22 of Their Fabulous Hits

~ Veröffentlichung von The 5th Dimension (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Matrix / Runout (Label A): AS 13225
Matrix / Runout (Label B): BS 13225
Matrix / Runout (Label C): AS 13226
Matrix / Runout (Label D): BS 13226
Other (Label A and B): P 13225
Other (Label C and D): P 13226
Barcode (Runout A): AS 13225-1A
Barcode (Runout B): BS 13225-1A
Barcode (Runout C): AS 13226-1A
Barcode (Runout D): BS 13226-1A

Anmerkung zuletzt geändert am 2023-04-12 04:12 UTC.

Titelliste

1▶12"-Vinyl
2▼12"-Vinyl
Nr.TitelBewertungLänge
C1One Less Bell to Answer
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) und Rik Pekkonen
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
Solo vocals:
Marilyn McCoo Davis (in 1970)
Interpret(in):
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis und Ron Townson
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
One Less Bell to Answer (in 1970)
Texter:
Hal David (in 1967)
Komponist(in):
Burt Bacharach (in 1967)
publisher:
Blue Seas Music, Inc. (beendet), JAC Music Co., Inc. (beendet), BMG Rights Management (UK) Ltd. (Hal David), New Hidden Valley Music Co., PW Arrangements und Universal Music Corp. (USA, affiliated with ASCAP)
?:??
C2Workin’ on a Groovy Thing
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Produzent(in):
Ann McClelland
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
cover recording of:
Workin’ on a Groovy Thing
Texter:
Roger Atkins
Komponist(in):
Neil Sedaka
publisher:
Screen Gems–Columbia Music, Inc.
?:??
C3Love’s Lines, Angles and Rhymes
assistierende(r) Techniker(in):
John Golden (mastering engineer), Larry Cox (US engineer/producer) und Rik Pekkonen
Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Produzent(in):
John Golden (mastering engineer)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
Hintergrundgesang:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo und Ron Townson
Solo vocals:
Marilyn McCoo
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
mixed at und engineered at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
cover recording of:
Love’s Lines, Angles and Rhymes
Texter und Komponist(in):
Dorothea Joyce
publisher:
April Music
?:??
C4Ashes to Ashes
assistierende(r) Techniker(in):
Ed Barton (engineer) und Ken Caillat
Techniker(in) und Produzent(in):
Bones Howe
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter)
Conga:
Larry Bunker
E-Gitarre:
Louie Shelton
Gitarre [rhythm]:
Dennis Budimir
Hybrid-Piano:
Mike Melvoin
Klavier:
Artie Butler
Schlagzeug und Tamburin:
Hal Blaine (U.S. studio drummer and percussionist)
conductor:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und René DeKnight
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Ashes to Ashes
Verfasser(in):
Brian Potter (US songwriter & producer) und Dennis Lambert
publisher:
Soldier Music, Inc. und Trousdale Music Publishers, Inc.
?:??
C5(Last Night) I Didn’t Get to Sleep at All
Sound-Engineering und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Ed Barton (engineer) und John Golden (mastering engineer)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Solo vocals:
Marilyn McCoo
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore und Ron Townson
arranger:
Bill Holman und Bones Howe
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
aufgenommen bei:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
(Last Night) I Didn’t Get to Sleep at All
Texter und Komponist(in):
Tony Macaulay
publisher:
PolyGram Music Publishing
3?:??
D1Aquarius / Let the Sunshine In
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
Verfasser(in):
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) und Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. und United Artists Music Co., Inc.
adaptations:
Era de aquário / Deixa o sol entrar
Medley von:
Aquarius (from “Hair”)
Medley von:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
5?:??
D2Never My Love
assistierende(r) Techniker(in):
Ed Barton (engineer), John Golden (mastering engineer) und Ray Thompson (engineer)
Techniker(in):
Bones Howe
Bass:
Andrew “Muff” White (jazz/R&B musician (sax, oboe, bass), musicologist and publisher) und Joe Osborn (American bass guitar player, session musician and songwriter)
Conga:
Montego Joe
Gitarre:
Rudy Stevenson
Hybrid-Piano und Orgel:
Larry Knechtel
Klavier:
Isaiah Jones
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Solo vocals:
Marilyn McCoo
Orchester:
The Nat Brandwynne Orchestra
conductor:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
live cover recording of:
Never My Love
Verfasser(in):
Dick Addrisi und Don Addrisi
publisher:
Universal Music (plain logo: “Universal Music”), Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
D3Carpetman
?:??
D4Living Together, Growing Together
assistierende(r) Techniker(in):
Ed Barton (engineer) und Ken Caillat
Techniker(in) und Produzent(in):
Bones Howe
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter)
Conga:
Larry Bunker
E-Gitarre:
Louie Shelton
Gitarre [rhythm]:
Dennis Budimir
Hybrid-Piano:
Mike Melvoin
Klavier:
Artie Butler
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
conductor:
Artie Butler und Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
arranger:
Artie Butler
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Living Together, Growing Together
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., J. C. Music Co. und New Hidden Valley Music, Inc.
?:??
D5Puppet Man
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) und Rik Pekkonen
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis und Ron Townson
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Puppet Man
Verfasser(in):
Howard Greenfield und Neil Sedaka
publisher:
Screen Gems–Columbia Music, Inc.
?:??
D6Save the Country
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) und Rik Pekkonen
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis und Ron Townson
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Save the Country
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
?:??

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