata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti
registrazione dal vivo cover di:
Never My Love
autore:
Dick Addrisi e Don Addrisi
editore:
Universal Music (plain logo: “Universal Music”), Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell North America
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
D3Carpetman
?:??
D4Living Together, Growing Together
assistente tecnico:
Ed Barton (engineer) e Ken Caillat
tecnico e produttore:
Bones Howe
batteria :
Hal Blaine (U.S. studio drummer and percussionist)
chitarra [rhythm] :
Dennis Budimir
chitarra basso :
Joe Osborn (American bass guitar player, session musician and songwriter)
chitarra elettrica :
Louie Shelton
congas :
Larry Bunker
pianoforte :
Artie Butler
pianoforte elettrico :
Mike Melvoin
direttore d'orchestra:
Artie Butler e Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
arrangiatore:
Artie Butler
arrangiatore voci:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
diritti fonografici (℗) detenuti da:
Bell Records (50s-70s US/UK pop, later became Arista) (nel 1973)
lavorazione tecnica effettuata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
Living Together, Growing Together
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., J. C. Music Co. e New Hidden Valley Music, Inc.
?:??
D5Puppet Man
tecnico audio, tecnico e produttore:
Bones Howe
assistente tecnico:
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) e Rik Pekkonen
basso :
Joe Osborn (American bass guitar player, session musician and songwriter)
membranofono :
Hal Blaine (U.S. studio drummer and percussionist)
esecutore:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis e Ron Townson
lavorazione tecnica effettuata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Puppet Man
autore:
Howard Greenfield e Neil Sedaka
editore:
Screen Gems–Columbia Music, Inc.
?:??
D6Save the Country
tecnico audio, tecnico e produttore:
Bones Howe
assistente tecnico:
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) e Rik Pekkonen
basso :
Joe Osborn (American bass guitar player, session musician and songwriter)
membranofono :
Hal Blaine (U.S. studio drummer and percussionist)
esecutore:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis e Ron Townson
lavorazione tecnica effettuata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
Save the Country
paroliere e compositore:
Laura Nyro
editore:
EMI Blackwood Music Inc., Tuna Fish Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
?:??

Accreditamenti